Skip to main content

The Play That Goes Wrong at Royal & Derngate (Royal), Northampton

A Small Mind trod the boards of the Royal last week making his acting debut in front of over five hundred paying customers. Fortunately for them they were not paying to see me, but actually Mischief Theatre's sublime The Play That Goes Wrong.

A Small Mind found himself on stage at the behest of the lovely Nancy Wallinger (Annie), who was having trouble with the set. I used my stunning acting skills, honed over, oh, five seconds, as I was led on the stage, and I goofed it up as much as I could and even improvised with a door. I was most excellent. In my mind.

However, less about my forthcoming Olivier and more about this somewhat excellent comic play. I quite often find it difficult to write reviews without giving the plot away, however with this show, its giving the jokes away that's the problem. The play itself gives the plot away after all, with a clever running joke and the understudy antics.

Anyway suffice to say, The Play That Goes Wrong more than lives up to its name with the most glorious collection of set problems, acting problems and script problems. This is a play of the most stunning timing, be it verbal or very physical jokes. Almost everything you could imagine happens over the plays duration and quite a bit more.

The cast are nothing short of stunning, the lot of them, as they ham it up in the extreme. Overacting, and hysterical at almost every moment.

Henry Shields channels John Cleese in his most extreme, peaking in his "A Ledger!" scene. Greg Tannahill plays the best dead body you are ever likely to see on stage, while Henry Lewis is a plummy voiced perfection and with a most physical prowess, especially with his balcony shenanigans. Jonathan Sayer as Perkins is quite splendiferous (try that one! *checks hand*).

Dave Hearn mugs it up brilliantly and his reaction to the audience is constantly very funny. Finally Charlie Russell as Sandra it delightful and gorgeous (don't she know it *strike a pose*) as Sandra.

A special mention to the "crew", including the aforementioned Nancy Wallinger, as well as Rob Falconer, the play most certainly, most definitely, wouldn't be the same without you. Also Alys Metcalf, I do not have that CD, I had no idea how I knew it was even missing in the first place.

Anyway, without doubt this is the funniest play that I have seen so far and it was so good I had to relive it again the next day. I was told that some had said that it was a Marmite play, but I find it difficult to comprehend how anyone could dislike it.

I have also never seen an audience react quite as one as they do to this play. The shear amount of applause's during the play was amazing and I have never seen a man physically react to laughter so much as I did when the person next to me almost punched the lady in front of him.

I can safely say that I have had the honour to appear on stage during one of the funniest plays ever and you simply must go and see it.

The Play That Goes Wrong may well have left Northampton, however you have ample opportunity to catch it as it continues to tour the UK before returning to the West End.
http://www.mischieftheatre.co.uk/

Popular posts from this blog

Review of A View from the Bridge at Royal & Derngate (Royal), Northampton

Although writer Arthur Miller died 15 years ago, and last published a play almost 30, he remains a force to be reckoned with, and you are probably still never far from production of one of his works, albeit one of probably just four from his back catalogue of 33 plays. If you pressed someone to choose his best, they would probably more often than not say The Crucible , because A: they studied it, or B: they have actually seen it. As for best though, maybe not. Perhaps that lies with the simpler format of A View from a Bridge , the gritty tale of immigration in the fifties. So, does this new version, a co-production between Royal & Derngate and York Theatre Royal, do it justice? In 1950s New York, hardworking longshoreman Eddie Carbone lives a simple life with his wife and niece deep in an immigrant community. When two of her Sicilian cousins arrives, slowly Eddie's life begins to change forever. In a theatre world where life is rarely simple anymore and directors of...

Review of Aldous Huxley's Brave New World at Royal & Derngate (Royal), Northampton

As the house lights came up at the interval of my viewing of Brave New World, an older chap in the row behind me quite audibly said to his theatre companion "that was rubbbish". I could at that moment only assume that he was wearing one of those rather stylish visual goggles that the cast wore during the show to view something else entirely as "rubbish" was far from my thoughts. It could of course be that he just didn't get it as science fiction might not be his thing. This is one of those impressive things with the constantly inventive Made In Northampton series, it boldly tries everything and maybe if you, like this chap come to all of them, they are not always going to work for you. Adapted as a new commission by Dawn King from Aldous Huxley's 1931 novel, Brave New World is the neglected compatriot of George Orwell's 1984. It is however a much different affair in substance, relating to genetically created humanity and the socially controlling Soma...

Review of Hi-De-Hi at The Deco, Northampton

I was a fan of Hi-De-Hi in the eighties and in actual fact a fan of many of those very much of their time comedies. Hi-De-Hi was a bright and breezy and overly familiar show having ended up at many a holiday in the Maplins equivalent of Butlins, albeit not the fifties setting, but with very little changed in the decades anyway. However, we have moved on a bit since these eighties days, so does Croft and Perry's comedy still cut the mustard now? The answer is yes and no, a lot of the humour is still fun and there are many a chuckle moments, the characters also are still bold and fun enough to provide some great entertainment. However, with these characters lie the first problem with an acting group doing a show like this. Anyone familiar with the show and its nine series run will have the characters so indelibly marked in their head and this offers no freedom for a performer to make that character their own, they are just setting out to copy someone. Yes, a challenge, and w...