Skip to main content

Review of The Flying Lovers Of Vitebsk at Royal & Derngate (Royal), Northampton

Kneehigh, the Cornwall based theatre company, has created an immense recognition over the 30 years or so they have been formed, and Emma Rice, who directs here, has come out as one of the more recognisable people from the group. Here, with The Flying Lovers of Vitebsk, they, and Rice are in incredible form.

Writer Daniel Jamieson tells us the tale of artist Marc Chagall and his wife Bella as their love blossoms during some of the most turbulent times in history.

This tale, by Jamieson, first saw a life on stage over 25 years ago, back then titled Birthday (the name of a painting by Chagall, which depicts he and his wife doing their "flying"). In the original production, Jamieson played Marc, and Rice played Bella. Now many years later, Rice has taken the original and created a brand new vivid version.

It's easy to fall in love with The Flying Lovers of Vitebsk very early on, as two things occur. The first is as you are seated in the theatre, you become captivated by the intricacies and the bizarre nature of the set by Sophia Clist. Wooden posts contort at odd angles, a square staging area dramatically angles towards the audience, a chair impossibly stays upon it. This set strewn with many items inkling of things to come is just beautiful in itself.

Then the opening moment where we are presented with the first song of the evening, another thing of beauty. The music selection in this production is stunning, much created by Ian Ross, and performed live onstage by he and James Gow, is simply amazing. This coupled with the singing abilities of cast members Marc Antolin and Daisy Maywood leaves a shiver down the spine, most particularly the richness, and haunting nature of Antolin's voice.

So, if nothing else was to happen, I would probably be happy with the set and music alone, however, what follows is 90 minutes of the most touching, funny and clever theatre you might wish to imagine. It is, by its theme, a surreal world, a theatre play falling, as it were, from the works of Chagall himself. Full of bizarreness and colours infinite, the lighting on this show from Malcolm Rippeth is immense in itself. This play is a three-dimensional play cascading from Chagall's canvas.

So much said before even getting to the two performers tells much of the detail in this show, however, Marc Antolin as Marc Chagall and Daisy Maywood as Bella are also simply incredible. This show requires perhaps everything of a performer: acting, singing, physical ability of an exceptional level, even clowning. It also though requires a lightness of touch to make them all work together, as we switch from one ridiculously frantic scene of strange objects strapped to their heads and to a quiet gentle moment of reflection at the traumas going on. Antolin and Maywood are clearly amazing performers and have all the required skills to make this piece work so well, in other hands, some of the situations could easily just not work.

The Flying Lovers of Vitebsk is the final work for Kneehigh from Emma Rice, and to say she leaves on a high would be an understatement. It is a love letter of a play to both the company, it's audience, and to the poignant history of the Chagall's. It looks and sounds gorgeous in so many ways, and leaves a wave of emotion through its audience.

A masterpiece of a theatre production.

Performance reviewed: Wednesday 25th April 2018 at the Royal & Derngate (Derngate), Northampton.
The Flying Lovers Of Vitebsk runs at the Royal & Derngate until Saturday 28th April 2018 before continuing its tour. Details at kneehigh.co.uk

For further details about the Royal & Derngate see their website at royalandderngate.co.uk

Photos: Steve Tanner

Popular posts from this blog

Review of Rambert Dance in Peaky Blinders - The Redemption of Thomas Shelby at Royal & Derngate (Derngate), Northampton

The Rambert Dance Company is the oldest such company in Britain having first performed in 1926. However, despite this, this was my first encounter with the group in my ten years of theatre-going. Coupled with this, it was also my first encounter with Peaky Blinders , having never seen the show, and only knowing a few vague things about it. My companion for the evening however was very familiar with the show, allowing some background behind the show. It turns out though,  Rambert Dance in Peaky Blinders - The Redemption of Thomas Shelby needs a little more than a good bit of knowledge of the show, as despite this production having incredible style, there struggles to be a cohesive structure to the show and the storytelling. Much more than other dance shows as well. The first act does a whistle-stop tour of the first five seasons and while it is a feast on the eye, and on the ear, it gets extremely confusing at times. The second act is freestyle and drifts away from the stories tol...

Review of Dear England at Milton Keynes Theatre

James Graham’s award-winning play Dear England has been around a while now, and indeed, when it was first staged in 2023, some events depicted here hadn’t even happened. Therefore, the pen, likely keyboard, of Graham has been busy adding what amounts to a further epilogue, and it now amounts to the complete package of Gareth Southgate’s tenure as the poisoned chalice that is England football manager. For those who may have missed it, Dear England tells the story of Southgate’s journey from his inception into the manager role in 2016 to his eventual departure and knighthood in the New Year’s Honours of 2025. However, this play, while centred on the beautiful game, is more than about kicking a ball and managing and coaching it. Writer Graham mines from the source material a piece that very much explores what it is to be English and, with Southgate’s approach to coaching, what makes the brain tick. To that effect, enter psychologist Pippa Grange, and the journey for Southgate to become ...

Review of Friends - The Musical Parody at Milton Keynes Theatre

The One Where 2026 starts in a world of confusion. And so, 2026 is upon us and for my first trip to the theatre this year, one of my most significant reviewing challenges was to occur. Touring to Milton Keynes Theatre is Friends - The Musical Parody , based, unsurprisingly, on that little American show that ran to a few audience members for ten years. However, I confess that I was not, and have never been in that audience, never having seen a single episode of the show. However, always up for a review challenge and doing my due diligence by having a Friends superfan as my plus one, I headed to Milton Keynes with anticipation. For those unfamiliar with the show, I could say I can’t help; however, a quick review of some of the information you might need (thanks, Google and my plus one). Running for ten years between 1994 and 2004 with 236 episodes (quiz question, you are welcome), the main characters consisted of Phoebe (ditzy, writer of sad songs), Monica (in possession of an unfeasibly...