Skip to main content

Review of The Addams Family at Royal & Derngate (Derngate), Northampton

It is twenty years since The Addams Family last graced the cinema screens and over fifty since the TV series finished, yet it was as if it was inbred into the entire audience as seconds into this musical they were all either clapping or finger clicking to the famous "click click" of the theme tune. The matinee audience was as contrasting as you could imagine, with the typical retired members and vast numbers of children of all ages in several school groups, however, whatever age all were entranced as this captivating musical took to the stage.
The first thing that is very apparent from this touring production of the 2010 Broadway musical is how gorgeous it looks. A stunning and innovative set from Diego Pitarch and beautifully dressed, this is no cheap budget touring production.

After the overture, the musical credentials are set high early with the lively When You're An Addams performed brilliantly by the whole company, and it is a benchmark for a glorious collection and, as expected from the best musicals, a contrasting collection of all styles. There is the lovely gentle What If?, the epic One Normal Night and perhaps my own favourite, the lively showtime Full Disclosure.
Cameron Blakely (Gomez) and
Samantha Womack (Morticia)

The cast is really brilliant throughout with in particular a quite amazing Cameron Blakely as Gomez, he like the rest of the cast has a superb singing voice, however, he imbues so much wicked character into the role as well.

The known names of this show do not let the side down either, Samantha Womack is a deeply and darkly alluring Morticia, creating a huge amount of comedy from the deadpan character and her grimacing smiles. She shares also a stylish tango routine with Blakely, showing some neatly hidden moves. Les Dennis is also a treat as Fester, part narrator and part comic Uncle, he as expected nails the comedy, however, he also is surprising and unexpectedly good in the singing routines. His performance of The Moon And Me is really truly a sweet moment.

Carrie Hope Fletcher is always a star and her cheeky and super confident Wednesday is a true delight. Full of real mischief and character, and of course a totally stunning singing voice. Dickon Gough steals every scene he appears in as the silent growling Lurch, and has a neat trick for the audience up his sleeve at the end. The ensemble from this production is also tremendously strong creating Alistair David's brilliant choreography with tremendous style and skill.
Carrie Hope Fletcher (Wednesday)
and Cameron Blakely (Gomez)

Marshall Brickman and Rick Elice's book, coupled with Andrew Lippa music and lyrics absolutely nail the dark and mischievous character of the show, treading a fine and clever balance between fun for the younger members and slipping some occasional very adult jokes into the piece without stepping too far. Therefore totally leaving this a show absolutely for the whole family.

The Addams Family is a quite brilliant production, full of visual flair, stunning tunes brilliantly performed by the cast and a lovely reminder of the classic show/film, but also accessible enough for anyone unfamiliar with the original. Get yourself to this promptly as it's too good to be missed and you never know whether you have much time as we all know Death is Just Around the Corner.

««««½


Performance reviewed: Wednesday 10th May 2017 (matinee) at the Royal & Derngate (Derngate), Northampton.

The Addams Family runs at the Royal & Derngate until Saturday 13th May 2017 
and continues it's throughout 2017. Details of dates and locations can be found at http://www.theaddamsfamily.co.uk/

For further details visit the Royal & Derngate website at http://www.royalandderngate.co.uk/

PHOTOS: MATT MARTIN
The cast of The Addams Family

Popular posts from this blog

Review of Barnum at Milton Keynes Theatre

Barnum , with a book by Mark Bramble, lyrics by Michael Stewart, and music by Cy Coleman, premiered on Broadway in 1980 and followed in the West End just a year later. At the helm for these two productions were two huge names in the entertainment business: Jim Dale on Broadway and Michael Crawford in the West End. It needed, of course, big names to fill the shoes of the legendary P. T. Barnum, whose tale is told in this now-fondly remembered musical. Filling these boots in this new production, now pitched at Milton Keynes Theatre, is Matt Rawle, a prolific theatre performer himself, but can he, and this production, live up to the iconic greatest showman? “Step right up and enter the dazzling world of P.T. Barnum, where imagination and ambition know no bounds”, the publicity for the show announces, and this new production of the now-classic Barnum - The Circus Musical mostly ticks these boxes. Rawle is a captivating and strong presence as the lead, bringing an infectious charm to the p...

Review of Lord of the Dance at Milton Keynes Theatre

On what was so far the hottest day of the year, and the highest in many a record book, it feels a tad evil to watch as a group of extremely talented performers bring to the stage one of the most famous and most energetic dance shows to tour. However, arriving now at Milton Keynes Theatre, as part of what is now the still rather immodestly titled 30 Years of Standing Ovations tour, Lord of the Dance remains full of energy even on the hottest of evenings in Milton Keynes. I last and first saw Lord of the Dance as part of the 25 Years of Standing Ovations tour, four years ago (yes, the sums don’t quite work), and it was every bit as spectacular as you could imagine this world-famous dance show is. Born into the world from Michael Flatley and the Riverdance spectacular that preceded it, Lord of the Dance is a simple but effective battle between good and evil and the resolution of it through dance rather than fighting. The dancing here is, as expected, exceptional, led by the Lord of the...

Review of making second Kontakt with the R&D Youth Theatre at Royal & Derngate (Underground), Northampton

As I said in my first Kontakt review, I wasn't really sure that I wanted to see this show. However come Sunday and a second opportunity to see it, I was genuinely looking forward to it. With the show now having departed, for my second review I will elaborate a touch more on happenings, which initially I shied away from as spoilers. My actor for my second encounter was 15 year old Michael. He had the enviable task unlike Michael before him of dealing with someone who knew quite a bit of what was coming. As those surgical gloves went on I this time was certain that the R&D were not going to overstep the boundary and do a full medical. I had also learnt that a crisp sandwich was something that should be left in the memory, so cheese was a much more sensible option. I was able to complete the calculation generally unaided and managed to express an exaggerated shock at the latter outcome. The game of Jenga managed to stay stable once again and rather amazingly managed to bring t...