Skip to main content

Review of No Way Out by Jean-Paul Sartre performed by The Masque Theatre at The Holy Sepulchre, Northampton

I found myself back at the Holy Sepulchre Church for the second time in a week for a performance of No Way Out performed by amateur dramatic company The Masque Theatre.

This was to be my first proper amateur dramatic viewing for as long as I could remember (ever maybe, other than school shows), so therefore it was an area much neglected by me. As the first arrival and with unreserved seating, I made my way to the front row after being beckoned in by a gentlemen, who would later become known to us as "The Waiter" in the main performance. This was a nice presentation touch which made me happy from the very beginning.

Now I am unfamiliar with Jean-Paul Sartre pretty much, but I was familiar with the famous quote "Hell is other people", so it was going to be interesting to see the origin of the piece.

The set was a simple three chairs (of varying types), a fireplace, a door and a bronze statue on a pedestal which worked well. There was also the interesting addition of three projection screens showing three views (the views of the three characters). One of these had the scary sight of myself being projected on it, and another sadly died towards the end of the performance. However this was a clever idea, just marred by technical faults, which was a shame.

The three main performers, Gavin Harrison (Garcin), Gemma Knight (Ines) and Lisa Shepherd (Estelle) were introduced to us one by one by the aforementioned Waiter, played by Gabriel Abrahams. All were excellent in their very different roles, hiding the secret of why they were in this place and sparring off one another well against each of their "torturers".

The play itself I have to say was fascinating, albeit pretty much grim with little humour. Although with the subject this is fine and I really did enjoy it.

Overall a superbly presented and performed show which I was happily surprised at the quality of. I have to say though that it was such a shame that the crowd was so thin for what an just eight pounds was a quality and friendly ninety minutes.

No Way Out is on until Saturday 5th at The Holy Sepulchre, Northampton. Tickets: £8.00

Popular posts from this blog

Review of Frankenstein at Royal & Derngate (Royal), Northampton

Over 200 years since its first publication it is remarkable to think that what is, in essence, a scientific novel such as Frankenstein is still so relevant in content today. However, as science evolves endlessly, and now with AI becoming so dominant and controversial, the difference between right and wrong, good and evil in science, and what is too inhuman is as current as ever. Tilted Wig's production, now at the end of its UK tour at Royal & Derngate and written and directed by Sean Aydon takes the original story and sets it about halfway between the first publication and modern day, around the time leading up to the Second World War. Aydon's adaptation works really well in placing the story within this degenerating world, a place where true horror is around the corner, and veiled ideas of their (Germany's) interest in Frankenstein's work are gently developed. However, while Aydon clearly had this idea in his head and his pen when scripting this version, the polit

Review of Hacktivists by Ben Ockrent performed by R&D Youth Theatre at Royal & Derngate (Underground), Northampton

The National Theatres Connections series of plays had been one of my highlights of my trips to R&D during 2014. Their short and snappy single act style kept them all interesting and never overstaying their welcome. So I was more than ready for my first encounter with one of this years Connections plays ahead of the main week of performances at R&D later in the year. Hacktivists is written by Ben Ockrent, whose slightly wacky but socially relevant play Breeders I had seen at St James Theatre last year. Hacktivists is less surreal, but does have a fair selection of what some people would call odd. Myself of the other hand would very much be home with them. So we are presented with thirteen nerdy "friends" who meet to hack, very much in what is termed the white hat variety. This being for good, as we join them they appear to have done very little more than hacked and created some LED light device. Crashing in to spoil the party however comes Beth (Emma-Ann Cranston)

Review of Flashdance - The Musical at Milton Keynes Theatre, Milton Keynes

For the second week running, the Milton Keynes Theatre is overrun by a wave of eighties nostalgia as Selladoor's production of Flashdance The Musical follows hot on the heels of An Officer and a Gentlemen. However, is it nice to have more of that classic decade upon the stage? The answer mostly is yes, despite the fact that the story driving Flashdance is that light and flimsy at times, you just have to sit back and watch the dancing and the bright colours to get you through. Welding genius, Alex Owens, has her sights set for a bigger thing beyond this tired and struggling factory in Pittsburgh.  Hoping to take her dancing beyond Harry's bar, she plans to make big, via Shipley Dance Academy.  Then, also drifting into her life comes Nick Hurley, who initially unknown to her, happens to be the factory bosses son, the scene is set for romance. Flashdance has a generally excellent cast led with a tremendously good performance from Joanne Clifton as Alex Owens. Those famili