Skip to main content

Review of Buddy - The Buddy Holly Story at Royal & Derngate (Derngate), Northampton

If you are even vaguely aware of the story of Buddy Holly, there is no shying away from the fact that be it almost sixty years ago, this musical of his life seems sure to end generally on a very sad note. However of course, it doesn't, it leaves us for two reasons wanting more; we want the show to continue with its final scenes collapsing into a high spirited concert feel, and we just wanted more from Buddy, full stop.

Over a period of just eighteen months between 1957 and 1959, Buddy along with The Crickets, went from jobbing local performers on a country themed radio show, to world recognition, and a collection of perhaps the very best of songs of that breakthrough period for music. At a time when Elvis was creating brilliance accompanied to his gyrating hips, Buddy was perhaps even more of an innovator, casting off the shackles of country, and even heaven forbid, performing with his glasses on. He wanted to be constantly different and inventive. It truly make you wonder where he could have gone with his work, had things been so different.

So in just eighteen months a remarkable and timeless collection of tunes like That'll Be The Day, Peggy Sue, Everyday, Oh Boy and Heartbeat were formed. All are remarkably well brought to life during The Buddy Holly Story by the very strong cast. Leading as Buddy for this performance (the tour interchanges for the lead) is Alex Fobbester. He cuts the perfect likeness on stage, has the twitchy busy minded behavior, and a very impressive vocal similarity to cover Buddy's very distinctive persona. The performance of Everyday in particularly is quite brilliant.

The musical numbers are where this show absolutely works and thankfully there are a lot of them, especially in the second half. As we finally reach Clear Lake, the final concert, this show has become something quite special. This includes the arrival of Thomas Mitchells spirited performance as The Big Bopper and a brilliant Jordan Cunningham as Ritchie Valens. Another highlight (but surely couldn't have happened time wise) is a brilliant performance of Shout by Miguel Angel and Jordan Cunningham as Apollo Theatre performers.

Much of any problems with The Buddy Holly Story lie very much in the first half, the quite sluggish storytelling is disappointing, leaving dull scripting from Alan Janes. It features an understandably teasing recording scene at Norvajak Studios, leaving the impact of the songs in full to the second half, but because of this goes hardly anywhere, and where is does, very slowly. Design from Adrian Rees is also unremittingly dull, with just one genuine set change in the show as we arrive at Clear Lake. The rest of it, is simply created by a succession of items being wheeled on and off. Lighting work however from Darren 'Daz' Coopland is the complete opposite, with swift and ingenious work.

However, this show has run non-stop since 1989 and that is no small achievement (but perhaps it does need a booster for the 21st Century). It is certain that this success though is because of its telling of such a well known story, and with a remarkable collection of music. This production though has some amazing performances from the cast, and the second half is a remarkably joyful piece of theatre, and includes a wonderful, very final tribute to the man himself. For any possible fan of the music of that era, The Buddy Holly Story, despite some faults, comes very recommended.

««««


Performance reviewed: Saturday 12th November, 2016 at the Royal & Derngate (Derngate), Northampton.

Buddy - The Buddy Holly Story performed at the Royal & Derngate between Monday 7th and Saturday 12th, November 
and continues its tour into 2017. Details of dates and locations can be found at http://www.buddythemusical.com/
For further details visit the Royal & Derngate website at http://www.royalandderngate.co.uk/

Popular posts from this blog

Review of Here & Now at Milton Keynes Theatre

During the late 90s and early 2000s, the dance-pop group Steps was a mighty presence in the British charts. They accumulated two number-one albums in the UK and 14 consecutive UK top-5 singles, including two number ones. They were juggernauts of lightweight pop. It is perhaps a surprise that it took until 2024 for a musical to be based on their hits. Now, writer Shaun Kitchener brings enough campness to keep Alan Carr and Julian Clary in work for decades. Here & Now , the show everyone was waiting for, is at Milton Keynes Theatre as part of a UK tour. So, the question is: has it been worth the wait? Here & Now is, fundamentally, a ridiculous concept that should not work. Set in a supermarket, yes, a supermarket, our eclectic cast of characters go through the typical dramas of many a musical as love and drama unfold against a backdrop of jukebox music. It should never work, but it does, extremely well in fact. A huge amount of the success here has to go to writer Shaun Kitchene...

Review of Blood Brothers at Royal & Derngate (Derngate), Northampton

A theatre in the east midlands, a thousand people stand applauding and cheering towards a stage where fourteen people stand. There on the stage, they bow, and bow, an inordinate number of times. They depart after a time and the lights come up over the capacity audience. So did you hear the story of the Blood Brothers show, how people flocked and came to see them play? Did you never hear about how we came to be, standing applauding the brightly lit stage this November day? Come judge for yourselves how this night did come to be. Blood Brothers was a significant show for me back in 2014, being the first musical that I saw live. Hiding up in the upper circle of the Derngate back then, not really sure what to expect, it was it turned out perhaps the perfect show to graduate me from play to musical that I could choose as Willy Russell's gritty and solid story is as confident as a straight play that perhaps any musical is. So strong is the story of the Johnstone's twins, tha...

Review of National Theatre Connections 2017 (16 Shows) at Royal & Derngate (Royal & Underground), Northampton

Alongside the University of Northampton BA Actors Flash Festival, the Connections festival at Royal & Derngate is now my joint favourite week of theatre each year. This is my fourth year at the festival and each time I have tried my very best (and succeeded) in seeing more and more of those on offer (four in 2014, ten in 2015 and twelve last year). This year I cracked sixteen shows, including the most interesting, a chance to see two of the plays by three different groups. I was able to see nine of this year's ten plays (a single nagging one, Musical Differences by Robin French was missing from the R&D line-up), and most I either enjoyed or finally understood their merits or reasons for inclusion. The writing of sixteen reviews is a little bit of an daunting prospect, however, I will do my best to review each of the plays and those I saw more than once, and pick around the comparisons. Extremism by Anders Lustgarten Performed by Bedford College Extremism was perfo...