Skip to main content

National Theatre Connections - The Wardrobe and Heritage at Royal & Derngate (Royal and Underground)

The National Theatre of ten new plays for young people reached Northampton this week on its countrywide tour, and I was able on the first day to see two of them. Good fun they were too.

The first, The Wardrobe by Sam Holcroft was probably a cleverer idea on paper than the success on stage. The idea was that it told the tale of various interludes through time of the very same wardrobe and was made up of small parts, some of which worked more successfully than others. It was perhaps actually on the part of the performers than some parts felt more alive. Particularly the boys convent section which was superbly played by the group, as well as an earlier part where a young Alan Carr literally stole the show with his upper class performance.

Another thing that jarred a little was the actual staging and use of the wardrobe. It was bizarrely big at times and seemed in one section to have another exit. Fair enough for freedom of the play, but if you are really going to restrict your play idea to a wardrobe, you really need to work with the confines of it for the audience to accept it. A pleasant enough play though with a great idea, but did not really fulfil its promise.

Heritage, written by Dafydd James and performed by Stopsley High School however was a completely different story. Dark, funny and sometimes gloriously rude, this was a wonderful little play. A group of young people have been gathered together to perform a village anthem, but as the play develops, it becomes clear that all is not as it seems.

For the most part this feels like a modern day Lord Of The Flies, with a band of youngsters together, but not really getting on with one another and exchanging insults, potential romance and some really very funny conversations. The young performers were also excellent, with some huge potential in the future I should imagine if they stick with it.

This really is a very dark comedy and it is actually made I think much more powerful by the fact that the performers are so young. A real gem!

Popular posts from this blog

Review of Chitty Chitty Bang Bang at Royal & Derngate (Derngate), Northampton

I have seen a few touring shows of extremely well known shows like Chitty Chitty Bang Bang and a few have been quite a disappointment. Producers sitting back happy to sell the tickets on the name of a show, and deliver on stage not necessarily a terrible production, but one that sometimes never really leaves you feeling you have got value for your money. Music & Lyrics/West Yorkshire Playhouse's  Chitty Chitty Bang Bang is far from one of them. An exemplary and large cast, costumes both in multitude and wonderful to look at, a set of infinite invention and a hidden but quality and large orchestra. Jason Manford as Caractacus Potts Perhaps more importantly this show also doesn't fail on its casting of "stars" over stage talent, for in the lead is Jason Manford as Caractacus Potts, an artist known for his comedy more than his acting history, and certainly little known for his singing ability, is a revelation. Likable, dominant on stage with clear chara...

Review of Annie at Milton Keynes Theatre

Annie was first performed now a remarkable fifty years ago at Goodspeed Opera House in Connecticut, and since then, the tale based on a 1920s comic strip and adapted for the stage by Thomas Meehan on book, with music by Charles Strouse, and lyrics provided by Martin Charnin, has become a perennial favourite across the world. Indeed, this version, directed by Nikolai Foster, last appeared at Milton Keynes Theatre in 2023. So, after all these years, does Annie still have that appeal? Set in  1930s New York during the Great Depression,  Annie  follows the life of an orphan abandoned to the care  of its evil matron, Miss Hannigan. Annie seeks escape, and after one failed attempt, she finds herself the chosen Christmas guest of billionaire Oliver Warbucks, and things slowly, hopefully begin to improve for the little but fiercely strong Annie. Leading the adult cast for this tour now as the cruel Miss Hannigan is Claire Sweeney. Sweeney clearly revels in the chance to embr...

Review of Lord of the Dance at Milton Keynes Theatre

On what was so far the hottest day of the year, and the highest in many a record book, it feels a tad evil to watch as a group of extremely talented performers bring to the stage one of the most famous and most energetic dance shows to tour. However, arriving now at Milton Keynes Theatre, as part of what is now the still rather immodestly titled 30 Years of Standing Ovations tour, Lord of the Dance remains full of energy even on the hottest of evenings in Milton Keynes. I last and first saw Lord of the Dance as part of the 25 Years of Standing Ovations tour, four years ago (yes, the sums don’t quite work), and it was every bit as spectacular as you could imagine this world-famous dance show is. Born into the world from Michael Flatley and the Riverdance spectacular that preceded it, Lord of the Dance is a simple but effective battle between good and evil and the resolution of it through dance rather than fighting. The dancing here is, as expected, exceptional, led by the Lord of the...