Skip to main content

The Body Of An American at The Royal & Derngate (Underground), Northampton

There was a moment for me right at the start of The Body Of An American that left me wondering if I had overstepped my intellect to come and see this play. After having traipsed through pretend snow and seated myself on my unreserved seat in what appeared to be an Underground tube tunnel (very well named). I was challenged to understand the opening, fast, frantic exchange of conversation between William Gaminara and Damien Molony.

Following an overwhelming collection of images on the screens at either end, the two performers set to one another in fast and frantic conversation, myself understanding a little of it, and concerned that I was being stoopid in not keeping up.

Thankfully quickly, either the play began to work for me, or more importantly maybe, my brain kicked into gear, because all of a sudden I was living the story.

The play is probably one of the most stripped back you could imagine. Two people, two chairs and two screens depicting photos and video, occasionally harrowing. However it all worked. Although the two actors were undoubtedly the stars of the show, those chairs offered quality support, depicting chairs (unsurprisingly), vehicles and a sledge, while being liberally thrown about the performing area. Also the use of light and sound was excellent coupled with that magical click of the fingers.

The story, based on true material and events was very cleverly constructed, challenging Gaminara and Molony to the extreme with multiple characters and accents. I truly never cease to be amazed by the memory of these performers, true stars, rather than those retake kings we hear about.

Weaving about, the play offers challenging thoughtful ideas of the viewer, culminating for me in the ultimate scene towards the end of the telephone call between Paul and the brother. A scene that must either bring a lump to the throat, or a tear to the eye. For my part, it was just me sweating and I shall stick to that story.

Summing up, a sharp, occasionally very witty play, that will make you think a damn sight more than the next episode of whichever soap you wish to name. You could do yourself a favour and go and see it, but be quick it departs on Saturday.


Popular posts from this blog

Review of Dear Evan Hansen at Royal & Derngate (Derngate), Northampton

First performed in 2015, Dear Evan Hansen remains the musical of the modern teen's life, showcasing all the troubles in that generation of popularity and social media. And as this long UK tour of the West End and before that Broadway smash hits the Royal & Derngate, it offers a troubling mirror on modern society. Before seeing this show, I had avoided all knowledge of the story Dear Evan Hansen tells, and with that came a joyful voyage of discovery as the captivating story evolved. Therefore, if you have also managed to avoid the story, skip the next paragraph and enjoy a new story to be found. Evan Hansen is a troubled teen who struggles to fit into society and cannot find friends. As a result, his therapist has suggested that he write letters to himself, "Dear Evan Hansen." When one of these letters is found on the body of an equally troubled teen, Evan finds himself spiralling into a world of fictitious friendship, which gets increasingly out of control. The stor...

Review of Kinky Boots (N.M.T.C.) at Royal & Derngate (Derngate), Northampton

The musical Kinky Boots is perhaps the perfect show for the homegrown theatre group Northampton Musical Theatre Company to perform with the very core of the story bred within this very county. The tale of of Charlie Price and his encounter and unlikely partnership with a certain Lola is based on a true story of factory W. G. Brooks Ltd and the owner Steve Pateman. Back in 1999 his story of men and their wearing of shoes for women featured on a BBC documentary and this in turn inspired the 2005 film, Kinky Boots . Finally, in 2012, this musical adaptation of the story hit the stage, with a book by Harvey Fierstein and songs written by Cyndi Lauper. Longtime readers of my blog with good memories may remember that five years ago I reviewed the opening of the UK professional tour of Kinky Boots , also at the Royal & Derngate. While I enjoyed the show, I didn't give it the most favourable review. Five years on, and a second viewing, have I warmed to the charms of Charlie and Lola...

Review of The Woman Who Cooked Her Husband at The Playhouse Theatre, Northampton

During the interval of The Woman Who Cooked Her Husband , last weeks production at The Playhouse Theatre Northampton, I got involved in a conversation between a couple sitting next to me. The lady was very much of the opinion that the play was a comedy, while the gentleman, had formed one that it was a tragedy. They were joking of course in the conversation, but it did highlight the differences that Debbie Isitt's dark comedy might have between the sexes. And also now perhaps the passing of time. When this was written in the nineties, Isitt's play was a forthright feminist play, heralding the championing over of the ladies over the man. One the ex-wife plotting to cook him, the other, the new lover, potentially already very tired of him after just three years. The husband, Kenneth (Jem Clack) elopes initially in pursuit of sex with Laura (Diane Wyman), after his nineteen years of marriage with Hilary (Corinna Leeder) has become tired and passionless. Then later, he elopes ...