Skip to main content

Review of The Wizard Of Oz by the Northampton Musical Theatre Company at Royal & Derngate (Derngate), Northampton

The last couple of shows from the award-winning Northampton Musical Theatre Company has been a slightly mixed bag, with their last show at Derngate the rather difficult to get a grip on thrills of Grease, a woefully inferior stage version of the classic film despite being very well performed. Their best show recently was ironically Summer Holiday, hidden at the much smaller Cripps venue. Therefore still in the wake of the exceptional Sister Act, does The Wizard of Oz create the Derngate magic once again?

The answer for me, is both yes and no, it is as always an exceptional production filled from top to tail with talent, as NMTC is so renowned for, and packing the audience in and thrilling them like perhaps nothing like Oz can in the musical department, you cannot question its selection really. However, like Grease, and to readjust a requote, "it's just Oz". This time I use it in the way that Oz is just a little over-familiar, I am desperate for the buzz that I got from Sister Act once again.

Having said all this negativity, I must comment here that I did really find the show a tremendous amount of fun, it's true that before we actually get to Oz, it's a little un-thrilling, and if I had seen another second of that filmed storm sequence, I might have blown up myself, but otherwise it really is an exceptional show.

Firstly, it looks truly fabulous, from the great main character costumes, onto an assortment of eye-catching vibrant dresses, the whole show is a feast for the eye, as are the backdrops. It's all professional stuff of course, so you expect it to be.

The performers though is where it matters of course with the homegrown talent and leading the way is a sweet and confident performance from Samantha Perryman as the iconic Dorothy, happily handling the role in her own way, including her quality performance of the classic of Over The Rainbow. There is no point trying to recreate Judy Garland's style as it's going to be a lose-lose scenario, and Samantha pitches it correctly her way.

Our three adventurers of Scarecrow (Gordon Ritchie), Tinman (Luke White) and Cowardly Lion (Ben Stanton) are given full and sublime character by all the performers. Gordon (who was one of the very best parts of another show I saw last year, Danny Hero) is a tremendously physical scarecrow, full of the clumsy moves of the original, while Luke brings great comic timing to his constantly rusting Tinman. However, for me, the star of the three (and probably the show) is Ben's Lion. Yes, it's a truly brilliant character as it is, given the best material of the show, but Ben truly is brilliant bringing him to life in every classic mannerism. He gets the best response from the audience and that is no surprise. Brilliant timing and delivery on that fleeting glimpse of Lion in Kansas as well. Just fabulous.

From the other main characters, Ashleigh Maddison absolutely nails the mannerisms, character and most importantly the voice of the Wicked Witch of the West. Even as Miss Gultch and the brilliant arrival on her bike, the character is being formed with just a glimpse to the audience.

The ensemble is as always brilliant, and from their routines, my favourite absolutely was the Jitterbug, brilliantly performed and very importantly worth the obvious effort put into to produce, I got pretty tired just watching it. The big songs of the show are all lovingly brought to life, including all the obvious well-known ones, however, the one I took away from the show most and still occupies my head is Poppies/Optimistic Voices, a haunting song, and truly stunningly produced by the cast, one of the very best I have heard.

The children ensemble group (Ruby at my performance) are huge fun and offer plenty of opportunity for substantial "awws" from the audience and it was an inspired choice to have the dimutive miniature Winkie at the end of the chain. Times have changed somewhat though, so there were more than a few knowing sniggers at the mention of winkie. Toto, played by Boo in the performance was tremendously well behaved, although it has to be said that the presence on stage of a dog for such a long time might perhaps sit comfortably with everyone.

The flying scenes run smooth, increasing once again the reach of this ambitious company. Meanwhile, there is great fun to be had from the crow and tree trios in the Scarecrow and Tinman sequences, even allowing the occassionally horrendous puns on offer, they were both nicely performed by all tree of them, ahem...

Finally musical director Graham Tear whips his quality and hugely numbered (23! Take note professional shows!) orchestra into a brilliant collection of tunes, and balance is one of the better I have heard, not too often drowning out the lyrics.

The Wizard of Oz is old-fashioned fun which gells with pretty much all ages and with both it's vibrant colours and eccentric characters it makes an excellent trip to the theatre. While perhaps the group could be bolder with its selections (and both next year are much more promising), pretty much everyone was thrilled with this brilliantly created return to Oz and I myself can see why as it happily won me over.

Whipping up a storm of success.
⭐⭐

Performance reviewed: Wednesday 25th October 2017 (matinee) at the Royal & Derngate (Derngate).

The Northampton Musical Theatre Company perform The Wizard of Oz until Saturday 28th October 2017. They have a website which can be found at http://www.nmtc.me.uk/, while they are also on Twitter @theNMTC and Facebook at https://www.facebook.com/NorthamptonMusicalTheatreCompany

For further details about the Royal & Derngate visit their website at http://www.royalandderngate.co.uk/


Photos: Pete Thorn


Popular posts from this blog

Review of The Jolly Christmas Postman at Royal & Derngate (Royal), Northampton

The Northampton Royal and Derngate have a tradition of producing a family play in the Royal Theatre alongside a spectacular pantomime in the Derngate, offering a more subtle Christmas treat for a family audience. However, this calendar staple has been missing since 2019, when the fine Pippi Longstocking graced the Royal stage and an unmentionable virus reared its head. Based on this triumphant return this year in the guise of The Jolly Christmas Postman , it has been heartily missed. Adam Peck has truly lovingly adapted  The Jolly Christmas Postman  for the stage from the original story by Janet and Allan Ahlberg. From the beginning, this is a proper cracker of theatre entertainment that captivates an occasionally distractable audience of all ages. The story follows the adventures of a friendly postman beset by an influx of mail on Christmas Eve and his adventures with an assortment of Fairy-Tale characters. What is, in essence, a kid's show aimed primarily at young children ...

Review of Cinderella at Royal & Derngate (Derngate), Northampton

Over the last few years, the annual Royal & Derngate pantomime has been produced by Evolution Productions and from the pen of Paul Hendy. It is safe to say they have been crackers, bringing everything you expect and more from traditional pantomime. This year, they are all back, this time with their take on the very traditional story of Cinderella . So, does the magic dust fall once again successfully on the stage of the Derngate? The answer is yes, as Evolution and Hendy prove they have found the magic formula to create another successful pantomime for Derngate. There are moments this year, though, where it is too clever for its own good, with some exceptionally good jokes lost to the panto audience (yes, I got the Hacker joke, but the tumbleweed reaction suggested it didn't hit the audience present). Cast-wise, it is a solid and assured collection of performers who don't always hit the mark. Joanne Clifton, as the Fairy, is a perfect fit for panto with her infectious smile...

Review of Never Let Me Go at Royal & Derngate (Royal), Northampton

Kazuo Ishiguro's 2005  Never Let Me Go is a slightly difficult novel to categorise at times, but most call it a science-fiction speculative piece. With some limited spoilers for those unfamiliar with the Man Booker Prize-shortlisted work, Ishiguro paints a world where people, clones, are created for the benefit of medical science, destined to become donors to rid the world of deaths from solvable diseases for the rich. It is a powerful piece and while it had a successful film version back in 2010, could a stage version, now running at Royal & Derngate, work similarly? The answer to that is yes, and perhaps even better than the film version. The intimate world of the theatre feels like a stronger location for the story to unfold, bringing the piece straight to the audience with no potential interruption or break to the tale. We learn of Kathy, Ruth and Tommy's (the main protagonists) fixed life through their eyes and live their life for the long, but never dr...