Skip to main content

Flash Festival 2018: Beneath It All by Balance Theatre at St Peter's Church, Northampton

There is a brilliant scene relatively early in Beneath It All which perfectly portrays the awkwardness and discomfort of the character of Charlie played by Oliver Franks, with so-called normal life. In a crowded corridor, he shifts uncomfortably out of the way of invisible people, even crashing into one at one point. It's an extremely clever way to quickly build the character and extremely nicely performed.

Beneath It All from Balance Theatre tells us of the early life of three young people and their burgeoning relationships, and hormones, and winding back to the start, we find that Charlie has not had an easy life. The play opens with him in a wheelchair, we learn very little about why he is in this, but that doesn't matter, the thread of troubled times is enough for us to understand the story Beneath It All is telling us.

There are a number of immensely tender scenes in Beneath It All, and they all build up our understanding of these troubled, but very endearing characters. There is no hostility here from any of the characters, and the most aggressive scene between the three only really comes from a flippant comment by Cecily over Charlie's sexy dream, and "it's not as if you raped me is it?" comment. It's a powerful moment, expertly reacted to by Franks. However, that is almost it in conflict. It's unusual to find a play where you like all the characters in it, yet still has enough impact to keep the piece intriguing, and for that Balance Theatre have to be applauded.

Very occasionally though, the low impact emotional scenes fall victim of the vast church theatre space, and dialogue can be lost in the lower volume scenes. However, these are few and far between, and I appreciated the tenderness of the scenes more than anything that I might not have heard.

As already alluded to, Franks is excellent as Charlie, conveying his almost terror like reactions to life in general, and the concern in his head that he had been really bad just having a sexy dream. It's a commanding performance that glues the whole show together.

As Cecily, Elizabeth Ferreira is once again immense on stage, a captivating presence even. As part of a physical representation of Charlie's dream, they create a wonderfully lyrical movement piece, full of amazing tenderness, and she also shows some amazing strength within this performance. Her character is also growing in this world of love, but with a much more relaxed style. Ferreira has been a strong performer from the first time I saw her in her brief moment in the first year performance two years ago, and it's great to see the momentum has not ceased. Wonderful work.

Completing the trio is Alexandra Pienaru as Charlie's sister Natalie. She is the grown-up of the trio, but also with some serious issues of her own, and Pienaru gives her great depth through her scenes. It has to be said, it is a curious relationship that she has with her brother, and I did wonder whether we were meant to detect something a little "different" going on. Perhaps that is the idea hidden, or just something that I felt was happening but wasn't there. Either way, Pienaru completes an incredibly strong trio.

I really enjoyed Beneath It All, it's a tremendously emotional play which creates some brilliant ideas to tell its story. Highly effective physical theatre, well written and full of lovely tender performances.

Performance viewed: Wednesday 25th April 2018

The Flash Festival 2018 ran between Monday 23rd and Friday 27th April 2018 at three venues across the town.

Popular posts from this blog

Review of Matthew Bourne's The Red Shoes at Milton Keynes Theatre

Sir Matthew Bourne has rightfully become the doyen of accessible contemporary ballet, with his works spanning a wide range, from Swan Lake , Lord of the Flies , and Edward Scissorhands to The Red Shoes , now here at Milton Keynes on an extensive tour. Based broadly on the 1948 film of the same name, The Red Shoes , set across Europe, follows the story of ballerina Victoria Page, discovered by ballet impresario Boris Lermontov. He requests that a ballet based on Hans Christian Andersen's tale   The Red Shoes  be written by the  composer Julian Craster, whom Page falls deeply in love with. A conflict arises, and Page must choose between love and success. The first impact on any audience of The Red Shoes is visually on the costumes and set. This is, without any question, a spectacular staging. Lez Brotherston, responsible for both costumes and set, has created a gem. The striking costumes effectively recreate the period in minute detail, placing the audience very much in t...

Review of Friends - The Musical Parody at Milton Keynes Theatre

The One Where 2026 starts in a world of confusion. And so, 2026 is upon us and for my first trip to the theatre this year, one of my most significant reviewing challenges was to occur. Touring to Milton Keynes Theatre is Friends - The Musical Parody , based, unsurprisingly, on that little American show that ran to a few audience members for ten years. However, I confess that I was not, and have never been in that audience, never having seen a single episode of the show. However, always up for a review challenge and doing my due diligence by having a Friends superfan as my plus one, I headed to Milton Keynes with anticipation. For those unfamiliar with the show, I could say I can’t help; however, a quick review of some of the information you might need (thanks, Google and my plus one). Running for ten years between 1994 and 2004 with 236 episodes (quiz question, you are welcome), the main characters consisted of Phoebe (ditzy, writer of sad songs), Monica (in possession of an unfeasibly...

Review of The All New Adventures of Peter Pan at Royal & Derngate (Derngate), Northampton

For theatres across the land, it's that time of year again. The time when the theatres fill with screaming children and a ridiculous amount of sugar intake and trips to the toilet. Yes, it is panto time, and before you say it, oh yes it is. This year, for the Royal & Derngate, it is time for a trip to Neverland (or Forever Land, that is, but more on that later) and a magical adventure with Peter Pan and the dastardly Captain Hook. Once again, following hugely successful previous runs, Evolution Productions brings this tale to the stage in 2025. And it has to be said, once again, they strike panto gold with The All New Adventures of Peter Pan , with a constantly lively, brilliantly colourful and awkwardly funny production that, as always with Evolution, is totally family friendly. Over the years here, Evolution and writer Paul Hendy have created the essence of pantomime (which just so happens to link to the tale within this story). Keeping all the traditions intact, a ghostly be...