Skip to main content

Review of Danny Hero at The Core at Corby Cube, Corby

I had created so much anticipation for myself with Danny Hero at The Core, that there was perhaps an almost inevitability that it would end up a disappointment. Sadly it was, despite it still be a tremendously entertaining show. That is a brilliantly weird introduction to a review, so I think I should explain myself.

I personally believe that the pre-publicity for the show had a seriously contrasting positive/negative effect and offers interesting thoughts on how to publicise a show. Trailers by their inherent nature offer nuggets of delight, often making a show appear far better than it turns out. Those behind Danny Hero chose to run a large bulk of publicity with a YouTube recording of a song from the show, Man Of Steel. It worked in selling my ticket, as after I heard it, it was pretty much 90% of the reason I decided to make absolutely sure I got to see the show. So, it did its job.
Ensemble
However the problem lies with the fact that Man Of Steel is a simply incredible musical theatre song, its power and emotional hold are up there with any major production key show song. This coupled with the fact that is was chosen to have a professional singer, Graham Bickley, cover the song for pre-publicity puts tremendous pressure on what is only a community production at the end of the day. It left too much optimism for me, which the show didn't quite manage to overcome.

Except, it is still a quite brilliant show.

Created by the Perfect Pitch theatre company (Book & Lyrics: Timothy Knapman/Music & Lyrics: Laurence Mark Wythe), Danny Hero tells the story of oddball teen Danny who spends much of his time imagining himself in a comic book world where he as the titular character battles the likes of The Walking Dread. It's a larger than life story of evil businessmen and closing industries that strikes hard on the town of Corby, as this is very much created for its debut home. It is a lovely little story at its heart and the music, of which there is a great deal, adds a thrill to proceedings.
Kev Aitken as Andy (right) and cast.
As well as the aforementioned Man Of Steel, which is excellently performed by Kev Aitken as Andy, the best of the other numbers fall in the hands of the "Schoolkids". Weird is an incredible catchy number, cleverly also spun as the final number, this as well as the wonderful A Very Good Cause offer the very best of the shows songs,. The latter is also excellently staged by choreographers Sophia-Jade Madden and Marcia Mitchell. Its the best that the ensemble routines offer though, as much of the time they are kept to a simplistic nature. No doubt, due perhaps to time restraints.

The cast is a mixed bag, with the already mentioned Kev Aitken one stand-out. Also of high recognition is Gordon Ritchie as the villain of the piece Tony Hunter, confident and perfect in his delivery of the deliberately larger than life character. I enjoyed Loretta Padgett (Abigail), Amalie Meadwell (Harriet) and Mandy Sonko (Sasha) in their roles, excellent especially in the Schoolkids rountines. Also it was clear that Leisa Cooke was having more than a little fun in her vixen role of Diane.
Martin Brown as Danny
There was a nice relaxed gentle delivery from Kim Laughton as Danny's mum Sheila which at times was appreciated as there was on occasion a tendency to over perform from a few of the cast in the singing department. I myself will take this on the basis of it being an overexcited first night, although I did fear for a few of the voices the next day.
Kayleigh Tucker as Kyra
Kayleigh Tucker delivered a really sweet performance as Kyra, the obvious love interest of Danny and fellow superhero incorporated into his comics. It is though rather awkwardly Danny that I had the biggest problem with, Martin Brown while sometimes brilliant, his performance of Brave for example is excellent, often doesn't quite have the depth of character needed to hold the shows lead. Be it nerves for opening night or something else, it just doesn't quite work for me all the time, and it is a shame that for much of the first act, he doesn't quite have the presense to run the show.
Gordon Ritchie at Tony Hunter
Opening night had just a few technical issues, including none functioning mics, and maybe could have done without quite so long set change blackouts to keep the flow. However it is without doubt an excellent little show, with great music and with Man Of Steel, the writers certainly knew they had a winner they used it thrice. It also very much knows how to close the first act in an exceptional way.

Overall a tremendously enjoyable experience and no question the show deserves to see light of day again in some way as a piece of so-called flimsy musical theatre, it sure has an important moralistic story to tell.

Performance reviewed: Wednesday 26th October (opening night), 2016 at The Core at The Corby Cube, Corby

Danny Hero runs at the 
The Core at The Corby Cube until Saturday 29th October, 2016.

For further details visit the The Core website at 
https://www.thecorecorby.com/

Photos by Abdigitaluk Photography

Popular posts from this blog

Review of The All New Adventures of Peter Pan at Royal & Derngate (Derngate), Northampton

For theatres across the land, it's that time of year again. The time when the theatres fill with screaming children and a ridiculous amount of sugar intake and trips to the toilet. Yes, it is panto time, and before you say it, oh yes it is. This year, for the Royal & Derngate, it is time for a trip to Neverland (or Forever Land, that is, but more on that later) and a magical adventure with Peter Pan and the dastardly Captain Hook. Once again, following hugely successful previous runs, Evolution Productions brings this tale to the stage in 2025. And it has to be said, once again, they strike panto gold with The All New Adventures of Peter Pan , with a constantly lively, brilliantly colourful and awkwardly funny production that, as always with Evolution, is totally family friendly. Over the years here, Evolution and writer Paul Hendy have created the essence of pantomime (which just so happens to link to the tale within this story). Keeping all the traditions intact, a ghostly be...

Review of Benidorm Live at Milton Keynes Theatre, Milton Keynes

I arrived at Milton Keynes Theatre to see this touring stage version of ITV comedy hit Benidorm with a distinct lack of knowledge. Having never seen the show, my information stretched as far as knowing it was set in a holiday resort in Spain (the title helps there), and that the humour generally resorted to the cruder end of the spectrum. However, having graced the screens for ten years, it was clear that Derren Litten's show had garnered quite a following, and indeed it was clear from the reception of the audience on the night, that this following was pretty much filling the theatre. The plot, such as it is for this stage show, is very much drafted from an episode of Fawlty Towers , and made a great deal more adult with its humour. The hotel manager, Joyce Temple-Savage (a sharp performance by Sherrie Hewson) gets wind that a hotel inspector is in, and the scene is set for seeking them out and all the obvious cases of mistaken identity. It's thin and doesn't fill ...

Review of The Rocky Horror Show at Milton Keynes Theatre, Milton Keynes

Seeing the 46-year-old Rocky Horror Show at the theatre for the first time is quite an experience on many levels. First and foremost as a regular theatregoer, the audience, even on a relatively demure evening of a Monday, is something you would never really experience at a theatre beyond this show. Many are dressed up (even on that demure Monday), and so many are so in tune with the show, that these regular fans have become entwined within it. They know every word of the script, they contribute to it, they enhance it, often they make Richard O'Brien's already adult content into something much more adult. It's a revelation of experience, much before a newbie such as myself even considers the show. Laura Harrison's beautifully clear rendition of Science Fiction/Double Feature sets the scene for some generally excellent performances of O'Brien's classic tunes, in a musical which is clearly audible, sadly not something that always happens with many productio...