Skip to main content

Love And Information at The Royal & Derngate (Royal), Northampton

The second performance I saw from the Northampton University Actors was a version of Love And Information by Caryl Churchill. Although I do not know whether this was an adapted version or not, this was a very fast paced and snappy show.

Short snippets, much like watching a sketch show, but with an much serious as comedic. Because of the shear pace, nothing ever really outstayed its welcome if there were dud parts (of which there were a couple). However the performers presented it with such style that even the poorer parts were easily ignored.

I particularly loved the running joke presented from the back of the stage of the poor lady failing to get any interest whatsoever from her partner. Likewise the glorious "red flower" speech was superb and delivered perfectly, sadly who by, my mind is a blur (Edit: It was Zoe Harbour. *applause*). This was due to the countless characters and scenes, and never due to the performers. By the time one scene was finished, I had already forgot who was in the previous one.

Actually this once again highlights for me the skill involved in these stage performers. I could go to the shop to get bread and milk and come back with bread and cheese. So I truly tip my hat to those that can perform such a complicated play as this, or even any play over two minutes, if it was down to me.

Also the shear style with how tables and chairs were placed was lovely. I may be easily pleased, and not a snooty theatre critic, but put simply, I like what I see and it was glorious on the eye. I am thinking this would be Nik Corral and Lily Bootman to thank for this?

The ear was also pleased (I have discovered that my selected seat is rather close to the speaker), with a nice mixing of music to connect the scenes, I shall name check DJ Walde again for this, who was equally impressive on Animal Farm.

Finally I would like to return to the play proper and highlight what for me was the best scene and for what generally was a light-hearted show, it was a very serious one. The "piano" scene as I will call it was just so simple and yet so powerful at the same time. It was also superbly played, and you know who you are. Unfortunately I don't, and I must stop now as I have to go and get some milk...

*

I have to take this opportunity to applaud the young actors involved in these two performances over the last few days. I have seen a few plays now on stage, mostly in London and for me these young performers for the most part entertained me in the same way as the "stars" of the West End. Likewise I have seen enough television over the years with some substantially inferior acting than that on stage at the Royal in the last couple of days and for me that should stand them well in the future. I look forward to seeing them again, wherever that may be.

Popular posts from this blog

Review of The Battle at Birmingham Rep

The Battle is a brand-new play by John Niven, set firmly in the nineties, that focuses on the Britpop fight between chart rivals Blur and Oasis. Opening at Birmingham Rep before transferring to the spiritual Oasis home of Manchester, the question is: is this worth donning your bucket hat, heading to the theatre, and enjoying the show to the end, or will you look back in anger when you leave? It is London, 1995. The infamous Britpop battle begins when both Blur and Oasis release singles on the same day. On one side, clean-cut, art-school intellectuals from the South. On the other hand, raw and unapologetic lads from the North. Let battle commence! The Battle is John Niven's first stage play, and he doesn't take the easy route. Deciding to bring both known people, detailed and multiple scenes and ambitious storytelling to proceedings. And for the most part, it all comes together to create a coherent whole. The casting director Claire Bleasdale has assembled a talented group of ...

Review of Friends - The Musical Parody at Milton Keynes Theatre

The One Where 2026 starts in a world of confusion. And so, 2026 is upon us and for my first trip to the theatre this year, one of my most significant reviewing challenges was to occur. Touring to Milton Keynes Theatre is Friends - The Musical Parody , based, unsurprisingly, on that little American show that ran to a few audience members for ten years. However, I confess that I was not, and have never been in that audience, never having seen a single episode of the show. However, always up for a review challenge and doing my due diligence by having a Friends superfan as my plus one, I headed to Milton Keynes with anticipation. For those unfamiliar with the show, I could say I can’t help; however, a quick review of some of the information you might need (thanks, Google and my plus one). Running for ten years between 1994 and 2004 with 236 episodes (quiz question, you are welcome), the main characters consisted of Phoebe (ditzy, writer of sad songs), Monica (in possession of an unfeasibly...

Review of The All New Adventures of Peter Pan at Royal & Derngate (Derngate), Northampton

For theatres across the land, it's that time of year again. The time when the theatres fill with screaming children and a ridiculous amount of sugar intake and trips to the toilet. Yes, it is panto time, and before you say it, oh yes it is. This year, for the Royal & Derngate, it is time for a trip to Neverland (or Forever Land, that is, but more on that later) and a magical adventure with Peter Pan and the dastardly Captain Hook. Once again, following hugely successful previous runs, Evolution Productions brings this tale to the stage in 2025. And it has to be said, once again, they strike panto gold with The All New Adventures of Peter Pan , with a constantly lively, brilliantly colourful and awkwardly funny production that, as always with Evolution, is totally family friendly. Over the years here, Evolution and writer Paul Hendy have created the essence of pantomime (which just so happens to link to the tale within this story). Keeping all the traditions intact, a ghostly be...