Skip to main content

Review of Aladdin by University Of Northampton BA Actors at Isham Dark (Avenue Campus), Northampton

Five years ago, I hadn't seen a panto since I was the proper kiddie age to appreciate them, and they hadn't been something missing in my life really. Even the first few I saw as a grown-up left me mostly cold, and teeth gritted at the whole experience. However, I have now seen rather a lot of them, supporting the many groups and collections of actors that I follow, and have started to acknowledge their importance in the theatre world for both actor and first theatre contact for many a person and more importantly, child. Last year, the University of Northampton BA Actors course also got in on the act, introducing Christmas shows to the mix, one of which was a pantomime, of variable quality, as the course itself got to grips with the situation.

This year, they return to take up the challenge once again, and clearly having learnt much from last year's first attempt, bring a much more solid and smoother show to the stage, with Suzan Holder's version of Aladin directed by Dan McGarry.

Opening proceedings is a beautifully welcoming performance from Amber King as Sheherazade, our narrator for the day, with her chorus, she sets the scene and returns throughout the show, offering songs and story updates. It's a delightfully perfect performance, one of many in this show. Not least, with the excellent casting of Aladdin, Samantha Turner, the perfect physical appearance for the role, principally perfect in fact! And also of the cast, one of the strongest singing voices in a show filled with a wide-ranging mix of tunes. It has to be said, that if there is a weak point of this show, it's in the singing standards, which vary quite a bit. However, these are at the end of the day actors, not singers, so, those that do have that extra bow just have the advantage to exploit for the future.

One extra bow shown by a few of the cast was with the innovative depiction of the Genie, three-headed and played by Beth HĂ¢f Jones, Abi Cameron and Hannah Bacon. Close-fitting, overlapping dialogue and dual dialogue made this a neat little interpretation and some great skill from the performers. This coupled with some brilliant acrobatics, made it all a brilliant twist of the familiar character. Kieran James gave a fine stab at the perhaps ultimate challenging role of panto, the Dame, here in the guise of Widow Twankey. He was at his best with his hilarious switches back to butch gravely voiced Dame.

A particularly strong part of this show also was in its neat double acts. The brilliant weaselly performance from Daniel Hubery as Sultan and his Sultana played with a charm, but with inkles of quite an acting depth underneath, by Katie Glenn, they were both superb. As were Tyler Reece as Guard 1 and Louise Akroyd as, you've guessed it, Guard 2, who equally worked brilliantly together, with Reece particularly good, which I am still willing to say, despite him picking on me at his first appearance. I also liked PC Kung Fu and Officer Tai Chi played by D'angelo Mitchell and Mia Leonie respectively, Leonie coping admirably well with the awful prospect of slow delivery in lines, with a joke that just about didn't outstay its welcome!

Perhaps the star of the show though, and I think with the excellently intrigued pupils from Castle Academy as well, was Nafetalai Tuifua as Wishee Washee. A full-on performance, fully getting what needed to be done in the panto environment. Dealing with any comments thrown at him with fast thinking skill, he sure knew how to work his audience. A definite panto star of the future I suspect!

Dan McGarry's direction used the space brilliantly with the challenge of entertaining all four sides of audiences at once with the arena setup. It was all a fluid success of a show where, unlike last year, all the actors, got it, and as a result had a captivated audience of children and some adults, due to the pub being shut (an in-joke).

Performance viewed: Wednesday 12 December 2018 (matinee) at Isham Dark, University of Northampton (Avenue Campus), Northampton
Twitter feed for the University actors is @UoN_BaActors


Popular posts from this blog

Review of The Classic Rock Show: Top 20 Greatest Guitar Riffs Ever Part 2 at Royal & Derngate (Derngate), Northampton

By very good fortune I found myself back at Royal & Derngate (with three companions) for The Classic Rock Show and this years theme, the Top 20 Greatest Guitar Riffs Ever Part 2. Never having seen this band before, I have to say that I was pleasantly surprised by the evening as a whole although I certainly had some personal reservations. Formed from eight members it gives the opportunity to have a great deal of variety from the performances, with only two of the group not getting their opportunity at the microphone for a solo. Lead vocals however are provided magnificently by Alex Dee and Ricardo Afonso. Personal highlights from them for me was for Dee during a superbly powerful rendition of Wings'  Live And Let Die . While Afonso's take on Queen's The Show Must Go On , was an immensely strong point. I also loved their creation of Meatloaf's Bat Out Of Hell , with Dee bringing the softer moments and leaving Afonso to cover those big and bold periods. Of the o...

Review of Sweeney Todd: The Demon Barber of Fleet Street at Birmingham Rep

Sweeney Todd: The Demon Barber of Fleet Street first appeared in this musical form in 1979. Adapted from an original play by Christopher Bond, the work was set to music and lyrics by Stephen Sondheim, with a book by Hugh Wheeler. It quickly became a huge success, opening on both Broadway and the West End within a year. Following Tony and Olivier wins, the show has seen revival after revival over the years, as well as a musical film starring Johnny Depp. Now, Birmingham Rep presents its own pared-back version of the show, featuring some big stars of the theatre world. So, the question is, is Sweeney Todd as razor-sharp as it once was? What is clear to all at the outset is that director Joe Murphy, also artistic director at Birmingham Rep, has assembled a remarkable and bold cast for the show. Leading as Sweeney is Ramin Karimloo, whose bio speaks for itself and is the biggest draw for this show, especially for theatres outside London. His Sweeney is a perfectly brooding affair, broken...

Review of Annie at Milton Keynes Theatre

Annie was first performed now a remarkable fifty years ago at Goodspeed Opera House in Connecticut, and since then, the tale based on a 1920s comic strip and adapted for the stage by Thomas Meehan on book, with music by Charles Strouse, and lyrics provided by Martin Charnin, has become a perennial favourite across the world. Indeed, this version, directed by Nikolai Foster, last appeared at Milton Keynes Theatre in 2023. So, after all these years, does Annie still have that appeal? Set in  1930s New York during the Great Depression,  Annie  follows the life of an orphan abandoned to the care  of its evil matron, Miss Hannigan. Annie seeks escape, and after one failed attempt, she finds herself the chosen Christmas guest of billionaire Oliver Warbucks, and things slowly, hopefully begin to improve for the little but fiercely strong Annie. Leading the adult cast for this tour now as the cruel Miss Hannigan is Claire Sweeney. Sweeney clearly revels in the chance to embr...