Skip to main content

Review of A Midsummer Night's Dream at Wicksteed Park, Kettering

I have seen three Shakespeare plays so far this year (and also Kiss Me Kate, if that counts) and rather uniquely every one of them has been outdoors, therefore upholding this pattern once more I headed off to Wicksteed Park for a little evening performance of perhaps what is regarded the Bard's most accessible play.

I hadn't seen A Midsummer Night's Dream before this Masque Theatre production, however, I had experienced a little of it at last years The Shakespeare Story Trail, so I had seen a Puck and The Mechanicals in another form.

Now, Shakespeare is a thing that I often appreciate rather than enjoy, and also admire if something a little different is attempted. Therefore this mad as a box of frogs production and indeed play was very much the most I have enjoyed Shakespeare. It is as was suggested a very accessible play, and for a first time viewing, the most I have been able to follow what is actually going on. This production, coming from the mega inventive brains (but places that few fear to tread) of Tamsyn Payne, Alex Rex and design of Megan Lucas and others, this is weird and wacky scaled up to ten, and it is a delight from beginning to end.

It helps also that the cast has been collated from very much the best available in Northampton and a little beyond as like the previous Masque show Antony & Cleopatra, it is a performance piece of delight. When you have the likes of David Chappel getting one of the best laughs of the night with the simple line "And I", you know the minor and major roles are packed brim full of talent.

The four "main" leads of this are primarily Hermia (Julia Langley), her friend Helena (Gemma Knight) and the two confused lovers of them both, Lysander (Davin Eadie) and Demetrius (for fear of getting in trouble again, a manly Alex Rex). To be honest, these four probably couldn't be better cast, Julia is the perfect and delightfully bewitching Hermia, and because of this all the funnier in the reaction of Lysander, repulsed by her very appearance. As if!

Davin, always brilliantly strong, displays perhaps the best comic performance I have seen from him and coupled in combat with Alex, create perhaps one of the funniest moments that I have seen. This truly was full on comedy wrestling, and the bruises of ambition were clearly showing. Much like the delicate place I trod on Antony & Cleopatra, the best I can say is that Alex made a very fine man, and without a doubt gets the award of best projection.

Finally completing these four is the bold and much more mature in character performance from Gemma, strong in character, but nicely played weakness still in her fear that she is being ridiculed by all the attention. Her later battles with Julia are brilliantly judged and performed with relish.

It's an impossible challenge to mention everyone in this production, and the best way of covering it, is that there truly were no weak links here, with more than a few at the best I have seen them). however, a couple more of note was Lisa Wright's Titania, definitely her strongest role for me to date. Playful, very playful, playful indeed and confidently performed throughout. Keeping it all just on the right side of control for the kiddies present as well.

Finally, we have Fraser Haines and his Bottom. What a display indeed, stealing every scene from his equally brilliant acting colleagues. the superb Mechanicals, this was a masterclass performance. Making his scenes appreciated by everyone with his perfect clown performance, with the adults getting the grown-up bits and the kids in the audience delighting clearly with their giggling at his facial mannerisms. Just brilliant, simply that.

While almost perfect, there are a few little issues including occasional sound projection issues, that while I sat right at stage edge, and heard pretty much everything, it was pretty clear that some of the scenes upstage were not going to carry to the top of the hill with perfect clarity. Also, what felt a little-underdeveloped performance wise were the musical numbers, that while nicely performed were also a little hesitant at times and surprisingly unpowerful. I suspect this was maybe one of the penalties of just not having enough time available.

However any criticism is seriously minor as this was in the top fun for me with Shakespeare, and on the back of seeing the wonderful and equally bizarre Titus Andronicus, has meant that I have had a pretty good year with Shakespeare.

Huge congratulations to all involved with this, it was indeed dreamy, entertained all ages and performed in a most wonderful location, and what weather! The stars aligned to create some theatre magic.

Performance reviewed: Wednesday 23rd 2017 at Wicksteed Park, Kettering. 
A Midsummer Night's Dream was performed by the Masque Theatre between Tuesday 22nd and Thursday 24th August at Wicksteed Park, Kettering.
Masque has a website for details of upcoming shows at http://www.masquetheatre.co.uk/

Popular posts from this blog

Review of Murder She Didn't Write at Royal & Derngate (Royal), Northampton

Murder She Didn't Write , stopping off for a four-day run at Royal & Derngate on a lengthy UK tour, treads the now well-worn path of an improvisational evening of theatre entertainment. Unsurprisingly, from the title, this show from Degrees of Error's takes a murder mystery as its inspiration, with the story influenced by ideas from the audience each evening. Due to this, Murder She Didn't Write and a review are very much an individual affair. What I saw in my evening at the theatre will differ significantly from what the audience will see the following evening; however, the fine performers will remain. The touring cast, in no particular order, is Lizzy Skrzypiec, Rachael Procter-Lane, Peter Baker, Caitlin Campbell, Stephen Clements, Douglas Walker, Harry Allmark, Rosalind Beeson, Sylvia Bishop, Emily Brady, Alice Lamb, Sara Garrard, Peta Maurice and Matthew Whittle. For my performance, Skrzypiec, Procter-Lane, Baker, Walker, Bishop, and Clements were on stage alongsid...

Review of War Horse at Milton Keynes Theatre

Michael Morpurgo's novel War Horse was published in 1982. While it was highly regarded and thought to be his best work, perhaps it eventually came to most people's attention when this striking play stormed the stage, thanks to the National Theatre, back in 2007. Now, War Horse arrives at Milton Keynes Theatre as part of another vast UK tour. Adapted by Nick Stafford in association with the award-winning Handspring Puppet Company, War Horse tells the story of the First World War through the eyes of one horse, Joey, sold for a record price from a family battle but eventually shipped off to war-torn France much to the distress of his original owner, 16-year old Albert. The sprawling and epic story should take some staging, but the vast cast, beautiful structure, stunning folk music and, of course, what this play has become known for, magnificent puppetry, all bring the story to life. This production, directed by Tom Morris and revival director Katie Henry, is a magnificent thin...

Review of Immune by R&D Youth Theatre at Royal & Derngate (Royal), Northampton

The cover note for the script of Oladipo Agboluaje's Immune describes it as "a challenging science fiction play with a large cast", and the word challenging in this case is not a lie. This is a fast paced, multi-cast changing script which leaves little room for error for its young cast in the performance. If the script isn't enough to handle for the young performers, director Christopher Elmer-Gorry and designer Carl Davies have made the situation even more complex for the actors with the set and stage work. Having to manhandle great panels on wheels and a huge cube, which also splits in two occasionally, during scene changes requires skill, coordination and cooperation of a high level. As if all this is not enough, the actual story is epic enough for the relatively small stage of the Royal. Attempting to form an apocalyptic world (albeit only happening in Plymouth) offers challenges in itself, but Agboluaje's script does that in a sort of apocalypse in the teac...