Skip to main content

Review of Education, Education, Education at Royal & Derngate (Royal), Northampton

This touring show from The Wardrobe Ensemble arrives at Northampton (a co-production location) with a substantial amount of success, proudly displaying on the programmes back cover ten review ratings featuring 43 stars from a possible 50. However not wishing to be swayed by such incredible past form, I settled in the Royal to attempt to form my own opinion of the situation blinkered as much as possible from the stars shining bright.

Emily Greenslade (Emily Greenslade)
Education, Education, Education (henceforth known as Education. Phew!) is set on the day after the day before of Tony Blair and his New Labour sweeping to power in May 1997. We are in a "normal" comprehensive school as a new day, and a new hope dawns for the teachers and pupils alike. Flushed with this hope and a Eurovision win, things clearly will only get better. Or will they?

Education ticks a number of theatres loves for me early on, with superb use of music, sharp scene changes and best of all a quite brilliant series of movement pieces throughout. Whether the cast is dancing uncontrollably to nineties hits, nervously twitching as scenes play out, or in a particularly favourite scene Headmaster Hugh Mills (Tom England and substantial beard) spinning through the various lessons as doors revolve, this featured staging of the highest order. Be this part of the work of the ensemble devised structure or the excellent work of directors Jesse Jones and Helena Middleton, it matters not, either way it creates a pacy, funny and brilliantly visual piece of theatre.

Kerry Lovell (Louise Turner)
Characters are quite rightfully well over the top, including the imaginary gun toting Roboteacher Louise Turner (a truly brilliant and actually quite scary Kerry Lovell), to the deadpan German teacher Tobias played with a scene-stealing (and indeed scene stopping as narrator) brilliance by James Newton. Many pupils young and old may also delight in the convincing way that Ben Vardy delivers the role of Mr Pashley the P.E. teacher.

Also for those of a certain age, references picked up are a joy from flashback sex scenes to the music of Celine Dion's Titanic "classic", Katrina and the Waves and reference to Acorn computers and envy of internet access, the little treats are there for everyone. As a side note, I got my very first PC in 1997 thanks to a small lottery win, discarding my Commodore's forever. 1997 really was a great year for everyone it seems. Perhaps one of my favourite moments from the show though came from what was a nice little in-joke about blocking, which rather lovingly went down as well with the audience as it did in my head.

Ben Vardy (Tim Pashley)
Generally, the whole evening was a hugely entertaining one with only the fly in the ointment of the live caption feed crashing to the Windows desktop screen halfway through, perhaps uncannily reminiscent of 1997 (and every year since) as user desperately battles with a required reboot during live show (they failed sadly on this occassion).

Education does comedy much better than the slightly convoluted heavy material of politics and peoples places in the world, as many of the scenes just don't quite fit with what has gone before. Worthy teacher Susan Belltop-Doyle's speech for instance on the roof, while well written and performed by Jesse Meadows, feels overlong within the context of how much of the show has played out, and as a result doesn't quite have the same inpact it might in a better paced show.

Education's success though comes from the immerse comedy momentum it gains from its first half, and the enthusiastic and high energy from all the performers still makes it a quite brilliant piece of theatre for pretty much all adult age groups. Everyone can take something from this, even if you were a child at the time as more social themes very much resinate with the current university clients. Definetely one to catch as it continues its tour.

Entertainment, Entertainment, Entertainment.
⭐⭐½

Performance reviewed: Tuesday 10th October 2017 at the Royal & Derngate (Royal), Northampton.
Education, Education, Education runs at the Royal & Derngate until Saturday 14th October 2017 before continuing its tour. Details at https://www.thewardrobeensemble.com/

For further details about the Royal & Derngate see their website at http://www.royalandderngate.co.uk


Photos: The-Other-Richard

Popular posts from this blog

Review of & Juliet at Milton Keynes Theatre

First performed in 2019, & Juliet has become quite a global success, and now, as part of a UK Tour, it has arrived at Milton Keynes Theatre for a two-week run. Featuring a book by David West Read, it tells the what-if story of the survival of Juliet at the end of Shakespeare's Romeo & Juliet . Primarily a jukebox musical, it more specifically features the works of Swedish songwriter Max Martin (and friends, as the credits describe). The question is, does & Juliet provide more than the standard of many a jukebox musical before it, and does it honour the tragic tale from which it has sprung? Our story opens with William Shakespeare presenting his latest work, Romeo & Juliet , for the first time. However, when his wife, Anne Hathaway, learns how he intends the tale to end, she is away with his quill and planning on her reworking of the story. At the core of this touring production's success is Geraldine Sacdalan's powerhouse performance as Juliet. Her Juliet ...

Review of Northern Ballet - The Great Gatsby at Milton Keynes Theatre

This production of The Great Gatsby performed by Northern Ballet was my fifth encounter at the theatre of a full ballet production and as before, I happily share my review of the show with nearly zero knowledge of-the-art form and more of a casual theatre-goer. You could say that this is a poor direction to come in on a review, but I would say that casual audience are the ones to review this for. Over the years, Northern Ballet has set quite a high benchmark for ballet productions, and any audience member who is worth their salt as a ballet fan would no doubt have tickets for this new touring version of the 2013 version of The Great Gatsby , lovingly created by David Nixon OBE. So much is Nixon part of the very fabric of this show, that he not only provides the choreography and direction but also the initial scenario and costume design (assisted by Julie Anderson). So, discounting those ballet fans already sitting in the audience, what does this offer for the more casual theatre-goer ...

Review of The Rocky Horror Show at Milton Keynes Theatre

Richard O’Brien’s anarchic, surreal, and often incomprehensible musical, The Rocky Horror Show , has captivated audiences for over fifty years now. With this new tour, it feels as fresh and unpredictable as if it had just emerged from O’Brien's vivid imagination yesterday. While another review might seem unnecessary given the countless dressed-up fans who fill every theatre it visits, let’s go ahead and write one anyway. The Rocky Horror Show follows the adventures of Brad and Janet, a newly engaged couple. On a dark and stormy November evening, they run into car trouble and seek refuge at a mysterious castle reminiscent of Frankenstein’s. There, they encounter the eccentric handyman Riff-Raff, the outrageous scientist Dr. Frank N. Furter, and a host of other bizarre characters. What unfolds is a science fiction B-movie narrative that is at times coherent and at other times bewildering — yet somehow, that doesn’t seem to matter. I first saw The Rocky Horror Show in 2019 and exper...