Skip to main content

Fiddler On The Roof at Royal & Derngate (Derngate)

If I was a rich man I would go back and watch Fiddler On The Roof every night, such was the delight of the whole thing.

Only my second musical theatre outing after Blood Brothers, it would seem that I might slowly be converted by the whole thing, having been slightly unconvinced previously. I was also coming to the story cold as well, having never seen the 1971 film with Topol.

Set in 1905, it tells the story of a Jewish family headed by Tevye (Paul Michael Glaser) and the matchmaking of his children and the eventual historic events to come.

As Tevye, Glaser is a sprightly masterpiece of comedy gold and knowing looks, often cleverly pinpointing members of the audience for his stares or skyward for the good Lord. He rules the roost of the show, but is surrounded by a cast of highly talented, and for us mere mortals, sickeningly skilled performers.

The cast of this challenging play has the enviable task of acting, dancing, singing and playing an assortment of musical instruments. The later, often being manhandled across the stage (bad luck double bass man).

Director Craig Revel Horwood really has gathered a talented bunch of individuals which would be slightly cruel to single out, however I will. Jon Trenchard is perfect as high pitched Motel, while Neil Salvage provides comic gold in his role as Neil Salvage. Finally the slinky and sexy Jennifer Douglas is quite delightful as the fleet of foot Fiddler of the title.

However, like I say this is a cruel selection process as the whole cast are excellent, as were the two young ladies from the Royal & Derngate Youth Theatre.

A catchy, lively show, well staged, and well acted. Quite delightful.

http://www.fiddlerontheroof.co.uk/

Popular posts from this blog

Review of Top Gs Like Me at Royal & Derngate (Derngate), Northampton

Long before this brand new play by local playwright Samson Hawkins opened at Royal & Derngate Northampton, Top Gs Like Me had garnered a vast amount of media attention, especially regarding the staging within the Derngate theatre on a remarkable conversion into a skatepark, a theatre version of real-life Radlands skatepark in Northampton. So, delving deep below the remarkable site within the theatre, does Hawkins' play of seething toxic masculinity, misogyny and questions around consent strike all the right marks for a perfect landing? Top Gs Like Me follows the life, as he feels it is, of Aiden. Lost in the modern world, his best mate is heading to Uni, his mum is permanently in bed, and Aiden himself is drifting into some nefarious activities. His world is really often little more than stacking shelves in the supermarket, his scooter at his side and his mobile phone and all that entails for a youth of today. Into this world comes the mysterious Hugo Bang, who leads him some...

Review of Horrible Histories - The Concert at Milton Keynes Theatre

The first Horrible Histories book, written by Terry Deary, first hit the shelves a remarkable 33 years ago and has since become a historic event in its own right, with the franchise growing and growing. There have now been 23 books, several TV series, a game show and a film. Also, of course, it is now a stage show, with both Terrible Tudors and Awful Egyptians on a current tour around the country. However, here, now briefly at Milton Keynes Theatre, as part of its own tour, is Horrible Histories - The Concert . So, given the franchise's past success, what is this concert version adding to the franchise? The quick answer is bundles of fun with lashings of subliminal education, as Horrible Histories is very much known for. The cast, created from a collection of mainstays of the original series or tours and a few extras, are as enthusiastic as possible for a production, very much initially aimed at an audience of children. Bold, big in character and overplaying everything, you canno...

Review of The Battle at Birmingham Rep

The Battle is a brand-new play by John Niven, set firmly in the nineties, that focuses on the Britpop fight between chart rivals Blur and Oasis. Opening at Birmingham Rep before transferring to the spiritual Oasis home of Manchester, the question is: is this worth donning your bucket hat, heading to the theatre, and enjoying the show to the end, or will you look back in anger when you leave? It is London, 1995. The infamous Britpop battle begins when both Blur and Oasis release singles on the same day. On one side, clean-cut, art-school intellectuals from the South. On the other hand, raw and unapologetic lads from the North. Let battle commence! The Battle is John Niven's first stage play, and he doesn't take the easy route. Deciding to bring both known people, detailed and multiple scenes and ambitious storytelling to proceedings. And for the most part, it all comes together to create a coherent whole. The casting director Claire Bleasdale has assembled a talented group of ...