Skip to main content

Review of The Burlesque Show 2016 at Royal & Derngate, Northampton

It was all about deja vu at The Burlesque Show at Royal & Derngate this year, and that wasn't the name of one of the exotic burlesque dancers. The feeling set in very early as Miss Peggy Sued our host once again, launched into Copacabana in her own inimitable style. It set the scene for perhaps a good sixty per cent of the evening having uncanny similarities to the 2015 show.

To be fair it was great to see much of it again, Miss Peggy Sued (aka Abi Collins) is a wonderfully enthusiastic and very funny host and looking beyond the fact that many of the jokes had been heard before, she constantly entertained. There were some lovely little extras, I am sure indeed that the "giveashitometer" has indeed been used since people heard it on the show, and I loved the local touches, including the departure of our Greyfriars bus station since her last visit. However I would have liked to have seen the "other host" this year as I thought on the night I was going to get to see.

There was a hint of familiarity also with three of the acts, with the returning Immodesty Blaize performing two routines (including the closing act). They were different from last year, but I still tended to think I had seen it all before, so to speak. She was though as before perfectly precise and stylish, even dealing with a dramatic wardrobe malfunction professionally.

Also returning, at first once again separated were Rod Laver and Alexandra Hofgartner, who performed their own identical routines from 2015 and then in the second half combined to do their identical combined routine again. It is all highly entertaining and I was able to listen to the gasps around me to re experience the shear thrill of seeing Mr Laver's slightly grotesque routine for the first time. Also although her routines were the same, I have to say I could probably happily watch the wonderful Alexandra many times for many reasons.

However for all the repetition we did have some wonderful new acts, the best of which was the magnificently inventive Kiki Lovechild and his mime routines. The first act showed clever use of a floppy folding hat as he effortlessly eased it into shapes along to a sound track. It was always entertaining and often quite hilarious. His second act performance had a more delicate and joyful touch as he went butterfly catching, including a brief excursion into the audience. For all its comic ideals, it also had a quite poetic and moralistic story to tell and really was quite wonderful.

There were two new burlesque acts in the form of Oriana and Sophie Cain. The former is actually described as a "plus size" artist and she is. However I wonder why that should matter as burlesque is all about pride in the body, so why highlight this. It was a lovely routine and she was very much able to get the tassels a twirling.

Sophie Cain took the alternative route of burlesque and took it straight down the comedy route including outrageously exaggerated butt and some major droopy action on the top half. It was a fresh and busy performance that was greatly enjoyable. I understand from online research (these things must be done) that she is also a circus act performer, so it is quite a shame that we didn't get to see some this in the second half (and less of the repetition).

The final new act came as quite a surprise as we were treated to a male pole dancer including excessive bum cleavage. It was quite clever to have a gentleman dancer for the night and made a genuine bit of variety, and my god was it impressive in skill. There was some staggering strength on show.

A final mention goes back to host Peggy Sued and the quite tremendous audience participant Stephen, who was genuinely an impressive addition. That moment of someone on stage can go very wrong, on that night Miss Sued picked a good one and it genuinely made up for a lot of the repeated material on show.

So, yes a wonderful variety night again and for newcomers, I am absolutely sure they would have left delighted. However for 2017, the pot really does need stirring on the material front to keep this fresh and entertaining.
«««« (If you haven't attended the show before)««« (If you have seen the show previous years)

Performance reviewed: Friday 22nd January, 2016 at the Royal & Derngate (Royal), Northampton.

The Burlesque Show was at the Royal & Derngate (Royal) Friday 22nd - Saturday 23rd January, 2016.

For further details about the Royal & Derngate visit their website at http://www.royalandderngate.co.uk/



Popular posts from this blog

Review of Cruel Intentions: The '90s Musical at Royal & Derngate (Derngate), Northampton

Cruel Intentions , released in the final year of the nineties, is a fondly regarded classic from the era, rammed with a collection of young and up-and-coming stars. Based on the classic Les Liaisons dangereuses , Roger Kumble's nineties update was clever and current; however, a quarter of a century later and now playing at Royal & Derngate, does it still work, and more importantly, does it work as a musical? The quick answer to the latter is no, but theatre persists, so what about the story? Kumble's adaptation tells of two wealthy step-siblings, Sebastian Valmont and Kathryn Merteul, sex-obsessed, constantly warring, and attracted to one another. When they begin a bet for Sebastian to deflower the new headmaster's daughter, Annette Hargrove, before the start of term, events spiral quickly out of control. Following in the footsteps of the well-remembered performers from the film does weigh on the cast. Will Callan, playing Sebastian, and Nic Myers, as Kathryn, are fine ...

Review of Annie at Milton Keynes Theatre

Annie was first performed now a remarkable fifty years ago at Goodspeed Opera House in Connecticut, and since then, the tale based on a 1920s comic strip and adapted for the stage by Thomas Meehan on book, with music by Charles Strouse, and lyrics provided by Martin Charnin, has become a perennial favourite across the world. Indeed, this version, directed by Nikolai Foster, last appeared at Milton Keynes Theatre in 2023. So, after all these years, does Annie still have that appeal? Set in  1930s New York during the Great Depression,  Annie  follows the life of an orphan abandoned to the care  of its evil matron, Miss Hannigan. Annie seeks escape, and after one failed attempt, she finds herself the chosen Christmas guest of billionaire Oliver Warbucks, and things slowly, hopefully begin to improve for the little but fiercely strong Annie. Leading the adult cast for this tour now as the cruel Miss Hannigan is Claire Sweeney. Sweeney clearly revels in the chance to embr...

Review of Lord of the Dance at Milton Keynes Theatre

On what was so far the hottest day of the year, and the highest in many a record book, it feels a tad evil to watch as a group of extremely talented performers bring to the stage one of the most famous and most energetic dance shows to tour. However, arriving now at Milton Keynes Theatre, as part of what is now the still rather immodestly titled 30 Years of Standing Ovations tour, Lord of the Dance remains full of energy even on the hottest of evenings in Milton Keynes. I last and first saw Lord of the Dance as part of the 25 Years of Standing Ovations tour, four years ago (yes, the sums don’t quite work), and it was every bit as spectacular as you could imagine this world-famous dance show is. Born into the world from Michael Flatley and the Riverdance spectacular that preceded it, Lord of the Dance is a simple but effective battle between good and evil and the resolution of it through dance rather than fighting. The dancing here is, as expected, exceptional, led by the Lord of the...