Skip to main content

Review of What The Butler Saw at the Playhouse Theatre, Northampton

What The Butler Saw was my first encounter with the works of Joe Orton, and based on this I very much look forward to seeing more of his work on stage. Frantically insane, saucy and more importantly incredibly funny, this is a wicked little treat of a play. It helps that Masque have created a particularly lively version of it as well on the compact little Playhouse stage. It includes also a few quite lovely performances as well. Although it has to be said that others didn't quite get the best out of some incredibly funny dialogue moments.

Butler is a play that you take an open mind to, as even to this day almost fifty years after is debut the content could be considered fruity and a tad controversial. It does however never feel offensive, even when we have Churchill's appendages, rape, golliwogs and near nudity on offer. Quite a night at the theatre there.

The six strong cast show no inhibitions, especially the two ladies Lisa Shepherd (Geraldine Barclay), Nicky Osborne (Mrs Prentice) who often find themselves in little attire. From the men in the cast Jof Davies (Nicholas Beckett) and Peter Collins (Sargeant Match) also find themselves down to their pants and into dresses for absolute gender equality. Maintaining some balance in the madness, both Michael Graves (Dr Prentice) and Victor Guse (Dr Rance) keep their clothes on.

There are clearly three performers who stood out for me from the cast. Jof was exceptional and at last given a more meaty role to get his talent into after seeing him try to steal scenes with minor roles before. He really was brilliantly entertaining, both as the roguish bell-hop and a rather wonderfully entertaining lady in dress, although even a blind man might have seen through that particular disguise.

The two other star performances came from the ladies of the piece, with Lisa Shepherd once again bringing in an exuberantly entertaining performance. Full of life and comic timing, her magnificent little turn in the wheelchair as the drugs started to kick in a particular highlight. Finally of note was the wonderful Nicky Osborne as the sexually insatiable Mrs Prentice. It was also interesting, having last seen Nicky as Lady Macbeth, to see her return once again with blood on her hands. Maybe an uncomfortable pattern emerging here? There was certainly more of a spot this time though.

Peter Darnell directs with pace on the small stage, keeping everything moving surprisingly well. Even that quite frankly mad scene towards the end still seems to work (broken doors permitting), and praise also for ignoring all health and safety rules with that neat wire rope ladder trick, a quite unexpected surprise.

So a really successful and entertaining performance of an ambitious little play. Full of daring production ideas and a brave cast to take on such bold roles. A really pleasingly funny play well presented, I loved it!


Performance reviewed: Tuesday 31st May/Friday 3rd June, 2016 at the Playhouse Theatre, Northampton. 
What The Butler Saw was performed by the Masque Theatre between Tuesday 21st May and Saturday 4th June, 2016 at the Playhouse Theatre, Northampton.

Details can be found at http://www.masquetheatre.co.uk/

Popular posts from this blog

Review of Lord Of The Dance at Royal & Derngate (Derngate), Northampton

The stage show Lord of the Dance possibly needs little introduction to most people, as it has become a legend and now, in this touring version, subtitled rather immodestly, 25 Years of Standing Ovations, it reaches a landmark anniversary. Those that do not know of the show would probably well know its spiritual fathers Michael Flatley, and even more likely Riverdance , from which Lord of the Dance sprung with a proper spring in its step. During the interval of the 1994 Eurovision Song Contest, Riverdance hit the world by storm as Michael Flatley and his troop of dancers possibly presented the most famous part of Eurovision ever, certainly of the non-singing variety at least. Here, this touring show brings that same style Flatley created from traditional Irish dancing across the country once again and it is truly something special to see. The concept of the show is simply a battle between good and evil told through dance, and some captivating and stunning songs performed by Celyn Cartw...

Review of Rambert Dance in Peaky Blinders - The Redemption of Thomas Shelby at Royal & Derngate (Derngate), Northampton

The Rambert Dance Company is the oldest such company in Britain having first performed in 1926. However, despite this, this was my first encounter with the group in my ten years of theatre-going. Coupled with this, it was also my first encounter with Peaky Blinders , having never seen the show, and only knowing a few vague things about it. My companion for the evening however was very familiar with the show, allowing some background behind the show. It turns out though,  Rambert Dance in Peaky Blinders - The Redemption of Thomas Shelby needs a little more than a good bit of knowledge of the show, as despite this production having incredible style, there struggles to be a cohesive structure to the show and the storytelling. Much more than other dance shows as well. The first act does a whistle-stop tour of the first five seasons and while it is a feast on the eye, and on the ear, it gets extremely confusing at times. The second act is freestyle and drifts away from the stories tol...

Review of My Mother's Funeral: The Show at Royal & Derngate (Royal), Northampton

The title My Mother's Funeral: The Show is perhaps not the most attractive title for a theatre show, however, this show had great success at the Edinburgh Fringe and now arriving at Royal & Derngate, one of its co-producing theatres, so, let's look beyond the unusual title and see what lies beneath. Abigail is a theatre dramatist pursuing plays that the theatres no longer want. Her "gay bugs in space" saga falls foul of being fiction for a start, something a theatre director states audiences no longer want stating they want gritty, real experiences, theatre with painful truths. So, after Abigail devastatingly loses her mother and finds no money to pay the funeral fees, she pursues the creation of a very personal theatre show. My Mother's Funeral: The Show is gritty and sad, but, also in many ways very funny, if in a dark way. Writer Kelly Jones digs deep into the world of poverty in Dagenham and countless estates across the country. A world of people born in...