Skip to main content

Review of Peter Pan at Royal & Derngate (Derngate), Northampton

I have been invariably impressed and depressed by the two offerings of Qdos pantomimes presented at Royal & Derngate that I have seen in the last three years, with them lurching dramatically from unnecessarily adult, to perfectly judged family entertainment. There is no question that Qdos though know how to do a panto, they always complete that mental checklist of things you seek from a panto trip. So, with an equal measuring of good and bad in the past, I went with trepidation, but hope, that this year was going to be the better side of success and failure.

Thankfully it was, Peter Pan is one of the more perfect heartwarming and thrilling pantos that you could want, perhaps the strongest because of just having a tremendously impressive story to work with. It's true that this is a little less traditional at times, we don't have for instance the typical Dame to deal with. However, with its grand baddie and comic moments, it still feels very panto at all times.

Heading the cast is a lovely little innocent performance from Joe Sleight as Peter, balancing the character of J. M. Barrie classic and the need for that little bit more in the panto context. It's a star turn, despite not being anywhere near top billing (and deprived unfairly of poster/programme cover inclusion). He shows adept skills on the wire as well for the prerequisite flying scenes.

The required baddie, here in the guise of the classic Captain Hook, is played by Darren Day. Going all cockney for the role, he is suitably nasty but keeping it light enough not to be too scary for any real young kiddies about. Although they might clutch their teddy bears a little closer when home.

Wendy is delightfully played, but underused, by Millie Davies. A sweet performance, vocally the strongest of the show as well. While Nadia Kramer as Tiger Lilly gets the chance to perform perhaps one of the best-reworked songs, with Clean Bandit's Rather Be.

Britain's Got Talent winners Flawless, bring something a little different to a panto, and while they of course only have one trick, it's an exceptional one, as they bring some incredible dance moves to the stage as The Neverlanders.

The comedy act, a staple for a successful panto comes in the form of vintage act The Grumbleweeds. While they are still very much on the circuit, their brand of comedy and success was at it's strongest in the eighties, and I, just about old enough remember them well. They are a much different outfit now, reworked as a double act, with original member Robin Colvill reborn as a dishevelled character and relatively new member James Brandon (joining in 2014), his clearcut straight man. Their appearances here make up a huge amount of the success of this entire show. The humour is sharp, friendly, occasionally rude but never lewd, and also extremely clever and perfect for the theatre environment. The best scene in the play is theirs, where Colvill (as Smee) finds a remote control which just so happens to have control of all the theatre equipment. So, as Brandon (as Starkey) and Beverley Mitchell (understudy in the role of Mimi the Magical Mermaid) attempt to sing a duet, chaos rules with theatre trick after trick. Brilliantly worked technically, and with a particularly strong surprise moment for the audience. It's a little too much to say that The Grumbleweeds make the show, but, without their brilliant impact, this would be a much looser package, and I am sure that the school group will remember fondly the fun at the expense of their teacher for a while.

The set is full of colour and is efficiently switched from scene to scene smoothly, with only one noticeable delay during the production. The choreography is adequate, but at times feels a little repetitive. Day's singing routines especially appear to all follow exactly the same path at his proceeds left or right in his crescent return to the back of the stage excessively. Perhaps a little more variety here would have been nice.

Any qualms though are minor as Peter Pan is an exceptionally good pantomime, full of great performances, and comedy from The Grumblesweeds that is outstanding. Not just worth it for the ship in the bottle joke, but for a hugely fulfilling family classic panto!

Fabulous family pantomime with something for all ages and an incredible star turn from The Grumbleweeds.
⭐⭐½

Performance reviewed: Friday 14th December 2018 at the Royal & Derngate (Derngate), Northampton.
Peter Pan runs at the Royal & Derngate until Sunday 30th December 2018.

For further details about the Royal & Derngate see their website at http://www.royalandderngate.co.uk

Photos: Graeme Braidwood

Popular posts from this blog

Review of Beauty and the Beast at Castle Theatre, Wellingborough

The Castle Theatre Wellingborough this year sees the home of Beauty and the Beast as its seasonal pantomime, and what a fabulously entertaining show it is. Hiding away from the big star names, Parkwood Theatres & Castle Theatre has assembled a talented bunch of performers to bring this tale “as old as time” to the stage. Produced and directed by Martin Cleverley once again, back from previous years' pantos, the show relies very much on characters rather than showy visuals. Taking full advantage of a French setting, the puns flow freely, including to the characters, with names such as Danon and Djon thrown into the mustard pot (very much intended) of puns. Aura Mitchell and Kaysee Craine lead our cast of characters as the title characters of Beauty and the Beast (also known as Prince Pierre). While they do play second fiddle, as is the norm for a panto, to the additional comic characters, they form a charming partnership. Returning to the role of panto dame from last year'...

Review of Mog's Christmas at Royal & Derngate (Royal), Northampton

Back in 2022, the theatre group The Wardrobe Ensemble created a sweet and adventurous staging of Judith Kerr's classic children's character, Mog - The Forgetful Cat . For this Christmas season at Royal & Derngate, Mog returns with, suitably enough, Mog's Christmas . The show, just a crisp, action-packed hour, retells two past adventures alongside a Christmas vignette. Kerr's Mog first appeared in 1970, and it launched a remarkable run of books over 50 years featuring the puzzled feline, culminating in the final book released in 2020, following Kerr's death at 95 in 2019. Kerr is most famous for one of her other tales, The Tiger Who Came to Tea . However, in Mog's Christmas , the show presents three entertaining little stories featuring her other, slightly lesser-known feline character. Over the course of the hour, we see Mog successfully foil a burglar, survive a trip to the V.E.T., and then, in the brand-new stage story, a Christmas adventure where Mog gets...

Review of Joseph and the Amazing Technicolor Dreamcoat at Milton Keynes Theatre

There have been numerous productions of Andrew Lloyd Webber and Tim Rice's groundbreaking musical since it first appeared in 1968 and opened in the West End in 1973. One might wonder if there is still room for another tour. However, judging by the packed audience in Milton Keynes Theatre for the opening night of Joseph and the Amazing Technicolor Dreamcoat , much interest remains for this show. Also, with this production first seen at The London Palladium in June 2019, and with a few production elements altered, Joseph still has, after all those years, the room to change and evolve. However, the question is, does this change help or hinder the show's history? For those unfamiliar with Joseph and the Amazing Technicolor Dreamcoat, it tells the story of Joseph, Jacob's favourite son, in a lighthearted and musical style that jumps between various genres. Joseph's brothers are somewhat envious of him, leading to them selling him into slavery to an Egyptian nobleman. As for ...