Skip to main content

Review of What The Butler Saw at the Playhouse Theatre, Northampton

What The Butler Saw was my first encounter with the works of Joe Orton, and based on this I very much look forward to seeing more of his work on stage. Frantically insane, saucy and more importantly incredibly funny, this is a wicked little treat of a play. It helps that Masque have created a particularly lively version of it as well on the compact little Playhouse stage. It includes also a few quite lovely performances as well. Although it has to be said that others didn't quite get the best out of some incredibly funny dialogue moments.

Butler is a play that you take an open mind to, as even to this day almost fifty years after is debut the content could be considered fruity and a tad controversial. It does however never feel offensive, even when we have Churchill's appendages, rape, golliwogs and near nudity on offer. Quite a night at the theatre there.

The six strong cast show no inhibitions, especially the two ladies Lisa Shepherd (Geraldine Barclay), Nicky Osborne (Mrs Prentice) who often find themselves in little attire. From the men in the cast Jof Davies (Nicholas Beckett) and Peter Collins (Sargeant Match) also find themselves down to their pants and into dresses for absolute gender equality. Maintaining some balance in the madness, both Michael Graves (Dr Prentice) and Victor Guse (Dr Rance) keep their clothes on.

There are clearly three performers who stood out for me from the cast. Jof was exceptional and at last given a more meaty role to get his talent into after seeing him try to steal scenes with minor roles before. He really was brilliantly entertaining, both as the roguish bell-hop and a rather wonderfully entertaining lady in dress, although even a blind man might have seen through that particular disguise.

The two other star performances came from the ladies of the piece, with Lisa Shepherd once again bringing in an exuberantly entertaining performance. Full of life and comic timing, her magnificent little turn in the wheelchair as the drugs started to kick in a particular highlight. Finally of note was the wonderful Nicky Osborne as the sexually insatiable Mrs Prentice. It was also interesting, having last seen Nicky as Lady Macbeth, to see her return once again with blood on her hands. Maybe an uncomfortable pattern emerging here? There was certainly more of a spot this time though.

Peter Darnell directs with pace on the small stage, keeping everything moving surprisingly well. Even that quite frankly mad scene towards the end still seems to work (broken doors permitting), and praise also for ignoring all health and safety rules with that neat wire rope ladder trick, a quite unexpected surprise.

So a really successful and entertaining performance of an ambitious little play. Full of daring production ideas and a brave cast to take on such bold roles. A really pleasingly funny play well presented, I loved it!


Performance reviewed: Tuesday 31st May/Friday 3rd June, 2016 at the Playhouse Theatre, Northampton. 
What The Butler Saw was performed by the Masque Theatre between Tuesday 21st May and Saturday 4th June, 2016 at the Playhouse Theatre, Northampton.

Details can be found at http://www.masquetheatre.co.uk/

Popular posts from this blog

Review of Shrek the Musical at Royal & Derngate (Derngate), Northampton

Once upon a time, there was a splendidly green ogre who went by the name of Shrek. For many years, Shrek starred in a captivating and thrilling adventure set upon a theatre stage. This came to pass following a tale told in a Dream(works) in a cinematic spectacle. His tale was told in a truly fun way, with staging sublime, and endless mirth from a nefarious baddie who in many ways came up short.  However, around the corner, there was greater evil afoot as our green friend's show was undergoing a transformation for further adventures on stage. What possible way could this evil be stopped?  Sadly, for all, it could not and the evil reigned for a full UK tour which journeys most recently to the magical kingdom of the Royal & Derngate after a long adventure across the land. So, dear reader, forgive my fairy tale preamble, and perhaps, from that you might imagine this show isn't up to much and sadly you would be right. Shrek when it toured before to Northampton was a little ligh

Review of Disney's Aladdin at Milton Keynes Theatre

Back in 1992, Disney took the age-old tale of Aladdin and did their classic Disneyfying of the story and with the genius of Robin Williams in the role of the Genie, the film remains an immensely popular one to this day. Forward to 2011 and Disney took the show to the stage for the first time and with it the classic songs from Alan Menken with lyrics by Howard Ashman, Tim Rice and Chad Beguelin with a few additions. Since then it has continued to have huge success across the world. Having now arrived at Milton Keynes Theatre on a new tour of the UK & Ireland, it is easy to see why that success continues. This is a truly epic and spectacular show, perhaps the largest that you could find outside of the streets and avenues of the West End. From the opening number as the Genie welcomes us to the streets of the fictional Arabian city of Agrabah, the show simply oozes quality. Performances are top-notch with a large cast of leads and an ensemble at the top of their game. As Aladdin, Gavin

Review of Shrek (NMTC) at Royal & Derngate (Derngate), Northampton

Three and a half years ago, in a land far far away, in a world very different to the one we are now in, I saw the touring professional production of Shrek The Musical , it was a mixed bag of quality, tilted extremely heavily in favour of one particular character (not the one you might expect) and not firing on all cylinders much of the time. One and a half years after my last visit to the Derngate theatre, I return to see the homegrown Northampton Musical Theatre Company's own take on the very same show. Would they be able to breathe more life into the show than the professionals did in that distant land? It is a bit of a yes and no really. Pretty much all of this is done to the best possible standard, and at times, with being an amateur show you could easily forget, they all have normal day jobs. The show oozes professional quality at times. The set looks magnificent, the costumes (from Molly Limpet's Theatrical Emporium) are superb, and as ever with NMTC, the backstage team c