Skip to main content

The Flash Festival Review 2014 held at the Looking Glass Theatre and the Royal & Derngate, Northampton

The experience of seeing eleven productions in the 2014 Flash Festival was a delight and something that I am glad I was able to make time for. The quality of the organisation, the quality of the plays and most importantly the quality of the University Of Northampton's young acting students has been something to behold.

The venues themselves have also been a delight, with the Royal & Derngate Underground space familiar to me having attended previous on a few occasions. However the Looking Glass Theatre came as quite a surprise with my first visit early morning on the first day of the festival. Two very helpful staff (ignorantly never asked your names) with tea, chocolate and more often than not coffee at the ready.


Of the eleven plays that I did manage to see, I can safely say that there was not one that I didn't enjoy. I offer my apologies that I simply was not able to see The Fig Tree, The Homeless Heart, The Weigh In and Don't Look Me In The Eye, but there sadly was just not quite enough time in the week for me.

So as I said, once again, you were all brilliant but like all awards ceremonies there must be a few winners (try not to look grumpy if you have missed out as the camera might just be on you as you pull that face) and rest assured Olivia Colman actually won't win an award here.

So here are my personal awards:

Top Male Performers (Top Three Unranked)

  • Joseph Derrington from Marbleglass for Sell By Date
  • Marvin Freeman from Lost Fragments for The Show Must Go On
  • Steven-James Leonard from Rising Persona for Vallence Road
Top Female Performers (Top Three Unranked)
  • Danielle Gorman from Black Jack for Taciturn
  • ZoĂ« Harbour from Between Two Worlds for In Her Reflection
  • Brigette Wellbelove from Between Two Worlds for In Her Reflection
Best Technology Use
  • Marbleglass for Sell By Date
Best Physical Theatre
  • Sell By Date from Marbleglass starring Marcus Churchill, Ashley Cook, Joseph Derrington and Sophie Murray
Best Set
  • Oppossed from ViceVersa starring Lindsey Davis and Reanne Lawrence
Top Theatre Groups (Top Three Unranked)
  • Between Two Worlds featuring Kathryn Belmega, ZoĂ« Harbour, Katherine Hartshorne and Brigette Wellbelove for In Her Reflection
  • Lost Fragments featuring TrĂ© Curran, Marvin Freeman, Liam Harvey and Karis Lewis for The Show Must Go On
  • Marbleglass featuring Marcus Churchill, Ashley Cook, Joseph Derrington and Sophie Murray for Sell By Date
Top Plays (Top Three Unranked)
  • Sell By Date from Marbleglass starring Marcus Churchill, Ashley Cook, Joseph Derrington and Sophie Murray
  • The Show Must Go from Lost Fragments starring TrĂ© Curran, Marvin Freeman, Liam Harvey and Karis Lewis
  • Taciturn from Black Jack starring Danielle Gorman, Oliver Leonard and Matt Thompson


And then it was all over. A final thanks to the staff at Looking Glass, Royal & Derngate, Flash Festival Organisers, Platinum Events: Sophie Bridge, Louise Stidston, Libbie Cooper, Justyna Smugala, Shaunagh Dunlop and Bryony Denison and also thanks to Jim and Lynne Holden. Roll on 2015.



Popular posts from this blog

Review of The House She Built at The Black Diamond, Northampton

Independent theatre company Nerve Theatre was founded in January 2025, when its first original production, Broken Party , took to the stage at Benn Hall in Rugby. That was followed the same year by a modern retelling of Frankenstein . Now, for 2026, Nerve Theatre founder Mia Ballard has written and directed The House She Built , staged for three nights at The Black Diamond, Northampton. The House She Built , set in 1950s Hollywood, is a dark thriller influenced by the lives of Marilyn Monroe, Judy Garland, Elizabeth Taylor and Audrey Hepburn and their treatment as women within the cogs of Hollywood. Our leading lady here is Nancy Carlton, who returns to Mellor Brothers Productions to make one final film. But something awaits her, and the scene is set for a period thriller that explores the grimy world behind Hollywood's apparently glamorous days. Michaela Clement-Hayes leads the cast as Nancy Carlton, the star troubled by her past, but returning to her old studio for that final mov...

Review of Lord of the Dance at Milton Keynes Theatre

On what was so far the hottest day of the year, and the highest in many a record book, it feels a tad evil to watch as a group of extremely talented performers bring to the stage one of the most famous and most energetic dance shows to tour. However, arriving now at Milton Keynes Theatre, as part of what is now the still rather immodestly titled 30 Years of Standing Ovations tour, Lord of the Dance remains full of energy even on the hottest of evenings in Milton Keynes. I last and first saw Lord of the Dance as part of the 25 Years of Standing Ovations tour, four years ago (yes, the sums don’t quite work), and it was every bit as spectacular as you could imagine this world-famous dance show is. Born into the world from Michael Flatley and the Riverdance spectacular that preceded it, Lord of the Dance is a simple but effective battle between good and evil and the resolution of it through dance rather than fighting. The dancing here is, as expected, exceptional, led by the Lord of the...

Review of Sweeney Todd: The Demon Barber of Fleet Street at Birmingham Rep

Sweeney Todd: The Demon Barber of Fleet Street first appeared in this musical form in 1979. Adapted from an original play by Christopher Bond, the work was set to music and lyrics by Stephen Sondheim, with a book by Hugh Wheeler. It quickly became a huge success, opening on both Broadway and the West End within a year. Following Tony and Olivier wins, the show has seen revival after revival over the years, as well as a musical film starring Johnny Depp. Now, Birmingham Rep presents its own pared-back version of the show, featuring some big stars of the theatre world. So, the question is, is Sweeney Todd as razor-sharp as it once was? What is clear to all at the outset is that director Joe Murphy, also artistic director at Birmingham Rep, has assembled a remarkable and bold cast for the show. Leading as Sweeney is Ramin Karimloo, whose bio speaks for itself and is the biggest draw for this show, especially for theatres outside London. His Sweeney is a perfectly brooding affair, broken...