Skip to main content

Review of Peter Pan at Royal & Derngate (Derngate), Northampton

I have been invariably impressed and depressed by the two offerings of Qdos pantomimes presented at Royal & Derngate that I have seen in the last three years, with them lurching dramatically from unnecessarily adult, to perfectly judged family entertainment. There is no question that Qdos though know how to do a panto, they always complete that mental checklist of things you seek from a panto trip. So, with an equal measuring of good and bad in the past, I went with trepidation, but hope, that this year was going to be the better side of success and failure.

Thankfully it was, Peter Pan is one of the more perfect heartwarming and thrilling pantos that you could want, perhaps the strongest because of just having a tremendously impressive story to work with. It's true that this is a little less traditional at times, we don't have for instance the typical Dame to deal with. However, with its grand baddie and comic moments, it still feels very panto at all times.

Heading the cast is a lovely little innocent performance from Joe Sleight as Peter, balancing the character of J. M. Barrie classic and the need for that little bit more in the panto context. It's a star turn, despite not being anywhere near top billing (and deprived unfairly of poster/programme cover inclusion). He shows adept skills on the wire as well for the prerequisite flying scenes.

The required baddie, here in the guise of the classic Captain Hook, is played by Darren Day. Going all cockney for the role, he is suitably nasty but keeping it light enough not to be too scary for any real young kiddies about. Although they might clutch their teddy bears a little closer when home.

Wendy is delightfully played, but underused, by Millie Davies. A sweet performance, vocally the strongest of the show as well. While Nadia Kramer as Tiger Lilly gets the chance to perform perhaps one of the best-reworked songs, with Clean Bandit's Rather Be.

Britain's Got Talent winners Flawless, bring something a little different to a panto, and while they of course only have one trick, it's an exceptional one, as they bring some incredible dance moves to the stage as The Neverlanders.

The comedy act, a staple for a successful panto comes in the form of vintage act The Grumbleweeds. While they are still very much on the circuit, their brand of comedy and success was at it's strongest in the eighties, and I, just about old enough remember them well. They are a much different outfit now, reworked as a double act, with original member Robin Colvill reborn as a dishevelled character and relatively new member James Brandon (joining in 2014), his clearcut straight man. Their appearances here make up a huge amount of the success of this entire show. The humour is sharp, friendly, occasionally rude but never lewd, and also extremely clever and perfect for the theatre environment. The best scene in the play is theirs, where Colvill (as Smee) finds a remote control which just so happens to have control of all the theatre equipment. So, as Brandon (as Starkey) and Beverley Mitchell (understudy in the role of Mimi the Magical Mermaid) attempt to sing a duet, chaos rules with theatre trick after trick. Brilliantly worked technically, and with a particularly strong surprise moment for the audience. It's a little too much to say that The Grumbleweeds make the show, but, without their brilliant impact, this would be a much looser package, and I am sure that the school group will remember fondly the fun at the expense of their teacher for a while.

The set is full of colour and is efficiently switched from scene to scene smoothly, with only one noticeable delay during the production. The choreography is adequate, but at times feels a little repetitive. Day's singing routines especially appear to all follow exactly the same path at his proceeds left or right in his crescent return to the back of the stage excessively. Perhaps a little more variety here would have been nice.

Any qualms though are minor as Peter Pan is an exceptionally good pantomime, full of great performances, and comedy from The Grumblesweeds that is outstanding. Not just worth it for the ship in the bottle joke, but for a hugely fulfilling family classic panto!

Fabulous family pantomime with something for all ages and an incredible star turn from The Grumbleweeds.
⭐⭐⭐⭐½

Performance reviewed: Friday 14th December 2018 at the Royal & Derngate (Derngate), Northampton.
Peter Pan runs at the Royal & Derngate until Sunday 30th December 2018.

For further details about the Royal & Derngate see their website at http://www.royalandderngate.co.uk

Photos: Graeme Braidwood

Popular posts from this blog

Review of Matilda at Milton Keynes Theatre

Roald Dahl is perhaps one of the most famous children’s authors of any generation, and his work has inspired an exceptional number of film, television, and theatre adaptations. Fifteen years ago, this musical of Matilda , one of his most fondly remembered stories, took to the stage and has not looked back since. Adapted from the original book by Dennis Kelly, with lyrics and music by Tim Minchin, the show has been a fixture at the Cambridge Theatre in London since 2011, has performed on Broadway, and is now reaching Milton Keynes Theatre as part of its second UK and Ireland Tour. Inspired by the Roald Dahl book of the same name, this Royal Shakespeare Company’s multi-award-winning musical tells the story of an extraordinary little girl with a vivid imagination and the courage to change her own destiny. Matilda is of course the centre of attention in this production, and on this extensive tour, the role is shared by Felicity Brown, Petra Hutchings, Mollie Hutton, and Caroline Ravansari ...

Review of Annie at Milton Keynes Theatre

Annie was first performed now a remarkable fifty years ago at Goodspeed Opera House in Connecticut, and since then, the tale based on a 1920s comic strip and adapted for the stage by Thomas Meehan on book, with music by Charles Strouse, and lyrics provided by Martin Charnin, has become a perennial favourite across the world. Indeed, this version, directed by Nikolai Foster, last appeared at Milton Keynes Theatre in 2023. So, after all these years, does Annie still have that appeal? Set in  1930s New York during the Great Depression,  Annie  follows the life of an orphan abandoned to the care  of its evil matron, Miss Hannigan. Annie seeks escape, and after one failed attempt, she finds herself the chosen Christmas guest of billionaire Oliver Warbucks, and things slowly, hopefully begin to improve for the little but fiercely strong Annie. Leading the adult cast for this tour now as the cruel Miss Hannigan is Claire Sweeney. Sweeney clearly revels in the chance to embr...

Review of Elf the Musical (N.M.T.C.) at Royal & Derngate (Derngate), Northampton

Christmas has come early this year thanks to the Northampton Musical Theatre Company and their annual performance at Royal & Derngate; this year, they bring Elf the Musical to the stage. First staged in 2010, this musical version of the 2003 Will Ferrell comedy features music by Matthew Sklar and Chad Beguelin and is based on the book by Bob Martin and Thomas Meehan, from David Berenbaum's original screenplay. Elf tells the tale of Buddy, a human raised by Santa's elves, who eventually learns that his origins are less North Pole and more the skyscraper streets of New York City. So, for Buddy, it’s time to travel to the Big Apple and finally meet his biological father. Matt Clarke's lead performance in Elf is strong. Clarke brings Buddy to life with all the childish manners and silly behaviour that make the character an endearing lead. He also has the vocal ability and movement to match, and he effortlessly entertains, especially the young kids, with his zany antics. Han...