Skip to main content

Review of Buddy - The Buddy Holly Story at Royal & Derngate (Derngate), Northampton

If you are even vaguely aware of the story of Buddy Holly, there is no shying away from the fact that be it almost sixty years ago, this musical of his life seems sure to end generally on a very sad note. However of course, it doesn't, it leaves us for two reasons wanting more; we want the show to continue with its final scenes collapsing into a high spirited concert feel, and we just wanted more from Buddy, full stop.

Over a period of just eighteen months between 1957 and 1959, Buddy along with The Crickets, went from jobbing local performers on a country themed radio show, to world recognition, and a collection of perhaps the very best of songs of that breakthrough period for music. At a time when Elvis was creating brilliance accompanied to his gyrating hips, Buddy was perhaps even more of an innovator, casting off the shackles of country, and even heaven forbid, performing with his glasses on. He wanted to be constantly different and inventive. It truly make you wonder where he could have gone with his work, had things been so different.

So in just eighteen months a remarkable and timeless collection of tunes like That'll Be The Day, Peggy Sue, Everyday, Oh Boy and Heartbeat were formed. All are remarkably well brought to life during The Buddy Holly Story by the very strong cast. Leading as Buddy for this performance (the tour interchanges for the lead) is Alex Fobbester. He cuts the perfect likeness on stage, has the twitchy busy minded behavior, and a very impressive vocal similarity to cover Buddy's very distinctive persona. The performance of Everyday in particularly is quite brilliant.

The musical numbers are where this show absolutely works and thankfully there are a lot of them, especially in the second half. As we finally reach Clear Lake, the final concert, this show has become something quite special. This includes the arrival of Thomas Mitchells spirited performance as The Big Bopper and a brilliant Jordan Cunningham as Ritchie Valens. Another highlight (but surely couldn't have happened time wise) is a brilliant performance of Shout by Miguel Angel and Jordan Cunningham as Apollo Theatre performers.

Much of any problems with The Buddy Holly Story lie very much in the first half, the quite sluggish storytelling is disappointing, leaving dull scripting from Alan Janes. It features an understandably teasing recording scene at Norvajak Studios, leaving the impact of the songs in full to the second half, but because of this goes hardly anywhere, and where is does, very slowly. Design from Adrian Rees is also unremittingly dull, with just one genuine set change in the show as we arrive at Clear Lake. The rest of it, is simply created by a succession of items being wheeled on and off. Lighting work however from Darren 'Daz' Coopland is the complete opposite, with swift and ingenious work.

However, this show has run non-stop since 1989 and that is no small achievement (but perhaps it does need a booster for the 21st Century). It is certain that this success though is because of its telling of such a well known story, and with a remarkable collection of music. This production though has some amazing performances from the cast, and the second half is a remarkably joyful piece of theatre, and includes a wonderful, very final tribute to the man himself. For any possible fan of the music of that era, The Buddy Holly Story, despite some faults, comes very recommended.

««««


Performance reviewed: Saturday 12th November, 2016 at the Royal & Derngate (Derngate), Northampton.

Buddy - The Buddy Holly Story performed at the Royal & Derngate between Monday 7th and Saturday 12th, November 
and continues its tour into 2017. Details of dates and locations can be found at http://www.buddythemusical.com/
For further details visit the Royal & Derngate website at http://www.royalandderngate.co.uk/

Popular posts from this blog

Review of Of Mice And Men at Royal & Derngate (Royal), Northampton

Other than, randomly, Charlie and the Chocolate Factory and The War of the Worlds , John Steinbeck's classic Of Mice and Men is perhaps one of the most familiar of stories to me. I have seen it several times before, and while at school, we studied it, and dissected it like the work of Mr Shakespeare, but with Steinbeck, I got out the other side still liking it. This brand new version from Selladoor Productions, which opened in Canterbury last week, brings a by-the-book presentation of the trials of George and his slow, but incredibly strong friend, Lennie, to the stage. Perhaps, this is its first issue blocking a huge success from this production, in that it rarely does anything brave or different. It's clearly been expertly cast visually, with the hulking form of Matthew Wynn as Lennie, and the diminutive (in comparison) Richard Keightley and Kamran Darabi-Ford as George and Curley respectively. Darabi-Ford especially perfect in his tremendously awkward scenes wit...

Review of Flash Festival 2016: Red Inquisition by Memoir Theatre at Castle Hill URC

Red Inquisition from Memoir Theatre evolves from a theatre groups creation of a play based on the 1947 Hollywood blacklist and McCarthyism So that I can get it out the way early on and take this review in a more upbeat direction that Red Inquisition deserves, I am going to get a real bugbear done first. There was a huge negative for me from this production and one that I ended up getting negative vibes from. For me there was far too much video and audio footage in this production. Much of it was while excellently researched, surplus to requirements. The were a couple of occasions especially where we saw material repeated on screen that had already been performed. The show did not need this and for me theatre is not about watching a screen in any case, its about seeing performances. This however does need to be taken as a positive as what I am simply saying is that I wanted more acting from the trio of Daniel Hadjivarnava, Ciara Goldsberry and Jaryd Headley as they work excellently ...

Review of Lord of the Dance at Milton Keynes Theatre

On what was so far the hottest day of the year, and the highest in many a record book, it feels a tad evil to watch as a group of extremely talented performers bring to the stage one of the most famous and most energetic dance shows to tour. However, arriving now at Milton Keynes Theatre, as part of what is now the still rather immodestly titled 30 Years of Standing Ovations tour, Lord of the Dance remains full of energy even on the hottest of evenings in Milton Keynes. I last and first saw Lord of the Dance as part of the 25 Years of Standing Ovations tour, four years ago (yes, the sums don’t quite work), and it was every bit as spectacular as you could imagine this world-famous dance show is. Born into the world from Michael Flatley and the Riverdance spectacular that preceded it, Lord of the Dance is a simple but effective battle between good and evil and the resolution of it through dance rather than fighting. The dancing here is, as expected, exceptional, led by the Lord of the...