Skip to main content

Review of Planet Circus OMG! 2016 at Billing Aquadrome, Northampton

An unexpected call from a friend who had received a free ticket, à la Willy Wonka's Golden Ticket, to go and see a circus for free, left me sitting in a circus tent a few hours later for the first time in about thirty years.


It was a wise, albeit on occasion, scary decision. I have to confess that when seeing shows like this, where there is an element of danger involved I do tend to squirm into the chair I sit. This happened mostly during the opening act of the second half of the show, the suitably titled Wheel Of Death. I rolled into an uncomfortable ball, while the five or six year old behind me gleefully shouted that "they are going to die!".


This was a scary welcome to the second act, after the first much more relaxing first half. It works excellently and is credit to producer and director Mark Whitney that the show is perfectly balanced, with the bulk of traditional circus arts in the first half, while the more spectacular and often more modern feeling ones are in the second.


Throughout the two hour show, not one act fails as they are all entertaining in their own way and never, perhaps more importantly outstay their welcome. The previous mentioned Wheel Of Death from the Eremia Brothers is perhaps the highlight for shear spectacle and certainly got the audience engaged. However the closing act of The Splitting Globe of Death goes some way in matching it, despite there only being three motorcyclists in there on this occasion.


For me though, I enjoyed more the slightly traditional acts from the outset of the hula hoop and juggling performers and onto the omnipresent, but slightly less popular at this present moment, clown. For this show, the bubbly and quite brilliant Andrea Delbosq is our clown, and she brings a more carefree and less threatening persona to the roll. Gone is the ridiculous costume with over sized feet that you might expect, and big red nose is cast aside to be replaced by a delicate blob of red make-up. It creates a less perilous, but still very entertaining clown performance. While she attempts comically to get into the action in the first half, her main piece comes in the second half when with the help of the audience she creates a Star Wars themed movie scene. Audience participation can live and die on those selected, however the chap who played Luke Skywalker brought the canopy down with his performance. My only criticism perhaps would be that Andrea deserved to have a mic. It was however all entertaining and she is without doubt an excellently entertaining clown.


Other highlights included an excellent routine from Australia and their lasso and whip-cracking antics, a male take on pole dancing, a death defying silk act and an impressive act from The Prince of Balance Emil.


It all came together to form what was an impressive package of acts, cleverly organised for the best effect with excellent use of lighting and sound throughout. The tent itself remains a welcoming atmosphere from introduction to end, where you are able to meet every performer as you leave. These are excellently talented individuals, but who remain appreciative of their audience. No question that this genuinely comes recommended for children of any age.

Performance reviewed: Wednesday 26th October, 2016 (matinee) at Billing Aquadrome, Northampton. 

Planet Circus OMG! runs until Sunday 30th October, 2016 at Billing Aquadrome, Northampton before continuing its tour.


Popular posts from this blog

Review of Murder She Didn't Write at Royal & Derngate (Royal), Northampton

Murder She Didn't Write , stopping off for a four-day run at Royal & Derngate on a lengthy UK tour, treads the now well-worn path of an improvisational evening of theatre entertainment. Unsurprisingly, from the title, this show from Degrees of Error's takes a murder mystery as its inspiration, with the story influenced by ideas from the audience each evening. Due to this, Murder She Didn't Write and a review are very much an individual affair. What I saw in my evening at the theatre will differ significantly from what the audience will see the following evening; however, the fine performers will remain. The touring cast, in no particular order, is Lizzy Skrzypiec, Rachael Procter-Lane, Peter Baker, Caitlin Campbell, Stephen Clements, Douglas Walker, Harry Allmark, Rosalind Beeson, Sylvia Bishop, Emily Brady, Alice Lamb, Sara Garrard, Peta Maurice and Matthew Whittle. For my performance, Skrzypiec, Procter-Lane, Baker, Walker, Bishop, and Clements were on stage alongsid...

Review of Immune by R&D Youth Theatre at Royal & Derngate (Royal), Northampton

The cover note for the script of Oladipo Agboluaje's Immune describes it as "a challenging science fiction play with a large cast", and the word challenging in this case is not a lie. This is a fast paced, multi-cast changing script which leaves little room for error for its young cast in the performance. If the script isn't enough to handle for the young performers, director Christopher Elmer-Gorry and designer Carl Davies have made the situation even more complex for the actors with the set and stage work. Having to manhandle great panels on wheels and a huge cube, which also splits in two occasionally, during scene changes requires skill, coordination and cooperation of a high level. As if all this is not enough, the actual story is epic enough for the relatively small stage of the Royal. Attempting to form an apocalyptic world (albeit only happening in Plymouth) offers challenges in itself, but Agboluaje's script does that in a sort of apocalypse in the teac...

Review of Bat Out Of Hell - The Musical at Milton Keynes Theatre

Bat Out of Hell - The Musical was first realised as a stage musical back in 2017, opening at the Manchester Opera House. Since then, it has achieved significant international success. Now, as part of a new UK tour, it has returned to Milton Keynes Theatre, which it previously visited in 2022 during its global tour. The storyline of Bat Out of Hell , written by Jim Steinman, draws on the story of Peter Pan as a basis and evolves it within a dystopian world, where a group of teenagers known as The Lost live forever at the age of 18. This plot is both flimsy and initially confusing; however, within the music of Meat Loaf and Jim Steinman, it finds a rough-around-the-edges polish that allows this weakness to shine through and succeed. At the centre of this group of teenagers is Strat, who, following an unexpected encounter, falls under the spell of Raven. Within this, a megalomaniac lurks, as all dystopian worlds require. This maniac is Falco, the father of Raven and Sloane's husband....