Skip to main content

Flash Festival 2018: Drained by Open Eye Theatre at Hazelrigg House, Northampton

Back in 2015 when I was attending my second year at the Flash Festival, I had the pleasure of seeing a show called I Forget What I’ve Forgotten, a solo show performed by the superb Catherine Garlick, it was very much based on personal experiences, and it was one of very few Flash shows that I have made time to see a second time. That second time, it became the only Flash that I stood at the end of (to date), and it was the first that emotionally hit me hard.

While I didn't stand at the end of Open Eye Theatre's Drained (I was incredibly close), it left me a spent force of emotion. My fellow blogger and companion of the week The Real Chrisparkle, witnessed my tears, and I was actually perhaps as emotional as I have ever been at the end of any theatre show.

Drained was a slow burner of emotion, which I guess just gently took hold like no other before. Our three characters, Laura (Bryony Ditchburn) and her two brothers, Will (Robert Charles) and Jamie (Jake Wyatt) gather at the wake of their father. Laura is the sensible one, the one who tries to keep it all together. Will tries to help, but is more concerned about his boyfriend, than his sister. Then there is Jamie, never about, didn't go to the funeral and just turns up for drinks at the wake.

It's a powerful trio of characters, and Drained doesn't rush to let you in on the story that is going to develop. An ingenious scene structure takes us through the period of a year (simply created with changing posters), all in the same bar, from the wake, through Christmas, Valentine's Day, Easter etc, until we end up a year later, broken and devastated by what has played out through the scenes.

We learn two things during this year, which are most vital to the storytelling, first is that Jamie harbours a hidden hatred of the fact that his brother is gay. This comes out via the most vitriolic outburst you could wish to witness, stunningly played by Wyatt, and coupled with one amazing performance from Charles as well on the receiving end. It's an uncomfortable scene to watch, of course, it should be, but the admiration of the two actors to make it work is sky high from me.

The second, and even more devastating story though, it that of Laura. Quietly observing how her brothers are being ripped apart, and herself being desperate for a relationship, and being so alone, the seeds of development of her mental breakdown are sown. As Laura, Ditchburn gives one of the very best performances at Flash that I have seen (and at the point, I saw Drained, it was my 63rd show). The scene where she desperately tries to get an answer on the telephone is just so incredibly well played. The proximity, the closeness of the performance truly helping as well. A privilege to witness a performance so good, so close and this was pretty much I think the point when my own strength failed and the emotion began to flow.

It's difficult for me to say much more about Drained, there is some light relief in a wonderful scene where Charles plays Steve, Jamie's workmate, it's a brilliant comic scene, with some really big laughs, and helps create the light and dark, that many plays miss.

As already mentioned, this was my 63rd Flash when I watched, it was an emotional rollercoaster, and I have no hesitation in putting it in the top three of the shows I have seen in my five years. Just staggeringly brilliant in every way.

Performance viewed: Wednesday 25th April 2018

The Flash Festival 2018 ran between Monday 23rd and Friday 27th April 2018 at three venues across the town.

Photos: Looking Glass Theatre

Popular posts from this blog

Review of Hacktivists by Ben Ockrent performed by R&D Youth Theatre at Royal & Derngate (Underground), Northampton

The National Theatres Connections series of plays had been one of my highlights of my trips to R&D during 2014. Their short and snappy single act style kept them all interesting and never overstaying their welcome. So I was more than ready for my first encounter with one of this years Connections plays ahead of the main week of performances at R&D later in the year. Hacktivists is written by Ben Ockrent, whose slightly wacky but socially relevant play Breeders I had seen at St James Theatre last year. Hacktivists is less surreal, but does have a fair selection of what some people would call odd. Myself of the other hand would very much be home with them. So we are presented with thirteen nerdy "friends" who meet to hack, very much in what is termed the white hat variety. This being for good, as we join them they appear to have done very little more than hacked and created some LED light device. Crashing in to spoil the party however comes Beth (Emma-Ann Cranston)

Review of Shrek (NMTC) at Royal & Derngate (Derngate), Northampton

Three and a half years ago, in a land far far away, in a world very different to the one we are now in, I saw the touring professional production of Shrek The Musical , it was a mixed bag of quality, tilted extremely heavily in favour of one particular character (not the one you might expect) and not firing on all cylinders much of the time. One and a half years after my last visit to the Derngate theatre, I return to see the homegrown Northampton Musical Theatre Company's own take on the very same show. Would they be able to breathe more life into the show than the professionals did in that distant land? It is a bit of a yes and no really. Pretty much all of this is done to the best possible standard, and at times, with being an amateur show you could easily forget, they all have normal day jobs. The show oozes professional quality at times. The set looks magnificent, the costumes (from Molly Limpet's Theatrical Emporium) are superb, and as ever with NMTC, the backstage team c

Review of Theft at the Castle Theatre Studio, Wellingborough

The comedy-thriller Theft by Eric Chappell tells the story of an anniversary celebrating couple returning to the devastation of their home being ransacked in a burglary. However, this ransacking pales in comparison to the ransacking of their lives that then occurs as home truths are revealed. Anyone old enough to remember the works of Theft writer Chappell ( Rising Damp and Only When I Laugh ), could be forgiven for thinking that this 1996 play might feel a little dated for a 2021 audience. However, bar a few references much of their time now (the weaker sex and female priests for instance), Theft still feels comfortable in the 2021 world, where many of us just want both a good evening of theatre and a good bit of fun. With Theft from the highly regarded Wellingborough Technical Players, they get just that. The action starts as we find the man of the house John Miles played by Graham Breeze returning, very angry, to his home. He is a rightfully boisterous character, channelling all th