Skip to main content

Review of Danny Hero at The Core at Corby Cube, Corby

I had created so much anticipation for myself with Danny Hero at The Core, that there was perhaps an almost inevitability that it would end up a disappointment. Sadly it was, despite it still be a tremendously entertaining show. That is a brilliantly weird introduction to a review, so I think I should explain myself.

I personally believe that the pre-publicity for the show had a seriously contrasting positive/negative effect and offers interesting thoughts on how to publicise a show. Trailers by their inherent nature offer nuggets of delight, often making a show appear far better than it turns out. Those behind Danny Hero chose to run a large bulk of publicity with a YouTube recording of a song from the show, Man Of Steel. It worked in selling my ticket, as after I heard it, it was pretty much 90% of the reason I decided to make absolutely sure I got to see the show. So, it did its job.
Ensemble
However the problem lies with the fact that Man Of Steel is a simply incredible musical theatre song, its power and emotional hold are up there with any major production key show song. This coupled with the fact that is was chosen to have a professional singer, Graham Bickley, cover the song for pre-publicity puts tremendous pressure on what is only a community production at the end of the day. It left too much optimism for me, which the show didn't quite manage to overcome.

Except, it is still a quite brilliant show.

Created by the Perfect Pitch theatre company (Book & Lyrics: Timothy Knapman/Music & Lyrics: Laurence Mark Wythe), Danny Hero tells the story of oddball teen Danny who spends much of his time imagining himself in a comic book world where he as the titular character battles the likes of The Walking Dread. It's a larger than life story of evil businessmen and closing industries that strikes hard on the town of Corby, as this is very much created for its debut home. It is a lovely little story at its heart and the music, of which there is a great deal, adds a thrill to proceedings.
Kev Aitken as Andy (right) and cast.
As well as the aforementioned Man Of Steel, which is excellently performed by Kev Aitken as Andy, the best of the other numbers fall in the hands of the "Schoolkids". Weird is an incredible catchy number, cleverly also spun as the final number, this as well as the wonderful A Very Good Cause offer the very best of the shows songs,. The latter is also excellently staged by choreographers Sophia-Jade Madden and Marcia Mitchell. Its the best that the ensemble routines offer though, as much of the time they are kept to a simplistic nature. No doubt, due perhaps to time restraints.

The cast is a mixed bag, with the already mentioned Kev Aitken one stand-out. Also of high recognition is Gordon Ritchie as the villain of the piece Tony Hunter, confident and perfect in his delivery of the deliberately larger than life character. I enjoyed Loretta Padgett (Abigail), Amalie Meadwell (Harriet) and Mandy Sonko (Sasha) in their roles, excellent especially in the Schoolkids rountines. Also it was clear that Leisa Cooke was having more than a little fun in her vixen role of Diane.
Martin Brown as Danny
There was a nice relaxed gentle delivery from Kim Laughton as Danny's mum Sheila which at times was appreciated as there was on occasion a tendency to over perform from a few of the cast in the singing department. I myself will take this on the basis of it being an overexcited first night, although I did fear for a few of the voices the next day.
Kayleigh Tucker as Kyra
Kayleigh Tucker delivered a really sweet performance as Kyra, the obvious love interest of Danny and fellow superhero incorporated into his comics. It is though rather awkwardly Danny that I had the biggest problem with, Martin Brown while sometimes brilliant, his performance of Brave for example is excellent, often doesn't quite have the depth of character needed to hold the shows lead. Be it nerves for opening night or something else, it just doesn't quite work for me all the time, and it is a shame that for much of the first act, he doesn't quite have the presense to run the show.
Gordon Ritchie at Tony Hunter
Opening night had just a few technical issues, including none functioning mics, and maybe could have done without quite so long set change blackouts to keep the flow. However it is without doubt an excellent little show, with great music and with Man Of Steel, the writers certainly knew they had a winner they used it thrice. It also very much knows how to close the first act in an exceptional way.

Overall a tremendously enjoyable experience and no question the show deserves to see light of day again in some way as a piece of so-called flimsy musical theatre, it sure has an important moralistic story to tell.

Performance reviewed: Wednesday 26th October (opening night), 2016 at The Core at The Corby Cube, Corby

Danny Hero runs at the 
The Core at The Corby Cube until Saturday 29th October, 2016.

For further details visit the The Core website at 
https://www.thecorecorby.com/

Photos by Abdigitaluk Photography

Popular posts from this blog

Review of Lord Of The Dance at Royal & Derngate (Derngate), Northampton

The stage show Lord of the Dance possibly needs little introduction to most people, as it has become a legend and now, in this touring version, subtitled rather immodestly, 25 Years of Standing Ovations, it reaches a landmark anniversary. Those that do not know of the show would probably well know its spiritual fathers Michael Flatley, and even more likely Riverdance , from which Lord of the Dance sprung with a proper spring in its step. During the interval of the 1994 Eurovision Song Contest, Riverdance hit the world by storm as Michael Flatley and his troop of dancers possibly presented the most famous part of Eurovision ever, certainly of the non-singing variety at least. Here, this touring show brings that same style Flatley created from traditional Irish dancing across the country once again and it is truly something special to see. The concept of the show is simply a battle between good and evil told through dance, and some captivating and stunning songs performed by Celyn Cartw...

Review of Rambert Dance in Peaky Blinders - The Redemption of Thomas Shelby at Royal & Derngate (Derngate), Northampton

The Rambert Dance Company is the oldest such company in Britain having first performed in 1926. However, despite this, this was my first encounter with the group in my ten years of theatre-going. Coupled with this, it was also my first encounter with Peaky Blinders , having never seen the show, and only knowing a few vague things about it. My companion for the evening however was very familiar with the show, allowing some background behind the show. It turns out though,  Rambert Dance in Peaky Blinders - The Redemption of Thomas Shelby needs a little more than a good bit of knowledge of the show, as despite this production having incredible style, there struggles to be a cohesive structure to the show and the storytelling. Much more than other dance shows as well. The first act does a whistle-stop tour of the first five seasons and while it is a feast on the eye, and on the ear, it gets extremely confusing at times. The second act is freestyle and drifts away from the stories tol...

Camden Fringe Review: FEET by Emma And Lawrence Wrote A Play at Etcetera Theatre, London

While some issue plays tend to miss the point of providing fun and entertainment as well as making their point on a relevant issue, FEET is certainly not one of them. Written, produced, directed and performed by the two-person team of Emma And Lawrence Wrote A Play, this is clearly a labour of love of the two, full names Emma Brown and Lawrence Smith, it is fun and engaging throughout. It's "issue" is loosely about selling your body for money or art and how far you might be willing to push it. Lucy Winwood (Emma Brown) is your typical young actress, struggling hard to get those money making roles, or roles in general, and in need of money she stumbles upon the world of feet fetishism (as you, of course, would) and slowly from just images of her feet sold online, it becomes feet in jelly and then finally personal meetings with clients for full on feet interaction. The path that FEET takes is that is this denigration of your body in selling your feet actually worse than...