Skip to main content

Review of Arcadia by University of Northampton BA Actors at Jacksons Lane Theatre, Highgate, London

Ahead of seeing Arcadia in this University of Northampton production by the Third Year BA Actors, I had been warned that it wasn't a play for everyone. It makes sense in retrospect, it's a bit clever, making you always feel as if you are not as intelligent as you hope you are (in my case, probably a fair point). However, despite this, the young cast in this production make Tom Stoppard's ever so clever play entertaining from beginning to end.

Arcadia follows two timelines, modern day as oddball poetry professor Bernard comes visiting Sidley Park looking for a Lord Byron trail, while 200 years before, young Thomasina Coverly is being taught by horny tutor Septimus. Intermixed with these timelines are a further assortment of odd characters. It's all a little weird, but oddly still fun.

Thomas Van Langenberg has tremendous fun as Septimus, teaching and flirting with his pupil Thomasina, played to playful perfection by Abi Cameron, demonstrating perfection in playing below your age. Their scenes together are never anything less than hugely entertaining.

Modern day, and Daniel Hubery slots into the role of Bernard perfectly, sparring with his compatriots and being more than a bit creepy at times. Almost typecast again, Hubery has the niche, and I think it will take him far in the future. Kit Wiles is equally excellent as the forthright novelist Hannah Jarvis, while Chris Cutler is suitably impulsive and more than a little wild as mathematician Valentine.

It's actually as ever a brilliant cast, even beyond the main players, and the dynamics that all of the performers get with one another really are excellent, and perhaps maybe makes this play a little bit better and more entertaining as a whole. Taking a little of the perhaps poncy, knowing nature out of it, and making it more fun.

Visually it looks superb, with sharp detail to the set from Meryl Couper, columns quickly becoming creepers, and as well as this, its superbly dressed from costumes through to some fascinating and very nice props.

I really enjoyed some of the bold direction from Tobias Deacon, allowing actors to perform naturally, often in profile centre stage for some time. It's not for everybody like that, but I like it, it's better to have something look more natural at times.

Arcadia is an interesting play, and that's being nice. I can't say I didn't enjoy it, as that would be a lie. I've seen better, but I've seen a lot worse, and here, the main thing is that the cast in their final group performance together did themselves proud, and that's the important thing here.

Performance reviewed: Sunday 2nd June 2019 at Jacksons Lane Theatre, Highgate, London

Red Velvet was one of three shows performed at Jacksons Lane Theatre by the University Of Northampton BA (Hons) Actors from Friday 31st May to Sunday 2nd June 2019.

Details of Jacksons Lane can be found by visiting their website at https://www.jacksonslane.org.uk/

Popular posts from this blog

Review of Flash Festival 2016: Red Inquisition by Memoir Theatre at Castle Hill URC

Red Inquisition from Memoir Theatre evolves from a theatre groups creation of a play based on the 1947 Hollywood blacklist and McCarthyism So that I can get it out the way early on and take this review in a more upbeat direction that Red Inquisition deserves, I am going to get a real bugbear done first. There was a huge negative for me from this production and one that I ended up getting negative vibes from. For me there was far too much video and audio footage in this production. Much of it was while excellently researched, surplus to requirements. The were a couple of occasions especially where we saw material repeated on screen that had already been performed. The show did not need this and for me theatre is not about watching a screen in any case, its about seeing performances. This however does need to be taken as a positive as what I am simply saying is that I wanted more acting from the trio of Daniel Hadjivarnava, Ciara Goldsberry and Jaryd Headley as they work excellently ...

Review of That Face by Polly Stenham performed by The Masque Theatre at the Playhouse Theatre, Northampton

As millions were sitting down to watch the misery of EastEnders and its big reveal of Lucy's killer, A Small Mind ventured out to the theatre for some light relief. Yeah right! That Face by Polly Stenham is generally as far from light relief as you could imagine, like the aforementioned soap being unshackled by its pre-watershed needs, this was gritty family drama in the extreme. Long before the play begins those who had made their way to their seats early get the chance to see curtain up and a girl sitting bound and masked in a chair. Moments of 50 Shades fears aside, its clear that we are seeing one of the unluckiest actresses you could imagine. Destined to be in two scenes with no lines, the first of which involves her being mauled about no end, its a thankless role, which todays actress of pain Julie Hicks plays very well. Suffering for her art indeed. Doing the mauling are boarding school "buddies" Mia (Amber Mae) and mad as a box of frogs Izzy (Clare Balbi). Mia...

Review of Theft at the Castle Theatre Studio, Wellingborough

The comedy-thriller Theft by Eric Chappell tells the story of an anniversary celebrating couple returning to the devastation of their home being ransacked in a burglary. However, this ransacking pales in comparison to the ransacking of their lives that then occurs as home truths are revealed. Anyone old enough to remember the works of Theft writer Chappell ( Rising Damp and Only When I Laugh ), could be forgiven for thinking that this 1996 play might feel a little dated for a 2021 audience. However, bar a few references much of their time now (the weaker sex and female priests for instance), Theft still feels comfortable in the 2021 world, where many of us just want both a good evening of theatre and a good bit of fun. With Theft from the highly regarded Wellingborough Technical Players, they get just that. The action starts as we find the man of the house John Miles played by Graham Breeze returning, very angry, to his home. He is a rightfully boisterous character, channelling all th...