Skip to main content

Flash Festival: Part Seven - Vallence Road (The Reggie Kray Story) at Royal & Derngate (Underground), Northampton

A ninety minute envelope opened up for me on the final night of the Flash Festival and it somehow luckily managed to absorb a seventy minute production of Vallence Road from Rising Persona, a solo company from Steven-James Leonard.

I had been assured by @mudbeast76 that this should be a play I should see, and he was not wrong. I had initially deselected this play at the time for a mixture of time reasons and because the subject matter sounded far from interesting to me. However sometimes it has to be said that even if in theory the material doesn't sound good to you, if it is well done you still find something interesting. Vallence Road was well done, telling the story of criminal Reggie Kray.

At seventy minutes it was the second longest play of the week and for a solo performance this was a heck of an undertaking. Mr Leonard had no trouble undertaking it. This was a real, real, quality production. Well researched and well performed, very much like watching a drama documentary.

The set was also one of the best of the week, particularly two very clever panels featuring silhouettes of Ronnie Kray and Reggie's wife Frances, which were interacted with in a impressive style.

Tech was minimal but effective with a little period music, some hard written letters on screen and finally footage of the final interview with Kray cleverly interspersed with Mr Leonard laying on a bed.

An excellent play, not my favourite of the week, but strangely perhaps the most interesting as I did feel that I had learnt a great deal about the notorious character upon leaving the Underground and the Flash Festival for the final time.


Vallence Road was on at the Royal & Derngate (Underground).

The Flash Festival has now concluded for 2014, but the website is still active at http://flashtheatrefestival.wix.com/flashtheatrefestival

Popular posts from this blog

Review of The Strange Tale of Charlie Chaplin and Stan Laurel at Royal & Derngate (Royal), Northampton

The Strange Tale of Charlie Chaplin and Stan Laurel is perhaps the perfect antidote to the troubled times we are in, harking back to when things were perhaps simpler and mass media and the press were less in your face. Not to say that bigshot Charlie Chaplin didn't make a name for himself in more than just the movies he made. This though is a warm show, filled with love. This show is based on the very real tale of the 1910 ship heading course for New York, which aboard were Charlie Chaplin and Stan Laurel, unknown, but part of Fred Karno’s music hall troupe, and destined for different, but very major futures. Told by an Idiot's production with Theatre Royal Plymouth (and Royal & Derngate and Unity Theatre) breaks down the tale of the voyage of the SS Cairnrona with intriguingly created flashbacks of the life, generally of Charlie Chaplin. Therefore along the course of the voyage, we see Laurel's moment as understudy to Chaplin, the birth of Chaplin (brilliantly...

Review of The Pillowman at The Playhouse Theatre, Northampton

The Pillowman sounds such a friendly title, and to be fair, his story is one of the lighter aspects of Martin McDonagh's script. It still involves dead children though, if you want to get a clear vision of how dark this play is. Set in a police state of the future, Katurian (Toby Pugh) is taken in for the content of his often violent stories and a similarity to a spate of recent child killings. Here in detention cell 13, his police captors, Tupolski (Adrian Wyman) and Ariel (Steve While) play good cop, bad cop while holding over the threat of violence against Katurian's mentally disabled brother Michal (Patrick Morgan), being held in another cell. The Pillowman is clearly a very warped story, with the blackest of black comedy, and often also very offensive with it's racial stereotyping and disability. In fact, it is no surprise that a couple left in the interval, as I would happily admit that this play is far from everyone. I like a good black comedy though, and ...

Review of Northern Ballet - The Great Gatsby at Milton Keynes Theatre

This production of The Great Gatsby performed by Northern Ballet was my fifth encounter at the theatre of a full ballet production and as before, I happily share my review of the show with nearly zero knowledge of-the-art form and more of a casual theatre-goer. You could say that this is a poor direction to come in on a review, but I would say that casual audience are the ones to review this for. Over the years, Northern Ballet has set quite a high benchmark for ballet productions, and any audience member who is worth their salt as a ballet fan would no doubt have tickets for this new touring version of the 2013 version of The Great Gatsby , lovingly created by David Nixon OBE. So much is Nixon part of the very fabric of this show, that he not only provides the choreography and direction but also the initial scenario and costume design (assisted by Julie Anderson). So, discounting those ballet fans already sitting in the audience, what does this offer for the more casual theatre-goer ...