Skip to main content

Review of No Way Out by Jean-Paul Sartre performed by The Masque Theatre at The Holy Sepulchre, Northampton

I found myself back at the Holy Sepulchre Church for the second time in a week for a performance of No Way Out performed by amateur dramatic company The Masque Theatre.

This was to be my first proper amateur dramatic viewing for as long as I could remember (ever maybe, other than school shows), so therefore it was an area much neglected by me. As the first arrival and with unreserved seating, I made my way to the front row after being beckoned in by a gentlemen, who would later become known to us as "The Waiter" in the main performance. This was a nice presentation touch which made me happy from the very beginning.

Now I am unfamiliar with Jean-Paul Sartre pretty much, but I was familiar with the famous quote "Hell is other people", so it was going to be interesting to see the origin of the piece.

The set was a simple three chairs (of varying types), a fireplace, a door and a bronze statue on a pedestal which worked well. There was also the interesting addition of three projection screens showing three views (the views of the three characters). One of these had the scary sight of myself being projected on it, and another sadly died towards the end of the performance. However this was a clever idea, just marred by technical faults, which was a shame.

The three main performers, Gavin Harrison (Garcin), Gemma Knight (Ines) and Lisa Shepherd (Estelle) were introduced to us one by one by the aforementioned Waiter, played by Gabriel Abrahams. All were excellent in their very different roles, hiding the secret of why they were in this place and sparring off one another well against each of their "torturers".

The play itself I have to say was fascinating, albeit pretty much grim with little humour. Although with the subject this is fine and I really did enjoy it.

Overall a superbly presented and performed show which I was happily surprised at the quality of. I have to say though that it was such a shame that the crowd was so thin for what an just eight pounds was a quality and friendly ninety minutes.

No Way Out is on until Saturday 5th at The Holy Sepulchre, Northampton. Tickets: £8.00

Popular posts from this blog

Review of Chitty Chitty Bang Bang at Royal & Derngate (Derngate), Northampton

I have seen a few touring shows of extremely well known shows like Chitty Chitty Bang Bang and a few have been quite a disappointment. Producers sitting back happy to sell the tickets on the name of a show, and deliver on stage not necessarily a terrible production, but one that sometimes never really leaves you feeling you have got value for your money. Music & Lyrics/West Yorkshire Playhouse's  Chitty Chitty Bang Bang is far from one of them. An exemplary and large cast, costumes both in multitude and wonderful to look at, a set of infinite invention and a hidden but quality and large orchestra. Jason Manford as Caractacus Potts Perhaps more importantly this show also doesn't fail on its casting of "stars" over stage talent, for in the lead is Jason Manford as Caractacus Potts, an artist known for his comedy more than his acting history, and certainly little known for his singing ability, is a revelation. Likable, dominant on stage with clear chara...

Review of Sweeney Todd: The Demon Barber of Fleet Street at Birmingham Rep

Sweeney Todd: The Demon Barber of Fleet Street first appeared in this musical form in 1979. Adapted from an original play by Christopher Bond, the work was set to music and lyrics by Stephen Sondheim, with a book by Hugh Wheeler. It quickly became a huge success, opening on both Broadway and the West End within a year. Following Tony and Olivier wins, the show has seen revival after revival over the years, as well as a musical film starring Johnny Depp. Now, Birmingham Rep presents its own pared-back version of the show, featuring some big stars of the theatre world. So, the question is, is Sweeney Todd as razor-sharp as it once was? What is clear to all at the outset is that director Joe Murphy, also artistic director at Birmingham Rep, has assembled a remarkable and bold cast for the show. Leading as Sweeney is Ramin Karimloo, whose bio speaks for itself and is the biggest draw for this show, especially for theatres outside London. His Sweeney is a perfectly brooding affair, broken...

Review of The Spy Who Came in From the Cold at Milton Keynes Theatre

The Spy Who Came in From the Cold is one of John Le CarrĂ©’s more well-known titles in his world of spy fiction, and having been adapted into a highly rated 1965 film with Richard Burton, it is perhaps surprising that it took until 2024 for this stage adaptation to appear, adapted by David Eldridge, and now at Milton Keynes Theatre. In many ways, it feels like a ripe story for a stage play, with locations and theatre folk often liking the cerebral storytelling it offers, so this should be perfect for the stage? The Spy Who Came in From the Cold depicts Alec Leamas, a British intelligence officer, being sent to East Germany as a faux defector to sow disinformation about Hans-Dieter Mundt, a powerful East German intelligence officer. However, as expected in the spy world, all is not as it seems, and with the lurking figure of the supposedly retired spy George Smiley in the background, Leamas finds things moving far from his control. It has to be said that Eldridge’s adaptation struggles...