Skip to main content

Review of Arcadia by University of Northampton BA Actors at Jacksons Lane Theatre, Highgate, London

Ahead of seeing Arcadia in this University of Northampton production by the Third Year BA Actors, I had been warned that it wasn't a play for everyone. It makes sense in retrospect, it's a bit clever, making you always feel as if you are not as intelligent as you hope you are (in my case, probably a fair point). However, despite this, the young cast in this production make Tom Stoppard's ever so clever play entertaining from beginning to end.

Arcadia follows two timelines, modern day as oddball poetry professor Bernard comes visiting Sidley Park looking for a Lord Byron trail, while 200 years before, young Thomasina Coverly is being taught by horny tutor Septimus. Intermixed with these timelines are a further assortment of odd characters. It's all a little weird, but oddly still fun.

Thomas Van Langenberg has tremendous fun as Septimus, teaching and flirting with his pupil Thomasina, played to playful perfection by Abi Cameron, demonstrating perfection in playing below your age. Their scenes together are never anything less than hugely entertaining.

Modern day, and Daniel Hubery slots into the role of Bernard perfectly, sparring with his compatriots and being more than a bit creepy at times. Almost typecast again, Hubery has the niche, and I think it will take him far in the future. Kit Wiles is equally excellent as the forthright novelist Hannah Jarvis, while Chris Cutler is suitably impulsive and more than a little wild as mathematician Valentine.

It's actually as ever a brilliant cast, even beyond the main players, and the dynamics that all of the performers get with one another really are excellent, and perhaps maybe makes this play a little bit better and more entertaining as a whole. Taking a little of the perhaps poncy, knowing nature out of it, and making it more fun.

Visually it looks superb, with sharp detail to the set from Meryl Couper, columns quickly becoming creepers, and as well as this, its superbly dressed from costumes through to some fascinating and very nice props.

I really enjoyed some of the bold direction from Tobias Deacon, allowing actors to perform naturally, often in profile centre stage for some time. It's not for everybody like that, but I like it, it's better to have something look more natural at times.

Arcadia is an interesting play, and that's being nice. I can't say I didn't enjoy it, as that would be a lie. I've seen better, but I've seen a lot worse, and here, the main thing is that the cast in their final group performance together did themselves proud, and that's the important thing here.

Performance reviewed: Sunday 2nd June 2019 at Jacksons Lane Theatre, Highgate, London

Red Velvet was one of three shows performed at Jacksons Lane Theatre by the University Of Northampton BA (Hons) Actors from Friday 31st May to Sunday 2nd June 2019.

Details of Jacksons Lane can be found by visiting their website at https://www.jacksonslane.org.uk/

Popular posts from this blog

Review of Rambert Dance in Peaky Blinders - The Redemption of Thomas Shelby at Royal & Derngate (Derngate), Northampton

The Rambert Dance Company is the oldest such company in Britain having first performed in 1926. However, despite this, this was my first encounter with the group in my ten years of theatre-going. Coupled with this, it was also my first encounter with Peaky Blinders , having never seen the show, and only knowing a few vague things about it. My companion for the evening however was very familiar with the show, allowing some background behind the show. It turns out though,  Rambert Dance in Peaky Blinders - The Redemption of Thomas Shelby needs a little more than a good bit of knowledge of the show, as despite this production having incredible style, there struggles to be a cohesive structure to the show and the storytelling. Much more than other dance shows as well. The first act does a whistle-stop tour of the first five seasons and while it is a feast on the eye, and on the ear, it gets extremely confusing at times. The second act is freestyle and drifts away from the stories tol...

Review of Mamma Mia! at Royal & Derngate (Derngate), Northampton

Ahead of my trip to see Mamma Mia! in Northampton, I had enough conversations about the show to discover that there appears to be no in-between with people over their love or hate of the work of ABBA (music and lyrics by Benny Andersson and Björn Ulvaeus). For your information, patient reader, I fall firmly in the love department and an audience member of Mamma Mia! like myself is always going to ride on a tidal wave of joy as this jukebox churns out an incredible selection of their numbers (and truly reveals a substantially great back catalogue, that even a hater could not deny), however, is the show they are weaved around actually any good? The answer is mostly, yes. It is though, a typical popcorn musical where you are just required to switch your brain off for two hours or so and ride that tidal wave to Kalokairi, and observe the bright colours and frivolous nature of the plot. The plot, such as it is, involves 20-year-old Sophie, who is heading towards marria...

Review of Matthew Bourne's The Car Man at Milton Keynes Theatre

Matthew Bourne has been the accessible end of stage ballet and contemporary dance for decades now, and first imagined for the stage back in 2000, his interpretation and loose adaptation of Bizet’s Carmen , as The Car Man , is perhaps his most accessible to the general public. So, as it drives into Milton Keynes Theatre this week, is it still the masterly piece first seen 26 years ago? Luca is a man on the move; however, as he heads into Harmony, a town of 375 people, he sees a sign reading “Man Wanted” and decides to stop over to try to settle in and take some work at Dino’s Garage. After setting his eyes on the proprietor's wife, Lana, turmoil begins to infect the inhabitants of this harmonious town. The Car Man is a dazzling spectacle by Matthew Bourne and his New Adventures company, filled, as expected, with stunning dancing from the immensely dedicated and talented team of dancers. Led by Will Bozier as Luca, "The Car Man", his strength and confidence drive through h...