Skip to main content

Smile: Musical Variety Night Charity Concert at the Cripps Hall Theatre, Northampton

I wrote a tweet Saturday night following seeing this show: "For all the professional shows I have seen, there is nothing better than a night out watching amateurs do it for love and not loot."

This pretty much sums up my thoughts in general over amateur shows and why after over 180 shows reviewed on this blog, most of them professional. I still often find the most enjoyment from the amateur side. Amateur performers, like volunteers are a special bunch of people and their dedication can often trump the superstar that you might see treading the boards at the big theatres or the new breed of stars that sometimes prove that Britain's not always got talent, just ridiculous opportunity garnered from a television appearance. I quite often prefer amateurs and the University stars that are working hard on their courses and fighting for the chance. In my experience, that understudy is often better than the real thing.

So big thoughts, but it works well in leading to my review of the wonderfully entertaining charity concert I had the honour of attending Saturday night. Organised by performer Lisa Simpson in memory of her father to raise money for Willen Hospice, it brought together talent from around the county. This included performers from Northampton Musical Theatre Company (including their concert group), magician Clive Fletcher and special guest, the astouding talent of Joshua Daniel. Mr Daniel's Nessun Dorma was just one of many highlights from the evening, which included many favourites and a few lesser known musical theatre gems.

Standout moments of the evening included Lisa Simpson's Chicago number Maybe This Time, both suitable soft and powerful. This set the benchmark for a number of microphone busting performances. It was at times quite amazing the power of the singing. Jon Reynolds and Joshua Daniel's rendition of The Pearl Fishers Duet was also quite amazing and finished of the first section of the act one.

This was the perfect time for Clive Fletcher's first magic moment (in disguise for the first act).  Those who saw A Slice Of Variety at the Royal last year will be familiar with the performances. The second act painting trick however had the added interesting moment of not having perhaps the best audience participation moment. However Mr Fletcher dealt with it as professionally as could be expected from an awkward moment.

The second part of the music in the first act was opened with an admittedly nervous Tayla Sherman, but it was a lovely and tender little performance of Castle on a Cloud from Les Miserables. Next up saw Dawn Hall reprise 16 Going on 17, which had brought the house down at last year's A Slice Of Variety. This time her partner in crime was Jon Reynolds standing in for a sick Mark Woodham. He was the perfect foil for Dawn's hilarious performance. I absolutely loved Jon once again with Leisa Cooke and their Spamalot's piece The Song That Goes Like This. Highly entertaining! As was Ian Hammond-Stark's lively performance of Aladdin number Friend Like Me. The first act had a wonderful shop stopping number from star of the future for certain, Josh Wright. Both delivery and style of the piece made it one of the best of the night. A devilishly captivating performance.

The second act was opened with the NMTC concert group going through a whistle stop tour of musical numbers by Andrew Lloyd-Webber. Stirring and wonderful. Of the other performances in the second half, the highlights were Lisa Simpson and Ian Hammond-Stark's 17 and the former once again joined by Karen Mead in Man Wanted from Copacabana.

The entire evening though ended in a tremendous high with a quartet of songs from the magnificent Les Miserables. Closing with the superb comic Master of the House and the tremendously performed One Day More. It all ended the whole evening on an incredible high.

So a magnificent night and one I must thank Katie for giving me the heads up on, as I had missed this one and now very much would have been sad to have not been present. A musical evening of wonderful entertainment and congratulations to all involved and a very special congratulations to Lisa Simpson for organising the event.


Performance reviewed: Saturday 23rd January, 2016 at the Cripps Hall Theatre, Northampton.

This event was a special one night performance in aid of Willen Hospice. For details of the hospice, see their website at http://www.willen-hospice.org.uk/

Popular posts from this blog

Review of Murder She Didn't Write at Royal & Derngate (Royal), Northampton

Murder She Didn't Write , stopping off for a four-day run at Royal & Derngate on a lengthy UK tour, treads the now well-worn path of an improvisational evening of theatre entertainment. Unsurprisingly, from the title, this show from Degrees of Error's takes a murder mystery as its inspiration, with the story influenced by ideas from the audience each evening. Due to this, Murder She Didn't Write and a review are very much an individual affair. What I saw in my evening at the theatre will differ significantly from what the audience will see the following evening; however, the fine performers will remain. The touring cast, in no particular order, is Lizzy Skrzypiec, Rachael Procter-Lane, Peter Baker, Caitlin Campbell, Stephen Clements, Douglas Walker, Harry Allmark, Rosalind Beeson, Sylvia Bishop, Emily Brady, Alice Lamb, Sara Garrard, Peta Maurice and Matthew Whittle. For my performance, Skrzypiec, Procter-Lane, Baker, Walker, Bishop, and Clements were on stage alongsid...

Review of War Horse at Milton Keynes Theatre

Michael Morpurgo's novel War Horse was published in 1982. While it was highly regarded and thought to be his best work, perhaps it eventually came to most people's attention when this striking play stormed the stage, thanks to the National Theatre, back in 2007. Now, War Horse arrives at Milton Keynes Theatre as part of another vast UK tour. Adapted by Nick Stafford in association with the award-winning Handspring Puppet Company, War Horse tells the story of the First World War through the eyes of one horse, Joey, sold for a record price from a family battle but eventually shipped off to war-torn France much to the distress of his original owner, 16-year old Albert. The sprawling and epic story should take some staging, but the vast cast, beautiful structure, stunning folk music and, of course, what this play has become known for, magnificent puppetry, all bring the story to life. This production, directed by Tom Morris and revival director Katie Henry, is a magnificent thin...

Review of Immune by R&D Youth Theatre at Royal & Derngate (Royal), Northampton

The cover note for the script of Oladipo Agboluaje's Immune describes it as "a challenging science fiction play with a large cast", and the word challenging in this case is not a lie. This is a fast paced, multi-cast changing script which leaves little room for error for its young cast in the performance. If the script isn't enough to handle for the young performers, director Christopher Elmer-Gorry and designer Carl Davies have made the situation even more complex for the actors with the set and stage work. Having to manhandle great panels on wheels and a huge cube, which also splits in two occasionally, during scene changes requires skill, coordination and cooperation of a high level. As if all this is not enough, the actual story is epic enough for the relatively small stage of the Royal. Attempting to form an apocalyptic world (albeit only happening in Plymouth) offers challenges in itself, but Agboluaje's script does that in a sort of apocalypse in the teac...