Skip to main content

Elements Of War at Royal & Derngate (Royal) / Lies, Love And Lust at The Holy Sepulchre, Northampton

It was the young and the really young that provided my theatre experiences this weekend. First up in the form of the Royal & Derngate Youth Theatre and their fascinating performance of Elements Of War. As much a physical artistic performance as a play, this was a very different kind of show.

Broken up into four lightly connecting parts, the cast gradually got older with the first act portrayed by what I would guess seven to nine year olds and their trusty suitcases. It told the tale of their evacuation from the coming war between Wind and Fire. Although there would have been undoubted nerves from these youngsters and a few of them were a little low on voice for the large (for them) stage. They were mostly very impressive little performers, with a few more obvious future stars than others.

A neat piece of work throughout the show was the telling of developments through letters home, via broken and interconnecting stories. One ending as another started, telling the concerns of those even away from the war very well.



The second act concentrated on journalists and politicians, with gaggles of media hounding the leaders of Wind and Fire for answers. In this second act, a nice little light hearted moment came from a bored television viewer flicking through the channels. The television framed by umbrellas by the young performers.

The second part moved up the age bracket with the performers and was the domain of a little more serious story development with the doomed romance of Isabella and Noah, the latter an immigrant. The second part also featured some striking choreographed pieces, with battle, misery and eventual total death. The battle performance was striking, bold and with loud crashing sound, very powerful.

The final part courtesy of bottles of water (who would think this could possibly work!) was a suitably emotional ending. Its funny how a simple little play like this can really tell the real pointlessness of war so well and I have to say the young performers were on the whole, very, very impressive.

*

Later that day I sneakily found myself at the first public performance of first year BA (Hons) Acting students from Northampton University. Having been mighty impressed by the third year and their performances of Animal Farm and Love And Information, I was interested to see what a two year previous performance would look like.

First of all, unlike the third year performance, which was readily accessible material, the first were performing work by John Donne and all his gloriously olde English. Dost's and thou's a plenty, and much like Shakespeare for me, a confused look on my face now and again.



However, this was as much about the performance as anything else, and without a shadow of a doubt, this was striking. Certainly that first year must have covered projection and emotion especially, as it was written over the performers like a clowns red nose.

Nerves? Maybe, well almost certainly, its got to be the case for a first public performance. Maybe even more so in front of family and friends. However if there were nerves, they certainly didn't show. This was a performance of confidence and boldness, and for me incredible for first years. I greatly look forward to seeing how far these performers can go over the next couple of years.

I am also already looking forward to seeing the current second years. Although I shall need to brush up on on my Shakespeare first. Double, double and lots of some toil and all that, I believe.

Popular posts from this blog

Review of a A Taste of Honey at Stantonbury Theatre, Milton Keynes

Written by Shelagh Delaney in 1958 at just nineteen, A Taste of Honey was a ground-breaking depiction of modern society, falling very much into the "kitchen-sink" genre, fast developing with writers within the world of British theatre during the fifties. Dealing with a multitude of themes including class, race, age of sexual consent, gender, sexual orientation and illegitimacy, it has rightfully become a legend of theatre. However, almost seventy years later, does this play still resonate with audiences and have a place in modern theatres? The play, set in 1950s Salford, tells of teenager Jo and her mother Helen moving from one rough lodge to another as either rent becomes due or Helen needs to escape another failing relationship. With Jo approaching school leaving age, Helen sees the time is right to abandon her to the world and move on with her own life. When watching A Taste of Honey , you can imagine the controversy surrounding its original release. The content is provoc...

Review of War Horse at Milton Keynes Theatre

Michael Morpurgo's novel War Horse was published in 1982. While it was highly regarded and thought to be his best work, perhaps it eventually came to most people's attention when this striking play stormed the stage, thanks to the National Theatre, back in 2007. Now, War Horse arrives at Milton Keynes Theatre as part of another vast UK tour. Adapted by Nick Stafford in association with the award-winning Handspring Puppet Company, War Horse tells the story of the First World War through the eyes of one horse, Joey, sold for a record price from a family battle but eventually shipped off to war-torn France much to the distress of his original owner, 16-year old Albert. The sprawling and epic story should take some staging, but the vast cast, beautiful structure, stunning folk music and, of course, what this play has become known for, magnificent puppetry, all bring the story to life. This production, directed by Tom Morris and revival director Katie Henry, is a magnificent thin...

Review of Murder She Didn't Write at Royal & Derngate (Royal), Northampton

Murder She Didn't Write , stopping off for a four-day run at Royal & Derngate on a lengthy UK tour, treads the now well-worn path of an improvisational evening of theatre entertainment. Unsurprisingly, from the title, this show from Degrees of Error's takes a murder mystery as its inspiration, with the story influenced by ideas from the audience each evening. Due to this, Murder She Didn't Write and a review are very much an individual affair. What I saw in my evening at the theatre will differ significantly from what the audience will see the following evening; however, the fine performers will remain. The touring cast, in no particular order, is Lizzy Skrzypiec, Rachael Procter-Lane, Peter Baker, Caitlin Campbell, Stephen Clements, Douglas Walker, Harry Allmark, Rosalind Beeson, Sylvia Bishop, Emily Brady, Alice Lamb, Sara Garrard, Peta Maurice and Matthew Whittle. For my performance, Skrzypiec, Procter-Lane, Baker, Walker, Bishop, and Clements were on stage alongsid...