Skip to main content

Review of Mindgame by Masque Theatre at the Playhouse Theatre, Northampton

After clocking up over two hundred and fifty theatre reviews in less than three years, I nonchalantly thought that any show I have thrown at me, I can confidently cover. That was before I went to see Masque Theatre's production of the Anthony Horowitz play Mindgame last evening. A cast of three weave you into a mysterious web, where absolutely nothing is what it seems and leaves a terrified reviewer the prospect of trying not to reveal those weaves. I am of course bold and brave(ish) though, so this will not trouble me. Too much.

First performed in 1999, Mindgame sees true crime writer Mark Styler (William Portch) arrive at the optimistically named mental institution Fairfields. His target is to meet, interview, profile, and tell the life story of inmate Easterman, a notorious serial killer. In charge at the hospital is Dr. Farquhar (Vince Perry), a bold presence, but surprisingly confused character to be in charge of such important patients. Completing our cast of characters is the nervy Nurse Paisley (Gemma Knight), for medical and tea providing duties.

That pretty much is all it would be fair to reveal regarding this quite ingenious play, as it twists and turns leaving the audience unsure, sure, unsure, certain and then perhaps bewildered before an ending perhaps almost on a par with films like The Sixth Sense and one that leaves you totally satisfied, but maybe unsure?

The cast of three are all superb and create completely convincing characters. Portch is excellent as Styler, portraying the confidence that the ambitious writer needs, yet also willing to go along with the more foolish whims of Farquhar. Horowitz makes the character deliberately slow at times, to allow the audience to be one step ahead of him.

I really liked Perry as Farquhar, really strong in both character and demeanour, but with a lightness of touch that makes the comic moments more funny than you feel they should be. However that is the point of this play, as there is a lot of uncomfortable humour, but you should (and do) laugh despite yourself.

Finally, we have Gemma Knight, who harks wonderfully back to the very first Masque I saw, No Way Out. Again she is excellent as Nurse Paisley, all twitchy and desperate to reveal some mystery, and laying on the comic side glances with relish. Without question, she throws herself fully into the role.

As well as the cast, there is quite a bit of life in Dr Farquhar's office set. To reveal exactly what happens would be unnecessary, however nothing is what it seems, and both stage manager Jo Molyneux and assistant Ed Toone, as well as tech man Philip Welsh need to be congratulated on this one, in their adding of the fourth character in this play.

Director Pat Bancroft keeps a tight reign on proceedings, making sure the action stays flowing with no extraneous moments to distract. This all allows the play to be a breeze to follow, and is just the way I personally like my theatre viewing to be.

So, a fascinating and thought-provoking play which has at its core some really funny moments, and more than a hint of politics about it. A superb cast easily create one of my favourite Masque productions so far. Quite brilliantly dark and delightful.

Performance reviewed: Thursday 20th October, 2016 at the Playhouse Theatre, Northampton. 
Mindgame runs until Saturday 22nd October, 2016 at the Playhouse Theatre, Northampton.

Details can be found at http://www.masquetheatre.co.uk/

Popular posts from this blog

Review of The Rocky Horror Show at Milton Keynes Theatre, Milton Keynes

Seeing the 46-year-old Rocky Horror Show at the theatre for the first time is quite an experience on many levels. First and foremost as a regular theatregoer, the audience, even on a relatively demure evening of a Monday, is something you would never really experience at a theatre beyond this show. Many are dressed up (even on that demure Monday), and so many are so in tune with the show, that these regular fans have become entwined within it. They know every word of the script, they contribute to it, they enhance it, often they make Richard O'Brien's already adult content into something much more adult. It's a revelation of experience, much before a newbie such as myself even considers the show. Laura Harrison's beautifully clear rendition of Science Fiction/Double Feature sets the scene for some generally excellent performances of O'Brien's classic tunes, in a musical which is clearly audible, sadly not something that always happens with many productio...

Review of Cinderella, performed by University Of Northampton BA Actors at Maidwell Hall (Avenue Campus), Northampton

So, this is a bit different, the third year actors (my fifth group of them!) do panto, Cinderella to be precise. Pantomime is my perennial favourite bit of theatre. Oh no, it isn't! However, I have long acknowledged that for an actor, the form is both incredibly important, because if you can entertain kids, you can probably do anything, it also provides a large opening for a regular gig each year as they are so abundant. Therefore, it comes as no surprise that the intelligent bods teaching these students have come to the decision to create a little panto action of their own. This first of three (and the other two are very different beasts, as you will learn from the next reviews) is the ever so traditional one. Formed partly from the work of Looking Glass Theatre and director James Smith, I first saw much of this piece in January 2015, and although I didn't remember a great deal of it after this time, the cheese song managed to flash back to me, perhaps, sadly. So, ...

Review of Bat Out of Hell - The Musical at Milton Keynes Theatre

This tour of Bat Out of Hell - The Musical has become sadly a double-tribute as it tours throughout the UK into 2023 and the love of its creator Jim Steinman, and the man who made his work world-famous, Meat Loaf, both lost in the last year, runs through the cast in this impressive version of the show. The storyline of Bat Out of Hell takes the Peter Pan idea and warps it into a dystopian world of a group of youth known as The Lost trapped forever at 18 years of age. The centre of this group is Strat, who, after a chance encounter, becomes under the spell of Raven. Of course, into this mix must come a megalomaniac, as all dystopian worlds really need. This is the father of Raven, Falco, who, with his wife Sloane, battle The Lost, Raven’s relationship with Strat, and indeed their own very bizarre relationship, to the backdrop of Steinman’s music. Bat Out of Hell doesn’t start particularly well, be it the performance or a show issue, for the first twenty minutes there is a lack of clarit...