Skip to main content

Review of A Midsummer Night's Dream at Wicksteed Park, Kettering

I have seen three Shakespeare plays so far this year (and also Kiss Me Kate, if that counts) and rather uniquely every one of them has been outdoors, therefore upholding this pattern once more I headed off to Wicksteed Park for a little evening performance of perhaps what is regarded the Bard's most accessible play.

I hadn't seen A Midsummer Night's Dream before this Masque Theatre production, however, I had experienced a little of it at last years The Shakespeare Story Trail, so I had seen a Puck and The Mechanicals in another form.

Now, Shakespeare is a thing that I often appreciate rather than enjoy, and also admire if something a little different is attempted. Therefore this mad as a box of frogs production and indeed play was very much the most I have enjoyed Shakespeare. It is as was suggested a very accessible play, and for a first time viewing, the most I have been able to follow what is actually going on. This production, coming from the mega inventive brains (but places that few fear to tread) of Tamsyn Payne, Alex Rex and design of Megan Lucas and others, this is weird and wacky scaled up to ten, and it is a delight from beginning to end.

It helps also that the cast has been collated from very much the best available in Northampton and a little beyond as like the previous Masque show Antony & Cleopatra, it is a performance piece of delight. When you have the likes of David Chappel getting one of the best laughs of the night with the simple line "And I", you know the minor and major roles are packed brim full of talent.

The four "main" leads of this are primarily Hermia (Julia Langley), her friend Helena (Gemma Knight) and the two confused lovers of them both, Lysander (Davin Eadie) and Demetrius (for fear of getting in trouble again, a manly Alex Rex). To be honest, these four probably couldn't be better cast, Julia is the perfect and delightfully bewitching Hermia, and because of this all the funnier in the reaction of Lysander, repulsed by her very appearance. As if!

Davin, always brilliantly strong, displays perhaps the best comic performance I have seen from him and coupled in combat with Alex, create perhaps one of the funniest moments that I have seen. This truly was full on comedy wrestling, and the bruises of ambition were clearly showing. Much like the delicate place I trod on Antony & Cleopatra, the best I can say is that Alex made a very fine man, and without a doubt gets the award of best projection.

Finally completing these four is the bold and much more mature in character performance from Gemma, strong in character, but nicely played weakness still in her fear that she is being ridiculed by all the attention. Her later battles with Julia are brilliantly judged and performed with relish.

It's an impossible challenge to mention everyone in this production, and the best way of covering it, is that there truly were no weak links here, with more than a few at the best I have seen them). however, a couple more of note was Lisa Wright's Titania, definitely her strongest role for me to date. Playful, very playful, playful indeed and confidently performed throughout. Keeping it all just on the right side of control for the kiddies present as well.

Finally, we have Fraser Haines and his Bottom. What a display indeed, stealing every scene from his equally brilliant acting colleagues. the superb Mechanicals, this was a masterclass performance. Making his scenes appreciated by everyone with his perfect clown performance, with the adults getting the grown-up bits and the kids in the audience delighting clearly with their giggling at his facial mannerisms. Just brilliant, simply that.

While almost perfect, there are a few little issues including occasional sound projection issues, that while I sat right at stage edge, and heard pretty much everything, it was pretty clear that some of the scenes upstage were not going to carry to the top of the hill with perfect clarity. Also, what felt a little-underdeveloped performance wise were the musical numbers, that while nicely performed were also a little hesitant at times and surprisingly unpowerful. I suspect this was maybe one of the penalties of just not having enough time available.

However any criticism is seriously minor as this was in the top fun for me with Shakespeare, and on the back of seeing the wonderful and equally bizarre Titus Andronicus, has meant that I have had a pretty good year with Shakespeare.

Huge congratulations to all involved with this, it was indeed dreamy, entertained all ages and performed in a most wonderful location, and what weather! The stars aligned to create some theatre magic.

Performance reviewed: Wednesday 23rd 2017 at Wicksteed Park, Kettering. 
A Midsummer Night's Dream was performed by the Masque Theatre between Tuesday 22nd and Thursday 24th August at Wicksteed Park, Kettering.
Masque has a website for details of upcoming shows at http://www.masquetheatre.co.uk/

Popular posts from this blog

Review of The Classic Rock Show: Top 20 Greatest Guitar Riffs Ever Part 2 at Royal & Derngate (Derngate), Northampton

By very good fortune I found myself back at Royal & Derngate (with three companions) for The Classic Rock Show and this years theme, the Top 20 Greatest Guitar Riffs Ever Part 2. Never having seen this band before, I have to say that I was pleasantly surprised by the evening as a whole although I certainly had some personal reservations. Formed from eight members it gives the opportunity to have a great deal of variety from the performances, with only two of the group not getting their opportunity at the microphone for a solo. Lead vocals however are provided magnificently by Alex Dee and Ricardo Afonso. Personal highlights from them for me was for Dee during a superbly powerful rendition of Wings'  Live And Let Die . While Afonso's take on Queen's The Show Must Go On , was an immensely strong point. I also loved their creation of Meatloaf's Bat Out Of Hell , with Dee bringing the softer moments and leaving Afonso to cover those big and bold periods. Of the o...

Review of Annie at Milton Keynes Theatre

Annie was first performed now a remarkable fifty years ago at Goodspeed Opera House in Connecticut, and since then, the tale based on a 1920s comic strip and adapted for the stage by Thomas Meehan on book, with music by Charles Strouse, and lyrics provided by Martin Charnin, has become a perennial favourite across the world. Indeed, this version, directed by Nikolai Foster, last appeared at Milton Keynes Theatre in 2023. So, after all these years, does Annie still have that appeal? Set in  1930s New York during the Great Depression,  Annie  follows the life of an orphan abandoned to the care  of its evil matron, Miss Hannigan. Annie seeks escape, and after one failed attempt, she finds herself the chosen Christmas guest of billionaire Oliver Warbucks, and things slowly, hopefully begin to improve for the little but fiercely strong Annie. Leading the adult cast for this tour now as the cruel Miss Hannigan is Claire Sweeney. Sweeney clearly revels in the chance to embr...

Review of Sweeney Todd: The Demon Barber of Fleet Street at Birmingham Rep

Sweeney Todd: The Demon Barber of Fleet Street first appeared in this musical form in 1979. Adapted from an original play by Christopher Bond, the work was set to music and lyrics by Stephen Sondheim, with a book by Hugh Wheeler. It quickly became a huge success, opening on both Broadway and the West End within a year. Following Tony and Olivier wins, the show has seen revival after revival over the years, as well as a musical film starring Johnny Depp. Now, Birmingham Rep presents its own pared-back version of the show, featuring some big stars of the theatre world. So, the question is, is Sweeney Todd as razor-sharp as it once was? What is clear to all at the outset is that director Joe Murphy, also artistic director at Birmingham Rep, has assembled a remarkable and bold cast for the show. Leading as Sweeney is Ramin Karimloo, whose bio speaks for itself and is the biggest draw for this show, especially for theatres outside London. His Sweeney is a perfectly brooding affair, broken...