Skip to main content

Review of Madame Bovary by Masque Theatre at The Playhouse Theatre, Northampton

Rosanna Lowe's version of Gustave Flaubert's Madame Bovary was originally commissioned by Simon Godwin for the Northampton Royal Theatre, so it perhaps seems apt, that it returns to a stage of the same town, in this new wacky interpretation from Masque Theatre.

Masque's publicity for the show, describes it as a "madcap tragedy", and for those more familiar with Flaubert's novel you shall perhaps be a little surprised by the anarchic version created here. This is tragedy played for full-on slapstick effect, and while at times it might seem overwhelming in its intensity, the ride we are taken on is a delight.

Directed by Tamsyn Payne and Alex Rex and a team of talented creatives, Madame Bovary's props and design are every bit as important as the talented cast wielding them. For an amateur production, the attention to detail is nothing short of staggering. Gloriously created books filled with delights, puppet dogs and children, mini nuns, and little baskets of apples, are among many of the props that make this show more than the sum of its performers.

However, this show also revels of course in the skills of the four (and a sneaky fifth, with Alex Rex appearing in a few roles) actors, headed by Julia Langley as Madame Bovary. Whenever Langley is on stage, you always feel that the audience is in for a treat, and as Emma Bovary, here there is no difference. Revelling in the depth and complexity of the character, made more so in a comic version, Langley brings the mischief and naughtiness of the character to life. However, also well prepared for the turn of events at the end, because even as a wacky version of the story, this does not shy from the power of its tragic end, and Langley as ever has the skill to take the craziness down a significant notch, to bring Emma Bovary back to the complete Flaubert original in those dying embers of the play.

While Langley has the single role of Emma, the remainder of the cast in this production bring to life numerous characters from the original. A newcomer to Masque, Lou Chawner may well concentrate his performance on the vital role of Charles Bovary, which he brings to life in a surprisingly subtle way. However, in Madame Bovary, his perhaps best role is that of the oily Lheureux though, apart from looking the part, he captures the character very well. Chawner also, like a professional, handles the issue of a broken foot, performing the play entirely on crutches.

Another newcomer to Masque is Mairead Kearins, who also has a collection of random characters, and more especially the first of two performers which are gender switched, as the bulk of Kearins characters are male. So, not to put my foot in it too much, it has to be said that Keirins creates the roles well, perhaps the best of which is that of Leon.

Also taking on the baton of being rather manly, is the brilliant Beverly Webster. She creates each of the characters with her usual ease and manages to act beyond that significant moustache, to make Rodolphe her best character. There is no question that the energetic, and brilliantly created scene of her romping with Madame Bovary in all manner of positions is the best of the play.

Technically, this is a very successful affair. There are more than a few neat ideas dotted around, with a lovely little twinkling sky, cascading notes from above cleverly rigged, and a simple, but well created fireworks display. There is clearly more than a little blood, sweat and tears gone into this production, and every moment of that shows on the stage.

I am loath to say that at times Madame Bovary is simply too creative, as that is a crazy thing to say, but possibly one of the few criticisms I can level at it, is that is occasionally too busy, and you often feel you are missing out on some other ingenious idead. Once you get on the wavelength of the show, however, which probably takes a few minutes, Madame Bovary is tremendously entertaining and benefits from a lively, sprightly (yes, even on crutches) cast, with two particularly strong performances from Langley and Webster. Despite all the chaos throughout, it all ends as it should from this tale, with a truly poignant scene, excellently created. A romp of a night at the theatre.

Performance reviewed: Tuesday 10th April 2018 at the Playhouse Theatre, Northampton.

Madame Bovary runs until Saturday 14th April 2018 at the Playhouse Theatre, Northampton.

Details of Masque can be found at http://www.masquetheatre.co.uk/


Photos: Joe Brown

Popular posts from this blog

Review of Murder She Didn't Write at Royal & Derngate (Royal), Northampton

Murder She Didn't Write , stopping off for a four-day run at Royal & Derngate on a lengthy UK tour, treads the now well-worn path of an improvisational evening of theatre entertainment. Unsurprisingly, from the title, this show from Degrees of Error's takes a murder mystery as its inspiration, with the story influenced by ideas from the audience each evening. Due to this, Murder She Didn't Write and a review are very much an individual affair. What I saw in my evening at the theatre will differ significantly from what the audience will see the following evening; however, the fine performers will remain. The touring cast, in no particular order, is Lizzy Skrzypiec, Rachael Procter-Lane, Peter Baker, Caitlin Campbell, Stephen Clements, Douglas Walker, Harry Allmark, Rosalind Beeson, Sylvia Bishop, Emily Brady, Alice Lamb, Sara Garrard, Peta Maurice and Matthew Whittle. For my performance, Skrzypiec, Procter-Lane, Baker, Walker, Bishop, and Clements were on stage alongsid...

Review of War Horse at Milton Keynes Theatre

Michael Morpurgo's novel War Horse was published in 1982. While it was highly regarded and thought to be his best work, perhaps it eventually came to most people's attention when this striking play stormed the stage, thanks to the National Theatre, back in 2007. Now, War Horse arrives at Milton Keynes Theatre as part of another vast UK tour. Adapted by Nick Stafford in association with the award-winning Handspring Puppet Company, War Horse tells the story of the First World War through the eyes of one horse, Joey, sold for a record price from a family battle but eventually shipped off to war-torn France much to the distress of his original owner, 16-year old Albert. The sprawling and epic story should take some staging, but the vast cast, beautiful structure, stunning folk music and, of course, what this play has become known for, magnificent puppetry, all bring the story to life. This production, directed by Tom Morris and revival director Katie Henry, is a magnificent thin...

Review of Immune by R&D Youth Theatre at Royal & Derngate (Royal), Northampton

The cover note for the script of Oladipo Agboluaje's Immune describes it as "a challenging science fiction play with a large cast", and the word challenging in this case is not a lie. This is a fast paced, multi-cast changing script which leaves little room for error for its young cast in the performance. If the script isn't enough to handle for the young performers, director Christopher Elmer-Gorry and designer Carl Davies have made the situation even more complex for the actors with the set and stage work. Having to manhandle great panels on wheels and a huge cube, which also splits in two occasionally, during scene changes requires skill, coordination and cooperation of a high level. As if all this is not enough, the actual story is epic enough for the relatively small stage of the Royal. Attempting to form an apocalyptic world (albeit only happening in Plymouth) offers challenges in itself, but Agboluaje's script does that in a sort of apocalypse in the teac...