Skip to main content

Review of The Shakespeare Revue (White Cobra) at The Playhouse Theatre, Northampton

I had heard great things of The Shakespeare Revue, presented here by White Cobra Productions. So much so, that even the fact that "Shakespeare" was in the title, had not activated that involuntary twitch that that name sometimes generates. I am generally one of those Shakespeare viewers that prefers my Bard spruced (brushed?) up a tad, giving the contents a stir after 400 plus years of simmering.

Thankfully The Shakespeare Revue, originally compiled by Christopher Luscombe and Malcolm McKee in 1993 (but added to since) for the Bard's birthday celebrations, is very much on the lighthearted side of Mr Shakespeare. Over an incredibly varied 37 sketches and musical routines, he is revered, poked fun at, honoured and slightly modified, to create a quite brilliant evening of entertainment, for the Bard or not to Bard fan alike.

Standout sketches include a quite brilliant take on The Importance of Being Earnest titled Othello in Earnest. Written by Perry Pontac it sees Othello (an improbably but brilliant cast Fraser Haines) being grilled by Lady Brabantio (Kate Billingham) over his suitability for Desdemona's hand. For those having seen Earnest, it is an hysterical few minutes as we have twisted original lines and superb puns and the weaving of a sandbag into the immortal line.

Richard Jordan steps well into the shoes of the Julie Walters role for the sketch Giving Notes (written by Victoria Wood), playing it impeccably. It is rife with classic Wood material, as prods and hints are given to the cast members of a planned comedy version of Hamlet. That play had also had another superb sketch earlier, when Fraser Haines' character returns in And How Is Hamlet?, to find that all is not well for pretty much everyone. A full company piece, it is brilliantly played by all.

This company do indeed work as a team as good as any I have seen, the musical pieces are perfectly organised (including choreography from Mary O'Brien), and the fast paced nature of some of the scenes could perhaps only work as well as they do, with a team as familiar with one another as well as these from White Cobra.

It is also quite incredible how varied some of the material is in this show. For instance I could hardly have expected a piece from Richmal Crompton's Just William to spring up, but up it does and Richard Jordan cuts an impressive William figure guiding the unwitting tourist towards Anne Hathaway's cottage (actually Mrs Maloney's in a brilliant comic turn from Bernie Wood).

The audience also get a chance for a bit of suggestive singing via the sketch The English Lesson, with a take on the Alice and Katherine (Kimberley Vaughan and Kate Billingham) scene from Henry V. Later Richard Jorden and Bernie Wood wander into the back of the scene looking gloriously glum with a sheet for our lines and the audience are happily singing a new meaning into the word count moments later. Finally special mention must go to Rod Arkle's often deadpan delivery, he was excellent especially in The Repertory Actor and a delight alone in just simply his "and me" line in Ladies of London

It is an excellent production of a fun, varied and constantly funny show, which also had a far sprinkling of great musical numbers well performed by the cast. On top of the fact that this was an entertaining evening was the love you could see the cast were putting in on this particularly special night of remembrance of director Ursula Wright, who sadly died earlier this year. This was a charity night, it was a special night and at the end over a thousand pounds was raised for pancreatic cancer. The evening could perhaps have been no better way to remember someone who I clearly know from the word of mouth of many special people, was a particularly special one.

Performance reviewed: Saturday 19th November, 2016 at the Playhouse Theatre, Northampton

The Shakespeare Revue was performed at The Playhouse on Saturday 19th November only. The show is being performed at The Place, Bedford on Friday 7th October, 2016.
For details about White Cobra Productions visit: 
http://www.whitecobraproductions.co.uk/

For full details about the Playhouse Theatre visit their website at http://www.theplayhousetheatre.net/


Popular posts from this blog

Review of The Rocky Horror Show at Milton Keynes Theatre, Milton Keynes

Seeing the 46-year-old Rocky Horror Show at the theatre for the first time is quite an experience on many levels. First and foremost as a regular theatregoer, the audience, even on a relatively demure evening of a Monday, is something you would never really experience at a theatre beyond this show. Many are dressed up (even on that demure Monday), and so many are so in tune with the show, that these regular fans have become entwined within it. They know every word of the script, they contribute to it, they enhance it, often they make Richard O'Brien's already adult content into something much more adult. It's a revelation of experience, much before a newbie such as myself even considers the show. Laura Harrison's beautifully clear rendition of Science Fiction/Double Feature sets the scene for some generally excellent performances of O'Brien's classic tunes, in a musical which is clearly audible, sadly not something that always happens with many productio...

Review of Breaking the Code at Royal & Derngate (Royal), Northampton

Breaking The Code , the opening play in the new Made in Northampton season at Royal & Derngate, is a surprisingly old and rarely seen play. Written in 1986 by Hugh Whitemore, it tells the story of legendary codebreaker Alan Turing, a man who, in the 1980s, when this play first appeared, was relatively unknown. The years since the origin of this play have been good for Turing, with his life's work finally getting the recognition it deserves, and also, very much what this play centres on, a recognition of the horrific life and end that Turing had as a result of dealing with the laws of the day. Breaking the Code has seen life before on the stage of the Royal, as back in 2003, Philip Franks took to the role of Turing in a very well-received production. So, what of this brand new version directed by the Royal & Derngate's artistic director Jesse Jones? Does it live up to Turing's legend? That is an unquestionable yes with no machines needed to crack the class behind thi...

Review of Cinderella, performed by University Of Northampton BA Actors at Maidwell Hall (Avenue Campus), Northampton

So, this is a bit different, the third year actors (my fifth group of them!) do panto, Cinderella to be precise. Pantomime is my perennial favourite bit of theatre. Oh no, it isn't! However, I have long acknowledged that for an actor, the form is both incredibly important, because if you can entertain kids, you can probably do anything, it also provides a large opening for a regular gig each year as they are so abundant. Therefore, it comes as no surprise that the intelligent bods teaching these students have come to the decision to create a little panto action of their own. This first of three (and the other two are very different beasts, as you will learn from the next reviews) is the ever so traditional one. Formed partly from the work of Looking Glass Theatre and director James Smith, I first saw much of this piece in January 2015, and although I didn't remember a great deal of it after this time, the cheese song managed to flash back to me, perhaps, sadly. So, ...