Skip to main content

Review of Dinner by Masque Theatre at The Playhouse Theatre, Northampton

I have seen two previous plays by Moira Buffini, writer of this dark comedy, they being Dying for It and Welcome to Thebes, and both were superbly entertaining plays with the former the closest to Dinner in its darkness of strorytelling. However for me, Dinner is much more style over substance and portraying quite a lot of what I often hate from many wannabe highbrow plays, pretentiousness.

It's failure for me though comes from the story it attempts to tell rather that the brilliant characters it creates (and brought to life seriously well by this very strong cast). A dinner party from hell is how it describes itself and as it weaves its way to a showy (and yes, unpredictable conclusion) it goes to great pains in showing how clever it is by talking all big existential stuff as death, truth and suicide. I don't think the hell at this dinner party would be dealing with the crazy courses or the dramatic climax, it would be getting through the cleverer than its thinks it is dialogue.

However this all sounds like I hated the play and everything it represents totally. This is not true, as during the two hours we have some really great characters to experience the play through, although perhaps sometimes over caricatured. Paige (Gemma Knight) our dinner host has put on a celebratory dinner for her writer husband Lars (Andy Rowe). Their guests for the evening are Wynne (Victoria Miles), who is unexpectedly missing a partner, and Hal (Matthew Fell) and his girlfriend Sian (Katy Corrie). Add to the mix, the perhaps inevitable unexpected guest, Mike (Chris East) and the menacing specter of the silent waiter (David Chappell) and you have enough character to drive the story forward.

The biggest thrill for me from Dinner was to finally see Matthew Fell on the stage after only ever having seen his work (always excellent) from the director's chair. Managing to act beyond his dazzling shirt (no mean feat) to create somehow an interesting microbiologist. He is also responsible for perhaps one of the funniest scenes, going crazy with his imagined pump-action shotgun. A classic moment.

Katy Corrie is genuinely a revelation as Sian, revealing chameleon like capabilities which left me confused for sometime as to whether I had got the cast wrong. It is a devilish performance as the TV "news-babe" bringing to life an oozing monstrosity of menace to both dinner companions and lobsters alike.

As the "happily" married couple, Gemma Knight and Andy Rowe spark off one another with great verve. Knight looking spectacular as our host (as do all in this incredibly well dressed play) attempting to maintain control of her evening. There is a brilliant scene between her and Rowe when dealing with the arrival of Mike, a battle for supremacy indeed.

Victoria Miles as bicycle riding and vegetarian Wynne brings great unwitting humour to the table with her constant distress for all things living being dead. Chris East is perfect as the completely out of place Mike, maintaining hidden meanings throughout his performance as both us and the guests seek out who he truly is. Completing the cast is the ever reliable David Chappell as the constantly lurking waiter.

Production is top notch with stunning wardrobe, amazing make-up work and a simplistic but totally appropriate set. It is always a challenge to stage a predominantly table-bound play with its static nature, but the play maintains life thanks to the constant movement of the waiter. I simply loved the scene changing throbbing sound and light pulse, and missed this in the second act when I assume a technical moment reared its head. However it truly was a great little creation as the scene shifted.

However the best way I can sum up Dinner is that it creates a wonderful depth to its characters but they are trappped in a play that is not as clever as it thinks it is. Thankfully once beyond the slow build-up, those characters and some excellent performances and a few funny lines is enough to make the play entertaining enough, if a little insubstantial a meal at times.


Performance reviewed: Thursday 4th May, 2017 at the Playhouse Theatre, Northampton.

Dinner runs until Saturday 6th April, 2017 at the Playhouse Theatre, Northampton. Details can be found at http://www.masquetheatre.co.uk/

For full details about the Playhouse Theatre visit their website at http://www.theplayhousetheatre.net/

PHOTOS: JOE BROWN

Popular posts from this blog

Review of DNA by University of Northampton BA Actors at Jacksons Lane Theatre, Highgate, London

The final year performances of BA Actors this year upped sticks and headed away from their Northampton Royal territory and gathered to show their skills in London.

The first of the three shows being performed was Dennis Kelly's DNA, a play which I saw performed on the Royal stage itself four years ago. I enjoyed it for its dark mysterious nature and was looking forward to seeing a different interpretation of the show. It tells the tale of a group of youngsters who do something really bad, and proceed to attempt to cover it up, resulting in the real bad, well, getting more bad. It's dark yes, but also, very funny at times.

It opens with a looming movement piece of theatre, which I always love and this was no different for me, brooding and sinister. It's quite a long opening, which perhaps, in the end, becomes too long, but it's a fabulous piece of theatre for me. It set's the scene very well for Kelly's dark piece to unfold and in the hands of these, about to gr…

Review of Crimes Under The Sun at The Core, Corby

It is safe to say that there have been a lot of Agatha Christie spoofs kicking around over the years, they are ripe material to plunder, and often feeling as if the original author was even sending them up at times as well. So, to discover another one on stage at The Core Theatre in Corby is no surprise.

New Old Fiends' Crimes Under the Sun is a patch above many of them, a speedy, witty and genuinely ingenious take on a Poirot influenced case (no prizes for guessing Evil Under the Sun). As our lead, we have a curiously Belgian detective Artemis Arinae, Poirot in all but name, and more specifically gender (it's the first thing I noticed about her, to steal a joke). The show opens relatively badly, with a rather long introduction from our detective played by Jill Myers. It is the only downside of the evening, as once the stage is full of the quite brilliant collection of characters, this show whips along with an amazing intensity.

The characters created in Crimes Under the Sun …

Review of The Wizard Of Oz by the Northampton Musical Theatre Company at Royal & Derngate (Derngate), Northampton

The last couple of shows from the award-winning Northampton Musical Theatre Company has been a slightly mixed bag, with their last show at Derngate the rather difficult to get a grip on thrills of Grease, a woefully inferior stage version of the classic film despite being very well performed. Their best show recently was ironically Summer Holiday, hidden at the much smaller Cripps venue. Therefore still in the wake of the exceptional Sister Act, does The Wizard of Oz create the Derngate magic once again?

The answer for me, is both yes and no, it is as always an exceptional production filled from top to tail with talent, as NMTC is so renowned for, and packing the audience in and thrilling them like perhaps nothing like Oz can in the musical department, you cannot question its selection really. However, like Grease, and to readjust a requote, "it's just Oz". This time I use it in the way that Oz is just a little over-familiar, I am desperate for the buzz that I got from