Skip to main content

Review of Rita, Sue + Bob Too at Royal & Derngate (Royal), Northampton

The world of retro and rekindling long past successes and eras is blossoming like no other, however as it builds to exponential levels, I sometimes wonder when we will all find that we are just exhausted from too much of yesteryear? I write this following a day of two theatre trips doing similar things, the first of this a reimagining of a classic eighties play and later film Rita, Sue + Bob Too (more on the other in a future blog).

This is industrial northern matter from writer Andrea Dunbar, full of the grime of Thatcher England, and filled, really filled, with gritty workforce language, Add to this the gyrating backside of Bob (James Atherton) on top of two underage schoolgirls, and this play is clearly not the sort of thing to take granny to see. I have to confess from the outset that this show really didn't work for me, it didn't help that at 80 minutes with no interval, you do feel a little short-changed. However Education, Education, Education was pretty much the same the other week and I loved that, therefore things lie elsewhere in the doubt department on this one as well.

Actually, I have to return to Education once again for my first gripe, and that is of the musical interludes. Where in that, they were not only superbly delivered and felt in keeping with the show, in Rita, Sue + Bob Too, they feel to me just tacked on to make the show different for the stage compared to the film that most will be familiar with. Adding a tick to the checklist of theatre show requirements as it were. It's not to say they are poorly performed, as they are not, and to see father and mother grinding away the dance moves totally in character proves somewhat amusing. However, despite the brilliance of the music (this is my decade after all), for me, they don't work and feel out of place within this comically gritty tale.

Then there is the theme of the play, one which probably as year on year has potentially become more uncomfortable and even more so in the present news world. So as the gyrating backside becomes more present, so did my uncomfortableness of the whole premise and theme of the show. I knew what it was about of course, but didn't really feel I would find it as unholy as I did. Therefore the lighthearted nature of some of the bridging scenes just made me feel more embarrassed of how the theme was being treated
.
I am not at any point going to criticise any of the performances in this as they are all great in their individual characters, it's just that, to be honest none of them to me come across as particularly likeable. When I feel the highlight for me character-wise is when Mum (Sally Bankes) unexpectedly swears like a docker in response to the constant barrage of Dad (David Walker), I tend to rightfully feel disappointed.

All reviews are personal, however, I have sadly made this one more so, while it is well staged, I felt throughout very uncomfortable of the whole story it is telling, and with this stage show, a little too lighthearted in its approach. I happily want to be challenged by theatre, some of the best I have seen do so, leaving me thoughtful, but the subjects that are tough usually have some payoff at the end. Rita, Sue + Bob Too, has no penalty for any of the wrongs that take place and more so the tone of the staging leaves me cold.

Unpleasant.
⭐⭐

Performance reviewed: Wednesday 1st November 2017 (matinee) at the Royal & Derngate (Derngate), Northampton.

Rita, Sue + Bob Too ran at the Royal & Derngate until Saturday 4th November 2017 
and continues its tour into 2018. Details at http://www.outofjoint.co.uk/production/rita-sue-and-bob-too

For further details visit the Royal & Derngate website at http://www.royalandderngate.co.uk/

Photos: Richard Davenport

Popular posts from this blog

Review of Frankenstein at Royal & Derngate (Royal), Northampton

Over 200 years since its first publication it is remarkable to think that what is, in essence, a scientific novel such as Frankenstein is still so relevant in content today. However, as science evolves endlessly, and now with AI becoming so dominant and controversial, the difference between right and wrong, good and evil in science, and what is too inhuman is as current as ever. Tilted Wig's production, now at the end of its UK tour at Royal & Derngate and written and directed by Sean Aydon takes the original story and sets it about halfway between the first publication and modern day, around the time leading up to the Second World War. Aydon's adaptation works really well in placing the story within this degenerating world, a place where true horror is around the corner, and veiled ideas of their (Germany's) interest in Frankenstein's work are gently developed. However, while Aydon clearly had this idea in his head and his pen when scripting this version, the polit

Review of Hacktivists by Ben Ockrent performed by R&D Youth Theatre at Royal & Derngate (Underground), Northampton

The National Theatres Connections series of plays had been one of my highlights of my trips to R&D during 2014. Their short and snappy single act style kept them all interesting and never overstaying their welcome. So I was more than ready for my first encounter with one of this years Connections plays ahead of the main week of performances at R&D later in the year. Hacktivists is written by Ben Ockrent, whose slightly wacky but socially relevant play Breeders I had seen at St James Theatre last year. Hacktivists is less surreal, but does have a fair selection of what some people would call odd. Myself of the other hand would very much be home with them. So we are presented with thirteen nerdy "friends" who meet to hack, very much in what is termed the white hat variety. This being for good, as we join them they appear to have done very little more than hacked and created some LED light device. Crashing in to spoil the party however comes Beth (Emma-Ann Cranston)

Review of Flashdance - The Musical at Milton Keynes Theatre, Milton Keynes

For the second week running, the Milton Keynes Theatre is overrun by a wave of eighties nostalgia as Selladoor's production of Flashdance The Musical follows hot on the heels of An Officer and a Gentlemen. However, is it nice to have more of that classic decade upon the stage? The answer mostly is yes, despite the fact that the story driving Flashdance is that light and flimsy at times, you just have to sit back and watch the dancing and the bright colours to get you through. Welding genius, Alex Owens, has her sights set for a bigger thing beyond this tired and struggling factory in Pittsburgh.  Hoping to take her dancing beyond Harry's bar, she plans to make big, via Shipley Dance Academy.  Then, also drifting into her life comes Nick Hurley, who initially unknown to her, happens to be the factory bosses son, the scene is set for romance. Flashdance has a generally excellent cast led with a tremendously good performance from Joanne Clifton as Alex Owens. Those famili