Skip to main content

Camden Fringe Review: FEET by Emma And Lawrence Wrote A Play at Etcetera Theatre, London

While some issue plays tend to miss the point of providing fun and entertainment as well as making their point on a relevant issue, FEET is certainly not one of them. Written, produced, directed and performed by the two-person team of Emma And Lawrence Wrote A Play, this is clearly a labour of love of the two, full names Emma Brown and Lawrence Smith, it is fun and engaging throughout.

It's "issue" is loosely about selling your body for money or art and how far you might be willing to push it. Lucy Winwood (Emma Brown) is your typical young actress, struggling hard to get those money making roles, or roles in general, and in need of money she stumbles upon the world of feet fetishism (as you, of course, would) and slowly from just images of her feet sold online, it becomes feet in jelly and then finally personal meetings with clients for full on feet interaction.

The path that FEET takes is that is this denigration of your body in selling your feet actually worse than performing a theatre role that involves full frontal nudity? It is an intriguing idea and it leaves Lucy at odds with her, frankly not very nice, boyfriend Ben (Lawrence Smith) and raises some interesting moral ideas. FEET treats this though in an unpreaching and fun way, creating likeable and interesting scenarios amid its slight weirdness. Touching on a neat spin on the increasing modern trend of revenge porn as well, leaves it an increasingly clever play.

Performance wise it is great, with Emma excellent in her single role, exuding fun and realism in this oddly developing lifestyle, while Lawrence is much better in his roles of the clients (surprisingly portrayed as very normal people at times, which perhaps there are? We all have our quirks, so as long as they are legal?). I did feel at times that his playing was much less impressive and tended to be unconvincing a little.

As a play, it is great fun but loses out being excellent from its curious over-reliance of prerecorded audio, including several minutes at the start of the play. These pieces are meant to be the thoughts of the character, and while their responses by the actor to these pieces are clever, the excessive use is too much and these thoughts could happily have been vocally performed live by the cast.

However, FEET remains a lovely piece of theatre which thouroughly delights while telling its morally challenging idea and deserves a much longer run than just the two performances it garnered at Camden Fringe.

½

Performance reviewed: Friday 11th August at Etcetera Theatre, Camden Town, LondonFEET was performed during the Camden Fringe at Etcetara Theatre between Thursday 10th and Friday 11th August.
For further details about FEET visit them on Facebook at https://www.facebook.com/FEETtheplay  or on Twitter at https://twitter.com/FeetThePlay

Popular posts from this blog

Review of Chitty Chitty Bang Bang at Royal & Derngate (Derngate), Northampton

I have seen a few touring shows of extremely well known shows like Chitty Chitty Bang Bang and a few have been quite a disappointment. Producers sitting back happy to sell the tickets on the name of a show, and deliver on stage not necessarily a terrible production, but one that sometimes never really leaves you feeling you have got value for your money. Music & Lyrics/West Yorkshire Playhouse's  Chitty Chitty Bang Bang is far from one of them. An exemplary and large cast, costumes both in multitude and wonderful to look at, a set of infinite invention and a hidden but quality and large orchestra. Jason Manford as Caractacus Potts Perhaps more importantly this show also doesn't fail on its casting of "stars" over stage talent, for in the lead is Jason Manford as Caractacus Potts, an artist known for his comedy more than his acting history, and certainly little known for his singing ability, is a revelation. Likable, dominant on stage with clear chara...

Review of Sweeney Todd: The Demon Barber of Fleet Street at Birmingham Rep

Sweeney Todd: The Demon Barber of Fleet Street first appeared in this musical form in 1979. Adapted from an original play by Christopher Bond, the work was set to music and lyrics by Stephen Sondheim, with a book by Hugh Wheeler. It quickly became a huge success, opening on both Broadway and the West End within a year. Following Tony and Olivier wins, the show has seen revival after revival over the years, as well as a musical film starring Johnny Depp. Now, Birmingham Rep presents its own pared-back version of the show, featuring some big stars of the theatre world. So, the question is, is Sweeney Todd as razor-sharp as it once was? What is clear to all at the outset is that director Joe Murphy, also artistic director at Birmingham Rep, has assembled a remarkable and bold cast for the show. Leading as Sweeney is Ramin Karimloo, whose bio speaks for itself and is the biggest draw for this show, especially for theatres outside London. His Sweeney is a perfectly brooding affair, broken...

Review of The Spy Who Came in From the Cold at Milton Keynes Theatre

The Spy Who Came in From the Cold is one of John Le CarrĂ©’s more well-known titles in his world of spy fiction, and having been adapted into a highly rated 1965 film with Richard Burton, it is perhaps surprising that it took until 2024 for this stage adaptation to appear, adapted by David Eldridge, and now at Milton Keynes Theatre. In many ways, it feels like a ripe story for a stage play, with locations and theatre folk often liking the cerebral storytelling it offers, so this should be perfect for the stage? The Spy Who Came in From the Cold depicts Alec Leamas, a British intelligence officer, being sent to East Germany as a faux defector to sow disinformation about Hans-Dieter Mundt, a powerful East German intelligence officer. However, as expected in the spy world, all is not as it seems, and with the lurking figure of the supposedly retired spy George Smiley in the background, Leamas finds things moving far from his control. It has to be said that Eldridge’s adaptation struggles...