Skip to main content

Review of The Shakespeare Revue (White Cobra) at The Playhouse Theatre, Northampton

I had heard great things of The Shakespeare Revue, presented here by White Cobra Productions. So much so, that even the fact that "Shakespeare" was in the title, had not activated that involuntary twitch that that name sometimes generates. I am generally one of those Shakespeare viewers that prefers my Bard spruced (brushed?) up a tad, giving the contents a stir after 400 plus years of simmering.

Thankfully The Shakespeare Revue, originally compiled by Christopher Luscombe and Malcolm McKee in 1993 (but added to since) for the Bard's birthday celebrations, is very much on the lighthearted side of Mr Shakespeare. Over an incredibly varied 37 sketches and musical routines, he is revered, poked fun at, honoured and slightly modified, to create a quite brilliant evening of entertainment, for the Bard or not to Bard fan alike.

Standout sketches include a quite brilliant take on The Importance of Being Earnest titled Othello in Earnest. Written by Perry Pontac it sees Othello (an improbably but brilliant cast Fraser Haines) being grilled by Lady Brabantio (Kate Billingham) over his suitability for Desdemona's hand. For those having seen Earnest, it is an hysterical few minutes as we have twisted original lines and superb puns and the weaving of a sandbag into the immortal line.

Richard Jordan steps well into the shoes of the Julie Walters role for the sketch Giving Notes (written by Victoria Wood), playing it impeccably. It is rife with classic Wood material, as prods and hints are given to the cast members of a planned comedy version of Hamlet. That play had also had another superb sketch earlier, when Fraser Haines' character returns in And How Is Hamlet?, to find that all is not well for pretty much everyone. A full company piece, it is brilliantly played by all.

This company do indeed work as a team as good as any I have seen, the musical pieces are perfectly organised (including choreography from Mary O'Brien), and the fast paced nature of some of the scenes could perhaps only work as well as they do, with a team as familiar with one another as well as these from White Cobra.

It is also quite incredible how varied some of the material is in this show. For instance I could hardly have expected a piece from Richmal Crompton's Just William to spring up, but up it does and Richard Jordan cuts an impressive William figure guiding the unwitting tourist towards Anne Hathaway's cottage (actually Mrs Maloney's in a brilliant comic turn from Bernie Wood).

The audience also get a chance for a bit of suggestive singing via the sketch The English Lesson, with a take on the Alice and Katherine (Kimberley Vaughan and Kate Billingham) scene from Henry V. Later Richard Jorden and Bernie Wood wander into the back of the scene looking gloriously glum with a sheet for our lines and the audience are happily singing a new meaning into the word count moments later. Finally special mention must go to Rod Arkle's often deadpan delivery, he was excellent especially in The Repertory Actor and a delight alone in just simply his "and me" line in Ladies of London

It is an excellent production of a fun, varied and constantly funny show, which also had a far sprinkling of great musical numbers well performed by the cast. On top of the fact that this was an entertaining evening was the love you could see the cast were putting in on this particularly special night of remembrance of director Ursula Wright, who sadly died earlier this year. This was a charity night, it was a special night and at the end over a thousand pounds was raised for pancreatic cancer. The evening could perhaps have been no better way to remember someone who I clearly know from the word of mouth of many special people, was a particularly special one.

Performance reviewed: Saturday 19th November, 2016 at the Playhouse Theatre, Northampton

The Shakespeare Revue was performed at The Playhouse on Saturday 19th November only. The show is being performed at The Place, Bedford on Friday 7th October, 2016.
For details about White Cobra Productions visit: 
http://www.whitecobraproductions.co.uk/

For full details about the Playhouse Theatre visit their website at http://www.theplayhousetheatre.net/


Popular posts from this blog

Review of Eric and Ern at Royal & Derngate (Royal), Northampton

The comedy of Eric Morecambe and Ernie Wise is carved into the very essence of Britishness, and while the years may now be distant from their domination of TV comedy, the light still shines bright on their work. This is thanks mostly to generation after generation being introduced to the shows via that near-annual appearance on TV schedules at Christmas. This will perhaps one day pass, but for now, this brilliant little show, Eric & Ern , now at Royal & Derngate, continues to honour that comedy on stage. Created and performed by Ian Ashpitel and Jonty Stephens, Eric & Ern is a show bringing the duo's most famous sketches and jokes back to the stage. Having worked together now for over twenty years, Ashpitel and Stephens have created the comedy act to perfection. Stephens brings Morecambe’s edgy, frantic energy and combines it perfectly with his timing and mannerisms; everything from the flick of the glasses to the wipe of the nose is pure Eric. Ashpital, as Wise has pe...

Review of The Karate Kid - The Musical at Milton Keynes Theatre

There is no denying that the world of musical theatre is tremendously imaginative, and of all the films that could be adapted, perhaps the eighties teen drama The Karate Kid was not at the top of most people's lists for a musical adaptation. However, as our stage versions of Mr Miyagi and Daniel LaRusso arrive at Milton Keynes Theatre on a UK tour, I am happy to say that this is one of the most sensible film-to-musical decisions. Recently relocated from New Jersey to LA, Daniel becomes the target of a gang of Cobra Kai dojo students. However, unbeknownst to him, a quiet and unassuming maintenance man at his new home, Mr Miyagi, is on hand to offer a little more than some bonsai training. The first thing that ticks the box for a film-to-musical adaptation is having an original soundtrack, not an endless collection of awkwardly shoehorned music classics into the story. Here, alongside book writer Robert Mark Kamen, are some brilliantly crafted tunes by composer and lyricist Drew Gasp...

Review of The (Almost) Complete History Of Britain by The Pantaloons at The Castle Theatre, Wellingborough

It became very apparent quite quickly during History Of Britain that to get full value from the experience, it would be worth regressing to childhood. Targeted at all, but with quite a lean towards the younger members of the audience, I switched off thirty years of life and found it much easier to chortle at The Pantaloons. Dressed in paint speckled dungarees, the four performers are present in the theatre long before the show is ready to begin. Running through the foyer and mingling with the audience in the stalls selling their programmes, this is already a pretty entertainingly silly night before it begins. Our four performers Edward Ferrow, Kelly Griffiths, Neil Jennings and Alex Rivers have infectiously exuberant personalities and no matter how bad the jokes they throw at us get, you often can't help but have a little chuckle. The writers responsible are Mark Hayward and Stephen Purcell, who also direct. They drag us through the history of Britain missing out vast amounts of...