Skip to main content

Review of Balm in Gilead, University of Northampton BA Acting (Creative Acting) at Maidwell Hall, Northampton

Watching the production of Balm in Gilead sees my entering the fifth year of following the University of Northampton acting students, and what theatre they have provided over the years!

Balm in Gilead is no less intriguing than anything that has gone before, written in 1965 by Lanford Wilson, you might think this would be a dated item for the young students to be performing, however, nothing could be further from the truth. Set in a cafe (transposed to England from its original American setting), it sees the lives of addicts, homeless and sex workers converge into a mixture of good but mostly bad moments.

My first time in the Maidwell Hall saw an encounter with a brilliantly realised community full of the world of the cafe and the surrounding homes, cardboard boxes and dishevelled beds. As we enter the characters of this world begin living alongside us, addressing us, begging us for money, pushing shopping trolleys around offering off the cuff exchanges with the audience and confronting one another in casual conversations. This show very much begins long before the non-existent curtain up.

There are a pair of lead characters within the large group of eighteen performers and they are Joe (Joe Roberts) an essentially good person, who ends up by necessity doing wrong things. Here in this world, he meets American Darlene (Charlie-Dawn Sadler), our second main character, and his potential world beyond this godawful place opens up. Obviously, this play doesn't deal with good news and life events, so things don't exactly work out.

As the leads, both Joe and Charlie-Dawn are at ease in their characters, Joe brings a lightness to the role at times that belies the horror around him and the eventual path he treads hits home with the audience more because of our growing affection for him and what a future we could potentially see him having. Charlie-Dawn lights up the stage with her clearly out of place character and has one of the greatest challenges in the play with an exceptionally long speech within this, until then, sharp snappy and overlapping play. It is quite a turn of style after the audience has battled over following multiple conversations on stage at the same time, and it is no small achievement that our attention is grasped and held during this scene.

Beyond these two, are a captivating collection of people, not least the rather brilliant Dopey played by Bobbie-Lee Scott, a glorious performance which has the challenge of addressing us the audience directly. She delivers confidently and makes the whole piece at times feel improvisational, making you the audience feel you are in the presence of a real person.

I absolutely loved the two cafe workers, Lyn played with bravado at times by Jemma Bentley, never shying away from dealing with her often very troublesome and potentially dangerous customers. Meanwhile, we also had the delightful Trace played with a wonderful gentleness by Bethany Williams, perfectly cast and flawlessly played.

The vastly contrasting role of Franny was executed with exceptional skill and calm delivery by James Alistair Walker, part-time transvestite, part-time henchman. As the latter, he was truly chilling and with a great deal of skill and calmness transferred from his two worlds at the side of the stage uder the eyes of the audience. Pretty brilliant, all told.

Balm in Gilead was tough viewing and laden with some very expressive language, however, in this show it wasn't out of place, feeling very in keeping with how this troubled world would act. It was cleverly created within the space and made to feel very natural by both director Tony Bell and the performers, who all played their important parts in making the world a living breathing world.

A wonderful thought provoking way to enter my fifth year watching the talent that continues to spring from the University of Northampton acting groups.

Performance viewed: Thursday 2nd November 2017 (matinee) at Maidwell Hall, University Of Northampton (Avenue Campus).

Balm In Gilead ran between Wednesday 1st and Thursday 2nd November 2017.

Twitter feed for the University actors is @BA_Actors

Popular posts from this blog

Review of The Rocky Horror Show at Milton Keynes Theatre

Richard O’Brien’s anarchic, surreal, and often incomprehensible musical, The Rocky Horror Show , has captivated audiences for over fifty years now. With this new tour, it feels as fresh and unpredictable as if it had just emerged from O’Brien's vivid imagination yesterday. While another review might seem unnecessary given the countless dressed-up fans who fill every theatre it visits, let’s go ahead and write one anyway. The Rocky Horror Show follows the adventures of Brad and Janet, a newly engaged couple. On a dark and stormy November evening, they run into car trouble and seek refuge at a mysterious castle reminiscent of Frankenstein’s. There, they encounter the eccentric handyman Riff-Raff, the outrageous scientist Dr. Frank N. Furter, and a host of other bizarre characters. What unfolds is a science fiction B-movie narrative that is at times coherent and at other times bewildering — yet somehow, that doesn’t seem to matter. I first saw The Rocky Horror Show in 2019 and exper...

Review of Horrible Histories: Terrible Tudors at Milton Keynes Theatre

It is now a remarkable 32 years since the first Horrible Histories book reached the shelves, and since that first Terry Deary book, suitably for this show, The Terrible Tudors , the children's entertainment franchise has become a historic event of its own. Since 1993, there have been 23 books, several TV series, a game show and a film. During those years, the Horrible Histories franchise has also graced the stage for several past shows, and here, now at Milton Keynes Theatre, comes a joint pairing of Terrible Tudors and Awful Egyptians on alternating performances. The question though, is it a deserving part of the famous franchise? A categoric yes is an answer to this neat, fast-paced show, written by original writer Terry Deary and directed by Neal Foster, who also co-wrote the show. Performed by a cast of three, it entertains and thrills throughout. The level of comedy scares, and, most importantly, education is pitched perfectly, as the series has become famous for. The cast...

Review of Dial M For Mayhem! at Royal & Derngate (Royal), Northampton

Middle Ground Theatre has been creating unique and intrepid adventures for the stage since the late eighties, and with Dial M For Mayhem! , they take those experiences and bring to the stage a brand new play within a play now arriving for a week run at Royal & Derngate. Written by Margaret May Hobbs and directed by Michael Lunney, Dial M For Mayhem! has much to admire. Still, sadly, for every good joke, amusing set piece and chaotic moment, there are too many periods of flatness, stilted sequences and, especially during the first act, too many slow scenes which either tread the same old ground or bring nothing new to the proceedings and then fail to flow into the next leaving it often disjointed. The cast does their very best, though, and the characters they bring to the stage are entertaining and perfect for this farcical play, but they lack depth despite the script trying desperately at times to give them one. The attempt to create character also comes at the expense of the farc...