Skip to main content

Review of Mindgame by Masque Theatre at the Playhouse Theatre, Northampton

After clocking up over two hundred and fifty theatre reviews in less than three years, I nonchalantly thought that any show I have thrown at me, I can confidently cover. That was before I went to see Masque Theatre's production of the Anthony Horowitz play Mindgame last evening. A cast of three weave you into a mysterious web, where absolutely nothing is what it seems and leaves a terrified reviewer the prospect of trying not to reveal those weaves. I am of course bold and brave(ish) though, so this will not trouble me. Too much.

First performed in 1999, Mindgame sees true crime writer Mark Styler (William Portch) arrive at the optimistically named mental institution Fairfields. His target is to meet, interview, profile, and tell the life story of inmate Easterman, a notorious serial killer. In charge at the hospital is Dr. Farquhar (Vince Perry), a bold presence, but surprisingly confused character to be in charge of such important patients. Completing our cast of characters is the nervy Nurse Paisley (Gemma Knight), for medical and tea providing duties.

That pretty much is all it would be fair to reveal regarding this quite ingenious play, as it twists and turns leaving the audience unsure, sure, unsure, certain and then perhaps bewildered before an ending perhaps almost on a par with films like The Sixth Sense and one that leaves you totally satisfied, but maybe unsure?

The cast of three are all superb and create completely convincing characters. Portch is excellent as Styler, portraying the confidence that the ambitious writer needs, yet also willing to go along with the more foolish whims of Farquhar. Horowitz makes the character deliberately slow at times, to allow the audience to be one step ahead of him.

I really liked Perry as Farquhar, really strong in both character and demeanour, but with a lightness of touch that makes the comic moments more funny than you feel they should be. However that is the point of this play, as there is a lot of uncomfortable humour, but you should (and do) laugh despite yourself.

Finally, we have Gemma Knight, who harks wonderfully back to the very first Masque I saw, No Way Out. Again she is excellent as Nurse Paisley, all twitchy and desperate to reveal some mystery, and laying on the comic side glances with relish. Without question, she throws herself fully into the role.

As well as the cast, there is quite a bit of life in Dr Farquhar's office set. To reveal exactly what happens would be unnecessary, however nothing is what it seems, and both stage manager Jo Molyneux and assistant Ed Toone, as well as tech man Philip Welsh need to be congratulated on this one, in their adding of the fourth character in this play.

Director Pat Bancroft keeps a tight reign on proceedings, making sure the action stays flowing with no extraneous moments to distract. This all allows the play to be a breeze to follow, and is just the way I personally like my theatre viewing to be.

So, a fascinating and thought-provoking play which has at its core some really funny moments, and more than a hint of politics about it. A superb cast easily create one of my favourite Masque productions so far. Quite brilliantly dark and delightful.

Performance reviewed: Thursday 20th October, 2016 at the Playhouse Theatre, Northampton. 
Mindgame runs until Saturday 22nd October, 2016 at the Playhouse Theatre, Northampton.

Details can be found at http://www.masquetheatre.co.uk/

Popular posts from this blog

Review of The House She Built at The Black Diamond, Northampton

Independent theatre company Nerve Theatre was founded in January 2025, when its first original production, Broken Party , took to the stage at Benn Hall in Rugby. That was followed the same year by a modern retelling of Frankenstein . Now, for 2026, Nerve Theatre founder Mia Ballard has written and directed The House She Built , staged for three nights at The Black Diamond, Northampton. The House She Built , set in 1950s Hollywood, is a dark thriller influenced by the lives of Marilyn Monroe, Judy Garland, Elizabeth Taylor and Audrey Hepburn and their treatment as women within the cogs of Hollywood. Our leading lady here is Nancy Carlton, who returns to Mellor Brothers Productions to make one final film. But something awaits her, and the scene is set for a period thriller that explores the grimy world behind Hollywood's apparently glamorous days. Michaela Clement-Hayes leads the cast as Nancy Carlton, the star troubled by her past, but returning to her old studio for that final mov...

Review of Sweeney Todd: The Demon Barber of Fleet Street at Birmingham Rep

Sweeney Todd: The Demon Barber of Fleet Street first appeared in this musical form in 1979. Adapted from an original play by Christopher Bond, the work was set to music and lyrics by Stephen Sondheim, with a book by Hugh Wheeler. It quickly became a huge success, opening on both Broadway and the West End within a year. Following Tony and Olivier wins, the show has seen revival after revival over the years, as well as a musical film starring Johnny Depp. Now, Birmingham Rep presents its own pared-back version of the show, featuring some big stars of the theatre world. So, the question is, is Sweeney Todd as razor-sharp as it once was? What is clear to all at the outset is that director Joe Murphy, also artistic director at Birmingham Rep, has assembled a remarkable and bold cast for the show. Leading as Sweeney is Ramin Karimloo, whose bio speaks for itself and is the biggest draw for this show, especially for theatres outside London. His Sweeney is a perfectly brooding affair, broken...

Review of Annie at Milton Keynes Theatre

Annie was first performed now a remarkable fifty years ago at Goodspeed Opera House in Connecticut, and since then, the tale based on a 1920s comic strip and adapted for the stage by Thomas Meehan on book, with music by Charles Strouse, and lyrics provided by Martin Charnin, has become a perennial favourite across the world. Indeed, this version, directed by Nikolai Foster, last appeared at Milton Keynes Theatre in 2023. So, after all these years, does Annie still have that appeal? Set in  1930s New York during the Great Depression,  Annie  follows the life of an orphan abandoned to the care  of its evil matron, Miss Hannigan. Annie seeks escape, and after one failed attempt, she finds herself the chosen Christmas guest of billionaire Oliver Warbucks, and things slowly, hopefully begin to improve for the little but fiercely strong Annie. Leading the adult cast for this tour now as the cruel Miss Hannigan is Claire Sweeney. Sweeney clearly revels in the chance to embr...