Skip to main content

Review of Scaramouche Jones by Justin Butcher at The Playhouse Theatre, Northampton (White Cobra Productions)

Leading up to my seeing Scaramouche Jones for the first time, I had been informed by many that this was a quite a special show. Well written, intense, and in the case of those that had seen it at a previous visit to Royal & Derngate in 2002, a quite incredible performance by the late great Pete Postlethwaite. Having now seen the play I can only imagine what power Mr Postlethwaite brought to the role. Thankfully for my Scaramouche Jones, Richard Jordan, my preconceptions came fresh with no startling memories of such a performance.

Written by Justin Butcher, Scaramouche Jones takes us through the last hour or so of the life of a clown in his one hundredth year on the planet. He recounts his life from being born in a Trinidad whore house to a gypsy prostitute with a penchant for holding a meat hook in her hand while servicing her clients. He recounts his epic journey over fifty years to the land of England, including time featuring a snake being charmed to the music of Scott Joplin and Gilbert and Sullivan. His journeys also bring him to a devastating role in a camp in the Second World War, a role that indeed manages to change his very future.

It is indeed a quite incredible play, basically a storytelling one but with subtle almost barely noticeable moments like the removal of the clown's nose or the lighting of a candle. Played out on a wonderfully dressed set which for the best part is left ignored for most of the proceedings. Occasionally using an upturned circus prop for a snakes basket, or grabbing another item of clothing from a rail. The set is generally however just an observer like us of proceedings as Mr Jones recounts his tale.

Richard Jordan as Scaramouche does everything right for me. It is of course an actors play and I don't doubt the likes of Mr Postlethwaite or his ilke would have given this performance more zest and emotion, but as a first encounter, Jordan is everything I could want. Soft and subtle when needed, bold and decisive during the tough challenging moments and finally clear and precise during the mime performances. It is a challenging one man show that Richard Jordan ha perfected in his own way.

Production and direction from Kate Billingham is also everything you want from a show like this, subtle and just going about its business in the background. This is a performance show like no other and doesn't need any clever distraction.

At times it might be a little vulgar for granny in its content and it is just the second time I have heard the dreaded C word on stage so far. However for all its vulgarity, it never feels offensive. It just seems appropriate. Running at an uninterrupted ninety minutes offers its own challenges on the audience, but not one of the sold out crowd moved during the show as I suspect just like me they were spellbound by it. I was even surprised at the end how quickly the time had passed.

So an exceptional play and easily one of the best, richly written I have seen. Tough and challenging but absolutely rewarding viewing. A perfect night at the theatre and totally justified of that packed out house. Send on the clowns indeed if they can bring emotion, joy and sorrow to us like this.

««««

Performance reviewed: Saturday 13th February, 2016 at the Playhouse Theatre, Northampton

Scaramouche Jones is on a brief national tour. For details visit: http://www.whitecobraproductions.co.uk/

For full details about the Playhouse Theatre visit their website at http://www.theplayhousetheatre.net/

Popular posts from this blog

Review of Legally Blonde - The Musical at Milton Keynes Theatre

It is now a quarter of a century since Legally Blonde first hit the screens, featuring Reese Witherspoon in the iconic role of Elle Woods, and now 19 years since the film became a Broadway musical. Legally Blonde is back on tour and now at Milton Keynes for a fresh take on the show. So, in the hands of director Nikolai Foster, who often likes to shake things up, is this pink spectacle as relevant and enjoyable as it has been in the past? Legally Blonde tells the story of Elle Woods, a UCLA sorority sister who tries to get into Harvard Law School to win back her boyfriend, Warner. During her time at Harvard, Elle begins to realise that things beyond Warner are becoming increasingly more relevant to her progress in life. The role of Elle Woods is in the hands of Amber Davies, a now very big name beyond theatre, thanks to her appearance on Strictly Come Dancing . However, more significantly here, is being fresh from victory at the WhatsOnStage Awards for her performance in The Great Ga...

Review of Friends - The Musical Parody at Milton Keynes Theatre

The One Where 2026 starts in a world of confusion. And so, 2026 is upon us and for my first trip to the theatre this year, one of my most significant reviewing challenges was to occur. Touring to Milton Keynes Theatre is Friends - The Musical Parody , based, unsurprisingly, on that little American show that ran to a few audience members for ten years. However, I confess that I was not, and have never been in that audience, never having seen a single episode of the show. However, always up for a review challenge and doing my due diligence by having a Friends superfan as my plus one, I headed to Milton Keynes with anticipation. For those unfamiliar with the show, I could say I can’t help; however, a quick review of some of the information you might need (thanks, Google and my plus one). Running for ten years between 1994 and 2004 with 236 episodes (quiz question, you are welcome), the main characters consisted of Phoebe (ditzy, writer of sad songs), Monica (in possession of an unfeasibly...

Review of Rambert Dance in Peaky Blinders - The Redemption of Thomas Shelby at Royal & Derngate (Derngate), Northampton

The Rambert Dance Company is the oldest such company in Britain having first performed in 1926. However, despite this, this was my first encounter with the group in my ten years of theatre-going. Coupled with this, it was also my first encounter with Peaky Blinders , having never seen the show, and only knowing a few vague things about it. My companion for the evening however was very familiar with the show, allowing some background behind the show. It turns out though,  Rambert Dance in Peaky Blinders - The Redemption of Thomas Shelby needs a little more than a good bit of knowledge of the show, as despite this production having incredible style, there struggles to be a cohesive structure to the show and the storytelling. Much more than other dance shows as well. The first act does a whistle-stop tour of the first five seasons and while it is a feast on the eye, and on the ear, it gets extremely confusing at times. The second act is freestyle and drifts away from the stories tol...