Skip to main content

Review of Not Now Darling by Moulton Players at Moulton Theatre, Northampton

It is safe to say that the performance of Not Now Darling by Moulton Players didn't go quite as smoothly as we or no doubt they hoped, however despite everything, it still resulted in a highly entertaining evening.

Released in 1967, Not Now Darling is a full out farce from Ray Cooney and John Chapman and does everything expected of it. Bawdy, sexist and more than a little chaotic, it really is an impressively funny play, albeit a rather silly premise. However that is farce for you.

For the best part this production currently on at Moulton Theatre delivers the goods. However for a farce to gel perfectly it has to be delivered with style and a tremendous pace, and unfortunately for this third night performance, a large number of prompts were required. This unfortunately distilled it a little, losing a few of those perfectly timed jokes into the bargain. Having said this, the mishaps offered moments of brilliance of their own, Ken Francis as Arnold Crouch successfully spun a prompt into a reminder from his secretary, much to the amusement of cast and audience. As was a late telephone ring smoothly handled by Robert Valentine as Harry McMichael. It is hard to tell where the blame lies, however because there was no single offender on the lines, my belief is perhaps it being a little unrehearsed. There certainly seemed to be a few places where scenes were stumbling quite a lot, even those without prompts.

Having said all this negative comment, it was as I said entertaining. There was some great characterisation going on. Particularly from the leads Ken Francis and Lee Winston (Gilbert Bodley). Winston confident as the womanising character and Francis as the put upon partner, they made a great double act and often saved many of the scenes from total collapse. Sure we want a bit of free flowing madness in a farce, but at times, this was pushing it a tad. Also without question having great fun as Janie McMichael was Ellen Hobday, all fur coat and, well this is a farce, you get the picture. One other from the cast for special mention, is Jill White's bombastic Mrs Frencham, often portraying the bold as brass character that at times, you wished some of the other performers would create.

So yes, this was the least smooth amateur show I have seen, but if this is the worst, it perhaps doesn't matter. I and the audience had a great time with this entertaining production which did include some nice performances. However simply put, this could have been quite a lot better and if it had, it would have been a heck of a brilliant show as the foundations that were on display promised much. Fun and disappointing in equal measure.

Performance reviewed: Wednesday 12th October, 2016 at Moulton Theatre, Northampton

Not Now Darling runs at Moulton Theatre, Northampton until Saturday 15th October, 2016.

For full details of the Moulton Theatre visit their website at http://moultontheatre.com/

Popular posts from this blog

Review of The House She Built at The Black Diamond, Northampton

Independent theatre company Nerve Theatre was founded in January 2025, when its first original production, Broken Party , took to the stage at Benn Hall in Rugby. That was followed the same year by a modern retelling of Frankenstein . Now, for 2026, Nerve Theatre founder Mia Ballard has written and directed The House She Built , staged for three nights at The Black Diamond, Northampton. The House She Built , set in 1950s Hollywood, is a dark thriller influenced by the lives of Marilyn Monroe, Judy Garland, Elizabeth Taylor and Audrey Hepburn and their treatment as women within the cogs of Hollywood. Our leading lady here is Nancy Carlton, who returns to Mellor Brothers Productions to make one final film. But something awaits her, and the scene is set for a period thriller that explores the grimy world behind Hollywood's apparently glamorous days. Michaela Clement-Hayes leads the cast as Nancy Carlton, the star troubled by her past, but returning to her old studio for that final mov...

Review of Sweeney Todd: The Demon Barber of Fleet Street at Birmingham Rep

Sweeney Todd: The Demon Barber of Fleet Street first appeared in this musical form in 1979. Adapted from an original play by Christopher Bond, the work was set to music and lyrics by Stephen Sondheim, with a book by Hugh Wheeler. It quickly became a huge success, opening on both Broadway and the West End within a year. Following Tony and Olivier wins, the show has seen revival after revival over the years, as well as a musical film starring Johnny Depp. Now, Birmingham Rep presents its own pared-back version of the show, featuring some big stars of the theatre world. So, the question is, is Sweeney Todd as razor-sharp as it once was? What is clear to all at the outset is that director Joe Murphy, also artistic director at Birmingham Rep, has assembled a remarkable and bold cast for the show. Leading as Sweeney is Ramin Karimloo, whose bio speaks for itself and is the biggest draw for this show, especially for theatres outside London. His Sweeney is a perfectly brooding affair, broken...

Review of The Play That Goes Wrong at Royal & Derngate (Derngate), Northampton

It is scary to contemplate that it is almost four years since I first saw Mischief Theatre's The Play That Goes Wrong . It is no secret that on that night I enjoyed it quite a bit (and ended up on stage, but that is another story). I returned the next evening to watch it again and then stalked it down to London later that same year, which over three years later it continues its remarkable West End success story. Since my last encounter with this original, I have seen Chris Bean's ramshackle Cornley Polytechnic Drama Society create chaos on stage and television with Peter Pan Goes Wrong , mess-up Dickens' A Christmas Carol and even gatecrash BBC Radio at Christmas. This fourth encounter with the original The Play That Goes Wrong though, offers the opportunity to see it in the hands of a different cast for the first time. How can pretenders of the original creators shape up in this anarchic disaster of a play? Actually, as it turns out remarkably well. It is true that ...