Skip to main content

Review of Not Now Darling by Moulton Players at Moulton Theatre, Northampton

It is safe to say that the performance of Not Now Darling by Moulton Players didn't go quite as smoothly as we or no doubt they hoped, however despite everything, it still resulted in a highly entertaining evening.

Released in 1967, Not Now Darling is a full out farce from Ray Cooney and John Chapman and does everything expected of it. Bawdy, sexist and more than a little chaotic, it really is an impressively funny play, albeit a rather silly premise. However that is farce for you.

For the best part this production currently on at Moulton Theatre delivers the goods. However for a farce to gel perfectly it has to be delivered with style and a tremendous pace, and unfortunately for this third night performance, a large number of prompts were required. This unfortunately distilled it a little, losing a few of those perfectly timed jokes into the bargain. Having said this, the mishaps offered moments of brilliance of their own, Ken Francis as Arnold Crouch successfully spun a prompt into a reminder from his secretary, much to the amusement of cast and audience. As was a late telephone ring smoothly handled by Robert Valentine as Harry McMichael. It is hard to tell where the blame lies, however because there was no single offender on the lines, my belief is perhaps it being a little unrehearsed. There certainly seemed to be a few places where scenes were stumbling quite a lot, even those without prompts.

Having said all this negative comment, it was as I said entertaining. There was some great characterisation going on. Particularly from the leads Ken Francis and Lee Winston (Gilbert Bodley). Winston confident as the womanising character and Francis as the put upon partner, they made a great double act and often saved many of the scenes from total collapse. Sure we want a bit of free flowing madness in a farce, but at times, this was pushing it a tad. Also without question having great fun as Janie McMichael was Ellen Hobday, all fur coat and, well this is a farce, you get the picture. One other from the cast for special mention, is Jill White's bombastic Mrs Frencham, often portraying the bold as brass character that at times, you wished some of the other performers would create.

So yes, this was the least smooth amateur show I have seen, but if this is the worst, it perhaps doesn't matter. I and the audience had a great time with this entertaining production which did include some nice performances. However simply put, this could have been quite a lot better and if it had, it would have been a heck of a brilliant show as the foundations that were on display promised much. Fun and disappointing in equal measure.

Performance reviewed: Wednesday 12th October, 2016 at Moulton Theatre, Northampton

Not Now Darling runs at Moulton Theatre, Northampton until Saturday 15th October, 2016.

For full details of the Moulton Theatre visit their website at http://moultontheatre.com/

Popular posts from this blog

Review of Eric and Ern at Royal & Derngate (Royal), Northampton

The comedy of Eric Morecambe and Ernie Wise is carved into the very essence of Britishness, and while the years may now be distant from their domination of TV comedy, the light still shines bright on their work. This is thanks mostly to generation after generation being introduced to the shows via that near-annual appearance on TV schedules at Christmas. This will perhaps one day pass, but for now, this brilliant little show, Eric & Ern , now at Royal & Derngate, continues to honour that comedy on stage. Created and performed by Ian Ashpitel and Jonty Stephens, Eric & Ern is a show bringing the duo's most famous sketches and jokes back to the stage. Having worked together now for over twenty years, Ashpitel and Stephens have created the comedy act to perfection. Stephens brings Morecambe’s edgy, frantic energy and combines it perfectly with his timing and mannerisms; everything from the flick of the glasses to the wipe of the nose is pure Eric. Ashpital, as Wise has pe...

Review of The Karate Kid - The Musical at Milton Keynes Theatre

There is no denying that the world of musical theatre is tremendously imaginative, and of all the films that could be adapted, perhaps the eighties teen drama The Karate Kid was not at the top of most people's lists for a musical adaptation. However, as our stage versions of Mr Miyagi and Daniel LaRusso arrive at Milton Keynes Theatre on a UK tour, I am happy to say that this is one of the most sensible film-to-musical decisions. Recently relocated from New Jersey to LA, Daniel becomes the target of a gang of Cobra Kai dojo students. However, unbeknownst to him, a quiet and unassuming maintenance man at his new home, Mr Miyagi, is on hand to offer a little more than some bonsai training. The first thing that ticks the box for a film-to-musical adaptation is having an original soundtrack, not an endless collection of awkwardly shoehorned music classics into the story. Here, alongside book writer Robert Mark Kamen, are some brilliantly crafted tunes by composer and lyricist Drew Gasp...

Review of Friends - The Musical Parody at Milton Keynes Theatre

The One Where 2026 starts in a world of confusion. And so, 2026 is upon us and for my first trip to the theatre this year, one of my most significant reviewing challenges was to occur. Touring to Milton Keynes Theatre is Friends - The Musical Parody , based, unsurprisingly, on that little American show that ran to a few audience members for ten years. However, I confess that I was not, and have never been in that audience, never having seen a single episode of the show. However, always up for a review challenge and doing my due diligence by having a Friends superfan as my plus one, I headed to Milton Keynes with anticipation. For those unfamiliar with the show, I could say I can’t help; however, a quick review of some of the information you might need (thanks, Google and my plus one). Running for ten years between 1994 and 2004 with 236 episodes (quiz question, you are welcome), the main characters consisted of Phoebe (ditzy, writer of sad songs), Monica (in possession of an unfeasibly...