Skip to main content

Review of Fame Jr. by R&D Youth Theatre/Young Company at Royal & Derngate (Underground), Northampton

Despite very much being one of the in things when I was growing up in the eighties and definitely seeing on occasion, Fame wasn't really for me. However via theatre of the last four years, I have learnt to love musicals of various kinds more, and the R&D youth company and its companion young company via Sweeney Todd, Honk!, Cafe Crescendo and Oliver! have helped that development.

For 2017 they presented two versions of the same play, the junior version of Fame, it runs for just a compact hour, and while they were dialogue wise the same, directorially and performing was very different. It offered in two days a great opportunity to see the same thing, differently. Even during the opening it was clear that the different nuances were going to be fascinating to look out for, the opening scene sees the students preparing to discover if they have made P.A., and in the young company version the cast clutch their notes and pray to them, while the youth version sees them hidden in their pockets only to be snatched out and opened at song end. If all this sounds a bit of a pointless spot, it isn't, as in reality, it shows the strength and ability of a director to bring life to their pieces in their own way.

The hour is not only filled with these little moments, it also allows across the two shows, different characters to become more prominent depending on those playing them. From the youth theatre version, I particularly loved Troy Anderson gloriously over the top Joe Vegas, full of brilliant enthusiasm and a totally satisfying performance. Likewise, Libby Moore totally captured the persona of Ms Sheinkopf, staying in brilliant character throughout and perfecting the glasses on the end of the nose styling offering great amusement. My final pick from the youth theatre has to be Megan Heavisides-Bell quite scary Miss Sherman, playing the role for me with quite a different feel from Melissa Coulton-McCullough's version in the young company, I was quite glad I wasn't one of her students.

Moving onto the older group of the young company, and the departing Ryan McLean brings a lovely final performance to the role of Nick Piazza, and together with Robyn Wilson's lovely Serena Katz, they made a wonderful pairing. Morgan Charles also creates a bold interpretation of Carmen Diaz and shows some great dance skills as well. Also buzzing with great character is Oskar White's awkward but confidence building portrayal of Schlomo Metzenbeum. Unquestionably for me though the most captivating performance came from Emily Abraham and her really superb turn as dancer Mabel Washington, she is clearly one very much to watch in the future.

The staging and direction from Trudy A Bell (Youth) and Ashley Elbourne were kept simple in the Underground space leaving the actors to do their thing, and while there were a few issues regarding whereabouts you sat, you were never truly far from the action. I did learn though the best spot to be after the first performance and it paid off with a much better perspective on the action.

Fame Jr is actually a highly entertaining hour of music and dance which surprised me as to how entertaining it was. Catchy tunes, well performed by the whole of the cast and full of the usual enthusiasm expected from the young groups at Royal & Derngate.

Performance reviewed: Young Company - Friday 7th July/ Youth Theatre - Saturday 8th July at the Royal & Derngate (Underground), Northampton.

Fame Jr ran at the Royal & Derngate until Saturday 7th July 2017.

For further details visit the Royal & Derngate website at http://www.royalandderngate.co.uk/

Popular posts from this blog

Review of Flash Festival 2016: Red Inquisition by Memoir Theatre at Castle Hill URC

Red Inquisition from Memoir Theatre evolves from a theatre groups creation of a play based on the 1947 Hollywood blacklist and McCarthyism So that I can get it out the way early on and take this review in a more upbeat direction that Red Inquisition deserves, I am going to get a real bugbear done first. There was a huge negative for me from this production and one that I ended up getting negative vibes from. For me there was far too much video and audio footage in this production. Much of it was while excellently researched, surplus to requirements. The were a couple of occasions especially where we saw material repeated on screen that had already been performed. The show did not need this and for me theatre is not about watching a screen in any case, its about seeing performances. This however does need to be taken as a positive as what I am simply saying is that I wanted more acting from the trio of Daniel Hadjivarnava, Ciara Goldsberry and Jaryd Headley as they work excellently ...

Review of That Face by Polly Stenham performed by The Masque Theatre at the Playhouse Theatre, Northampton

As millions were sitting down to watch the misery of EastEnders and its big reveal of Lucy's killer, A Small Mind ventured out to the theatre for some light relief. Yeah right! That Face by Polly Stenham is generally as far from light relief as you could imagine, like the aforementioned soap being unshackled by its pre-watershed needs, this was gritty family drama in the extreme. Long before the play begins those who had made their way to their seats early get the chance to see curtain up and a girl sitting bound and masked in a chair. Moments of 50 Shades fears aside, its clear that we are seeing one of the unluckiest actresses you could imagine. Destined to be in two scenes with no lines, the first of which involves her being mauled about no end, its a thankless role, which todays actress of pain Julie Hicks plays very well. Suffering for her art indeed. Doing the mauling are boarding school "buddies" Mia (Amber Mae) and mad as a box of frogs Izzy (Clare Balbi). Mia...

Review of Theft at the Castle Theatre Studio, Wellingborough

The comedy-thriller Theft by Eric Chappell tells the story of an anniversary celebrating couple returning to the devastation of their home being ransacked in a burglary. However, this ransacking pales in comparison to the ransacking of their lives that then occurs as home truths are revealed. Anyone old enough to remember the works of Theft writer Chappell ( Rising Damp and Only When I Laugh ), could be forgiven for thinking that this 1996 play might feel a little dated for a 2021 audience. However, bar a few references much of their time now (the weaker sex and female priests for instance), Theft still feels comfortable in the 2021 world, where many of us just want both a good evening of theatre and a good bit of fun. With Theft from the highly regarded Wellingborough Technical Players, they get just that. The action starts as we find the man of the house John Miles played by Graham Breeze returning, very angry, to his home. He is a rightfully boisterous character, channelling all th...