Skip to main content

Love And Information at The Royal & Derngate (Royal), Northampton

The second performance I saw from the Northampton University Actors was a version of Love And Information by Caryl Churchill. Although I do not know whether this was an adapted version or not, this was a very fast paced and snappy show.

Short snippets, much like watching a sketch show, but with an much serious as comedic. Because of the shear pace, nothing ever really outstayed its welcome if there were dud parts (of which there were a couple). However the performers presented it with such style that even the poorer parts were easily ignored.

I particularly loved the running joke presented from the back of the stage of the poor lady failing to get any interest whatsoever from her partner. Likewise the glorious "red flower" speech was superb and delivered perfectly, sadly who by, my mind is a blur (Edit: It was Zoe Harbour. *applause*). This was due to the countless characters and scenes, and never due to the performers. By the time one scene was finished, I had already forgot who was in the previous one.

Actually this once again highlights for me the skill involved in these stage performers. I could go to the shop to get bread and milk and come back with bread and cheese. So I truly tip my hat to those that can perform such a complicated play as this, or even any play over two minutes, if it was down to me.

Also the shear style with how tables and chairs were placed was lovely. I may be easily pleased, and not a snooty theatre critic, but put simply, I like what I see and it was glorious on the eye. I am thinking this would be Nik Corral and Lily Bootman to thank for this?

The ear was also pleased (I have discovered that my selected seat is rather close to the speaker), with a nice mixing of music to connect the scenes, I shall name check DJ Walde again for this, who was equally impressive on Animal Farm.

Finally I would like to return to the play proper and highlight what for me was the best scene and for what generally was a light-hearted show, it was a very serious one. The "piano" scene as I will call it was just so simple and yet so powerful at the same time. It was also superbly played, and you know who you are. Unfortunately I don't, and I must stop now as I have to go and get some milk...

*

I have to take this opportunity to applaud the young actors involved in these two performances over the last few days. I have seen a few plays now on stage, mostly in London and for me these young performers for the most part entertained me in the same way as the "stars" of the West End. Likewise I have seen enough television over the years with some substantially inferior acting than that on stage at the Royal in the last couple of days and for me that should stand them well in the future. I look forward to seeing them again, wherever that may be.

Popular posts from this blog

Review of The Classic Rock Show: Top 20 Greatest Guitar Riffs Ever Part 2 at Royal & Derngate (Derngate), Northampton

By very good fortune I found myself back at Royal & Derngate (with three companions) for The Classic Rock Show and this years theme, the Top 20 Greatest Guitar Riffs Ever Part 2. Never having seen this band before, I have to say that I was pleasantly surprised by the evening as a whole although I certainly had some personal reservations. Formed from eight members it gives the opportunity to have a great deal of variety from the performances, with only two of the group not getting their opportunity at the microphone for a solo. Lead vocals however are provided magnificently by Alex Dee and Ricardo Afonso. Personal highlights from them for me was for Dee during a superbly powerful rendition of Wings'  Live And Let Die . While Afonso's take on Queen's The Show Must Go On , was an immensely strong point. I also loved their creation of Meatloaf's Bat Out Of Hell , with Dee bringing the softer moments and leaving Afonso to cover those big and bold periods. Of the o...

Review of Annie at Milton Keynes Theatre

Annie was first performed now a remarkable fifty years ago at Goodspeed Opera House in Connecticut, and since then, the tale based on a 1920s comic strip and adapted for the stage by Thomas Meehan on book, with music by Charles Strouse, and lyrics provided by Martin Charnin, has become a perennial favourite across the world. Indeed, this version, directed by Nikolai Foster, last appeared at Milton Keynes Theatre in 2023. So, after all these years, does Annie still have that appeal? Set in  1930s New York during the Great Depression,  Annie  follows the life of an orphan abandoned to the care  of its evil matron, Miss Hannigan. Annie seeks escape, and after one failed attempt, she finds herself the chosen Christmas guest of billionaire Oliver Warbucks, and things slowly, hopefully begin to improve for the little but fiercely strong Annie. Leading the adult cast for this tour now as the cruel Miss Hannigan is Claire Sweeney. Sweeney clearly revels in the chance to embr...

Review of Sweeney Todd: The Demon Barber of Fleet Street at Birmingham Rep

Sweeney Todd: The Demon Barber of Fleet Street first appeared in this musical form in 1979. Adapted from an original play by Christopher Bond, the work was set to music and lyrics by Stephen Sondheim, with a book by Hugh Wheeler. It quickly became a huge success, opening on both Broadway and the West End within a year. Following Tony and Olivier wins, the show has seen revival after revival over the years, as well as a musical film starring Johnny Depp. Now, Birmingham Rep presents its own pared-back version of the show, featuring some big stars of the theatre world. So, the question is, is Sweeney Todd as razor-sharp as it once was? What is clear to all at the outset is that director Joe Murphy, also artistic director at Birmingham Rep, has assembled a remarkable and bold cast for the show. Leading as Sweeney is Ramin Karimloo, whose bio speaks for itself and is the biggest draw for this show, especially for theatres outside London. His Sweeney is a perfectly brooding affair, broken...