Skip to main content

Review of Murder On The Dancefloor at St. Albans The Martyr Church, Northampton

When you see the expanse of theatre that I do, sweeping from the cream of the West End, TV and film, onto fledgeling students, to youth theatre, amateur theatre, huge touring shows, it is quite a challenge to get the balance right in a review.

Most especially when going to a show such as Murder on the Dancefloor by St. Albans Charity Players. This is community, am-dram of the highest order, it is no frills, often loosely performed, but also occasionally unexpectedly very impressive as well. However what is key with this is that you look beyond any flashes of fluctuating quality and step back and see the importance that shows like this have to that community.

Murder on the Dancefloor takes dance show Strictly Come Dancing as its background and shakes an interactive murder mystery stick at it. It is always truly silly, as one of the character names, Crane Breville-Hardwood suggests. It is filled with the most garish of typical dance scene dresses, all overdressed, over made up and blinding colours. Also, those costumes adorn the most ridiculously over the top characters, caricatured within an inch of their lives.

So we have the insanely camp Marcus Hillery played with brilliant relish by Brian Roberts, then the creepy Lawrence Bough (Derrol Barnes) peeping on the ladies dressing rooms, and you have the costume mistress, Roxy Rhinestone (a gloriously bitchy performance from Jerry Delaney). Wherever you look in Murder on the Dancefloor you see the brightest and weirdest people, and for the best part the cast bring them vibrantly to life.

Colin W Gasson's script is clever enough to offer intrigue and it weaved a spell around many present, myself included, who failed to spot the actually rather obvious culprit, despite it in true Agatha Christie style laying the blame at potentially everyone. However, on reveal (once the inspector had got up to speed), it actually turned into a rather good solution, which I was sad to have failed to spot. The event was also enhanced by some lovely little performances from Top Hat Theatre school.

It all created what was a simple, yet thoughly entertaining afternoon. It ended rather dramatically and caught pretty much all of us unawares with the staging, and was a little surreal at times. However, this is just simple harmless entertainment and at the end of the day, something that I enjoy as much as the stars of the big stage. The theatre is at all levels, otherwise, it doesn't exist at all.

Performance reviewed: Saturday 28th October 2017 (matinee) at St. Albans The Martyr Church, Northampton.
Murder on the Dancefloor ran until Saturday 28th October 2017.

Popular posts from this blog

Review of The Wizard Of Oz by the Northampton Musical Theatre Company at Royal & Derngate (Derngate), Northampton

The last couple of shows from the award-winning Northampton Musical Theatre Company has been a slightly mixed bag, with their last show at Derngate the rather difficult to get a grip on thrills of Grease , a woefully inferior stage version of the classic film despite being very well performed. Their best show recently was ironically Summer Holiday , hidden at the much smaller Cripps venue. Therefore still in the wake of the exceptional Sister Act , does The Wizard of Oz create the Derngate magic once again? The answer for me, is both yes and no, it is as always an exceptional production filled from top to tail with talent, as NMTC is so renowned for, and packing the audience in and thrilling them like perhaps nothing like Oz can in the musical department, you cannot question its selection really. However, like Grease , and to readjust a requote, "it's just Oz". This time I use it in the way that Oz is just a little over-familiar, I am desperate for the buzz that I go...

Review of Chitty Chitty Bang Bang at Royal & Derngate (Derngate), Northampton

I have seen a few touring shows of extremely well known shows like Chitty Chitty Bang Bang and a few have been quite a disappointment. Producers sitting back happy to sell the tickets on the name of a show, and deliver on stage not necessarily a terrible production, but one that sometimes never really leaves you feeling you have got value for your money. Music & Lyrics/West Yorkshire Playhouse's  Chitty Chitty Bang Bang is far from one of them. An exemplary and large cast, costumes both in multitude and wonderful to look at, a set of infinite invention and a hidden but quality and large orchestra. Jason Manford as Caractacus Potts Perhaps more importantly this show also doesn't fail on its casting of "stars" over stage talent, for in the lead is Jason Manford as Caractacus Potts, an artist known for his comedy more than his acting history, and certainly little known for his singing ability, is a revelation. Likable, dominant on stage with clear chara...

Review of Mamma Mia! at Royal & Derngate (Derngate), Northampton

Ahead of my trip to see Mamma Mia! in Northampton, I had enough conversations about the show to discover that there appears to be no in-between with people over their love or hate of the work of ABBA (music and lyrics by Benny Andersson and Björn Ulvaeus). For your information, patient reader, I fall firmly in the love department and an audience member of Mamma Mia! like myself is always going to ride on a tidal wave of joy as this jukebox churns out an incredible selection of their numbers (and truly reveals a substantially great back catalogue, that even a hater could not deny), however, is the show they are weaved around actually any good? The answer is mostly, yes. It is though, a typical popcorn musical where you are just required to switch your brain off for two hours or so and ride that tidal wave to Kalokairi, and observe the bright colours and frivolous nature of the plot. The plot, such as it is, involves 20-year-old Sophie, who is heading towards marria...