Skip to main content

Review of Buddy - The Buddy Holly Story at Royal & Derngate (Derngate), Northampton

If you are even vaguely aware of the story of Buddy Holly, there is no shying away from the fact that be it almost sixty years ago, this musical of his life seems sure to end generally on a very sad note. However of course, it doesn't, it leaves us for two reasons wanting more; we want the show to continue with its final scenes collapsing into a high spirited concert feel, and we just wanted more from Buddy, full stop.

Over a period of just eighteen months between 1957 and 1959, Buddy along with The Crickets, went from jobbing local performers on a country themed radio show, to world recognition, and a collection of perhaps the very best of songs of that breakthrough period for music. At a time when Elvis was creating brilliance accompanied to his gyrating hips, Buddy was perhaps even more of an innovator, casting off the shackles of country, and even heaven forbid, performing with his glasses on. He wanted to be constantly different and inventive. It truly make you wonder where he could have gone with his work, had things been so different.

So in just eighteen months a remarkable and timeless collection of tunes like That'll Be The Day, Peggy Sue, Everyday, Oh Boy and Heartbeat were formed. All are remarkably well brought to life during The Buddy Holly Story by the very strong cast. Leading as Buddy for this performance (the tour interchanges for the lead) is Alex Fobbester. He cuts the perfect likeness on stage, has the twitchy busy minded behavior, and a very impressive vocal similarity to cover Buddy's very distinctive persona. The performance of Everyday in particularly is quite brilliant.

The musical numbers are where this show absolutely works and thankfully there are a lot of them, especially in the second half. As we finally reach Clear Lake, the final concert, this show has become something quite special. This includes the arrival of Thomas Mitchells spirited performance as The Big Bopper and a brilliant Jordan Cunningham as Ritchie Valens. Another highlight (but surely couldn't have happened time wise) is a brilliant performance of Shout by Miguel Angel and Jordan Cunningham as Apollo Theatre performers.

Much of any problems with The Buddy Holly Story lie very much in the first half, the quite sluggish storytelling is disappointing, leaving dull scripting from Alan Janes. It features an understandably teasing recording scene at Norvajak Studios, leaving the impact of the songs in full to the second half, but because of this goes hardly anywhere, and where is does, very slowly. Design from Adrian Rees is also unremittingly dull, with just one genuine set change in the show as we arrive at Clear Lake. The rest of it, is simply created by a succession of items being wheeled on and off. Lighting work however from Darren 'Daz' Coopland is the complete opposite, with swift and ingenious work.

However, this show has run non-stop since 1989 and that is no small achievement (but perhaps it does need a booster for the 21st Century). It is certain that this success though is because of its telling of such a well known story, and with a remarkable collection of music. This production though has some amazing performances from the cast, and the second half is a remarkably joyful piece of theatre, and includes a wonderful, very final tribute to the man himself. For any possible fan of the music of that era, The Buddy Holly Story, despite some faults, comes very recommended.

««««


Performance reviewed: Saturday 12th November, 2016 at the Royal & Derngate (Derngate), Northampton.

Buddy - The Buddy Holly Story performed at the Royal & Derngate between Monday 7th and Saturday 12th, November 
and continues its tour into 2017. Details of dates and locations can be found at http://www.buddythemusical.com/
For further details visit the Royal & Derngate website at http://www.royalandderngate.co.uk/

Popular posts from this blog

Review of Frankenstein at Royal & Derngate (Royal), Northampton

Over 200 years since its first publication it is remarkable to think that what is, in essence, a scientific novel such as Frankenstein is still so relevant in content today. However, as science evolves endlessly, and now with AI becoming so dominant and controversial, the difference between right and wrong, good and evil in science, and what is too inhuman is as current as ever. Tilted Wig's production, now at the end of its UK tour at Royal & Derngate and written and directed by Sean Aydon takes the original story and sets it about halfway between the first publication and modern day, around the time leading up to the Second World War. Aydon's adaptation works really well in placing the story within this degenerating world, a place where true horror is around the corner, and veiled ideas of their (Germany's) interest in Frankenstein's work are gently developed. However, while Aydon clearly had this idea in his head and his pen when scripting this version, the polit

Review of Hacktivists by Ben Ockrent performed by R&D Youth Theatre at Royal & Derngate (Underground), Northampton

The National Theatres Connections series of plays had been one of my highlights of my trips to R&D during 2014. Their short and snappy single act style kept them all interesting and never overstaying their welcome. So I was more than ready for my first encounter with one of this years Connections plays ahead of the main week of performances at R&D later in the year. Hacktivists is written by Ben Ockrent, whose slightly wacky but socially relevant play Breeders I had seen at St James Theatre last year. Hacktivists is less surreal, but does have a fair selection of what some people would call odd. Myself of the other hand would very much be home with them. So we are presented with thirteen nerdy "friends" who meet to hack, very much in what is termed the white hat variety. This being for good, as we join them they appear to have done very little more than hacked and created some LED light device. Crashing in to spoil the party however comes Beth (Emma-Ann Cranston)

Review of Flashdance - The Musical at Milton Keynes Theatre, Milton Keynes

For the second week running, the Milton Keynes Theatre is overrun by a wave of eighties nostalgia as Selladoor's production of Flashdance The Musical follows hot on the heels of An Officer and a Gentlemen. However, is it nice to have more of that classic decade upon the stage? The answer mostly is yes, despite the fact that the story driving Flashdance is that light and flimsy at times, you just have to sit back and watch the dancing and the bright colours to get you through. Welding genius, Alex Owens, has her sights set for a bigger thing beyond this tired and struggling factory in Pittsburgh.  Hoping to take her dancing beyond Harry's bar, she plans to make big, via Shipley Dance Academy.  Then, also drifting into her life comes Nick Hurley, who initially unknown to her, happens to be the factory bosses son, the scene is set for romance. Flashdance has a generally excellent cast led with a tremendously good performance from Joanne Clifton as Alex Owens. Those famili