Skip to main content

Review of The Addams Family at Royal & Derngate (Derngate), Northampton

It is twenty years since The Addams Family last graced the cinema screens and over fifty since the TV series finished, yet it was as if it was inbred into the entire audience as seconds into this musical they were all either clapping or finger clicking to the famous "click click" of the theme tune. The matinee audience was as contrasting as you could imagine, with the typical retired members and vast numbers of children of all ages in several school groups, however, whatever age all were entranced as this captivating musical took to the stage.
The first thing that is very apparent from this touring production of the 2010 Broadway musical is how gorgeous it looks. A stunning and innovative set from Diego Pitarch and beautifully dressed, this is no cheap budget touring production.

After the overture, the musical credentials are set high early with the lively When You're An Addams performed brilliantly by the whole company, and it is a benchmark for a glorious collection and, as expected from the best musicals, a contrasting collection of all styles. There is the lovely gentle What If?, the epic One Normal Night and perhaps my own favourite, the lively showtime Full Disclosure.
Cameron Blakely (Gomez) and
Samantha Womack (Morticia)

The cast is really brilliant throughout with in particular a quite amazing Cameron Blakely as Gomez, he like the rest of the cast has a superb singing voice, however, he imbues so much wicked character into the role as well.

The known names of this show do not let the side down either, Samantha Womack is a deeply and darkly alluring Morticia, creating a huge amount of comedy from the deadpan character and her grimacing smiles. She shares also a stylish tango routine with Blakely, showing some neatly hidden moves. Les Dennis is also a treat as Fester, part narrator and part comic Uncle, he as expected nails the comedy, however, he also is surprising and unexpectedly good in the singing routines. His performance of The Moon And Me is really truly a sweet moment.

Carrie Hope Fletcher is always a star and her cheeky and super confident Wednesday is a true delight. Full of real mischief and character, and of course a totally stunning singing voice. Dickon Gough steals every scene he appears in as the silent growling Lurch, and has a neat trick for the audience up his sleeve at the end. The ensemble from this production is also tremendously strong creating Alistair David's brilliant choreography with tremendous style and skill.
Carrie Hope Fletcher (Wednesday)
and Cameron Blakely (Gomez)

Marshall Brickman and Rick Elice's book, coupled with Andrew Lippa music and lyrics absolutely nail the dark and mischievous character of the show, treading a fine and clever balance between fun for the younger members and slipping some occasional very adult jokes into the piece without stepping too far. Therefore totally leaving this a show absolutely for the whole family.

The Addams Family is a quite brilliant production, full of visual flair, stunning tunes brilliantly performed by the cast and a lovely reminder of the classic show/film, but also accessible enough for anyone unfamiliar with the original. Get yourself to this promptly as it's too good to be missed and you never know whether you have much time as we all know Death is Just Around the Corner.

««««½


Performance reviewed: Wednesday 10th May 2017 (matinee) at the Royal & Derngate (Derngate), Northampton.

The Addams Family runs at the Royal & Derngate until Saturday 13th May 2017 
and continues it's throughout 2017. Details of dates and locations can be found at http://www.theaddamsfamily.co.uk/

For further details visit the Royal & Derngate website at http://www.royalandderngate.co.uk/

PHOTOS: MATT MARTIN
The cast of The Addams Family

Popular posts from this blog

Review of Rambert Dance in Peaky Blinders - The Redemption of Thomas Shelby at Royal & Derngate (Derngate), Northampton

The Rambert Dance Company is the oldest such company in Britain having first performed in 1926. However, despite this, this was my first encounter with the group in my ten years of theatre-going. Coupled with this, it was also my first encounter with Peaky Blinders , having never seen the show, and only knowing a few vague things about it. My companion for the evening however was very familiar with the show, allowing some background behind the show. It turns out though,  Rambert Dance in Peaky Blinders - The Redemption of Thomas Shelby needs a little more than a good bit of knowledge of the show, as despite this production having incredible style, there struggles to be a cohesive structure to the show and the storytelling. Much more than other dance shows as well. The first act does a whistle-stop tour of the first five seasons and while it is a feast on the eye, and on the ear, it gets extremely confusing at times. The second act is freestyle and drifts away from the stories tol...

Review of Dear England at Milton Keynes Theatre

James Graham’s award-winning play Dear England has been around a while now, and indeed, when it was first staged in 2023, some events depicted here hadn’t even happened. Therefore, the pen, likely keyboard, of Graham has been busy adding what amounts to a further epilogue, and it now amounts to the complete package of Gareth Southgate’s tenure as the poisoned chalice that is England football manager. For those who may have missed it, Dear England tells the story of Southgate’s journey from his inception into the manager role in 2016 to his eventual departure and knighthood in the New Year’s Honours of 2025. However, this play, while centred on the beautiful game, is more than about kicking a ball and managing and coaching it. Writer Graham mines from the source material a piece that very much explores what it is to be English and, with Southgate’s approach to coaching, what makes the brain tick. To that effect, enter psychologist Pippa Grange, and the journey for Southgate to become ...

Review of Friends - The Musical Parody at Milton Keynes Theatre

The One Where 2026 starts in a world of confusion. And so, 2026 is upon us and for my first trip to the theatre this year, one of my most significant reviewing challenges was to occur. Touring to Milton Keynes Theatre is Friends - The Musical Parody , based, unsurprisingly, on that little American show that ran to a few audience members for ten years. However, I confess that I was not, and have never been in that audience, never having seen a single episode of the show. However, always up for a review challenge and doing my due diligence by having a Friends superfan as my plus one, I headed to Milton Keynes with anticipation. For those unfamiliar with the show, I could say I can’t help; however, a quick review of some of the information you might need (thanks, Google and my plus one). Running for ten years between 1994 and 2004 with 236 episodes (quiz question, you are welcome), the main characters consisted of Phoebe (ditzy, writer of sad songs), Monica (in possession of an unfeasibly...