Skip to main content

Review of Scaramouche Jones by Justin Butcher at The Playhouse Theatre, Northampton (White Cobra Productions)

Leading up to my seeing Scaramouche Jones for the first time, I had been informed by many that this was a quite a special show. Well written, intense, and in the case of those that had seen it at a previous visit to Royal & Derngate in 2002, a quite incredible performance by the late great Pete Postlethwaite. Having now seen the play I can only imagine what power Mr Postlethwaite brought to the role. Thankfully for my Scaramouche Jones, Richard Jordan, my preconceptions came fresh with no startling memories of such a performance.

Written by Justin Butcher, Scaramouche Jones takes us through the last hour or so of the life of a clown in his one hundredth year on the planet. He recounts his life from being born in a Trinidad whore house to a gypsy prostitute with a penchant for holding a meat hook in her hand while servicing her clients. He recounts his epic journey over fifty years to the land of England, including time featuring a snake being charmed to the music of Scott Joplin and Gilbert and Sullivan. His journeys also bring him to a devastating role in a camp in the Second World War, a role that indeed manages to change his very future.

It is indeed a quite incredible play, basically a storytelling one but with subtle almost barely noticeable moments like the removal of the clown's nose or the lighting of a candle. Played out on a wonderfully dressed set which for the best part is left ignored for most of the proceedings. Occasionally using an upturned circus prop for a snakes basket, or grabbing another item of clothing from a rail. The set is generally however just an observer like us of proceedings as Mr Jones recounts his tale.

Richard Jordan as Scaramouche does everything right for me. It is of course an actors play and I don't doubt the likes of Mr Postlethwaite or his ilke would have given this performance more zest and emotion, but as a first encounter, Jordan is everything I could want. Soft and subtle when needed, bold and decisive during the tough challenging moments and finally clear and precise during the mime performances. It is a challenging one man show that Richard Jordan ha perfected in his own way.

Production and direction from Kate Billingham is also everything you want from a show like this, subtle and just going about its business in the background. This is a performance show like no other and doesn't need any clever distraction.

At times it might be a little vulgar for granny in its content and it is just the second time I have heard the dreaded C word on stage so far. However for all its vulgarity, it never feels offensive. It just seems appropriate. Running at an uninterrupted ninety minutes offers its own challenges on the audience, but not one of the sold out crowd moved during the show as I suspect just like me they were spellbound by it. I was even surprised at the end how quickly the time had passed.

So an exceptional play and easily one of the best, richly written I have seen. Tough and challenging but absolutely rewarding viewing. A perfect night at the theatre and totally justified of that packed out house. Send on the clowns indeed if they can bring emotion, joy and sorrow to us like this.

««««

Performance reviewed: Saturday 13th February, 2016 at the Playhouse Theatre, Northampton

Scaramouche Jones is on a brief national tour. For details visit: http://www.whitecobraproductions.co.uk/

For full details about the Playhouse Theatre visit their website at http://www.theplayhousetheatre.net/

Popular posts from this blog

Review of Shrek the Musical at Royal & Derngate (Derngate), Northampton

Once upon a time, there was a splendidly green ogre who went by the name of Shrek. For many years, Shrek starred in a captivating and thrilling adventure set upon a theatre stage. This came to pass following a tale told in a Dream(works) in a cinematic spectacle. His tale was told in a truly fun way, with staging sublime, and endless mirth from a nefarious baddie who in many ways came up short.  However, around the corner, there was greater evil afoot as our green friend's show was undergoing a transformation for further adventures on stage. What possible way could this evil be stopped?  Sadly, for all, it could not and the evil reigned for a full UK tour which journeys most recently to the magical kingdom of the Royal & Derngate after a long adventure across the land. So, dear reader, forgive my fairy tale preamble, and perhaps, from that you might imagine this show isn't up to much and sadly you would be right. Shrek when it toured before to Northampton was a little ligh

Review of Cluedo 2 at Milton Keynes Theatre

Back in 2022, the original Cluedo stage play, based on a 1985 play by Sandy Rustin, itself based on the cult US film Clue , journeyed to Milton Keynes Theatre as part of a UK tour. It was, it has to be said, an average affair, made good by some excellent staging and at times a very fair tribute to the original board game. Now two years later, the success of that tour clearly warranted a return to the franchise and we find Cluedo 2 now on stage at Milton Keynes Theatre. So, is a follow-up warranted, and does it address many of the issues of the original? Let's find out. Unlike the original and with no film source material to create a second play from, legendary TV comedy writers Maurice Gran and Lawrence Mark have taken the helm to provide the script for this production. Sadly, the legendary writers have for the best part plowed through their archives of extremely dated, and tiresome comedy. Much of the script is heavy on the obvious, high on the cringe, and while at times it can

Review of Shrek (NMTC) at Royal & Derngate (Derngate), Northampton

Three and a half years ago, in a land far far away, in a world very different to the one we are now in, I saw the touring professional production of Shrek The Musical , it was a mixed bag of quality, tilted extremely heavily in favour of one particular character (not the one you might expect) and not firing on all cylinders much of the time. One and a half years after my last visit to the Derngate theatre, I return to see the homegrown Northampton Musical Theatre Company's own take on the very same show. Would they be able to breathe more life into the show than the professionals did in that distant land? It is a bit of a yes and no really. Pretty much all of this is done to the best possible standard, and at times, with being an amateur show you could easily forget, they all have normal day jobs. The show oozes professional quality at times. The set looks magnificent, the costumes (from Molly Limpet's Theatrical Emporium) are superb, and as ever with NMTC, the backstage team c