Skip to main content

Flash Festival: Part Two - Opposed at Royal & Derngate (Underground) & In Her Reflection at the Looking Glass Theatre, Northampton

After having dealt with death in the second Flash Festival show I saw (albeit in a very funny way), I needed some light relief. However there was to be no such luck with Opposed, murder was on the agenda. Coming from ViceVersa, formed of two ladies, Lindsay Davis and Reanne Lawrence. This was a stark, sometimes for myself confusing depiction of the days leading up to and leading away from a murder.

Of the first three shows, this was by far the most heavily choreographed one. Clever side by side timed movement was the order of the day and it was excellently timed throughout.

This is a difficult play to review without giving too much away, suffice to say it revolves around a murder and your understanding at the end whether it could ever be justified. Using the most complicated, and well designed set of my first three shows, it was more of a visual feast than a play for me. Relying heavily on physical movement to tell the tale. This is not to say that the acting is to be ignored, strong use of repetition and a haunting nursery rhyme were well presented. Also always present are the scary dolls, be they babies, be they children, be they just dolls, this is for the audience to judge.

Of my first three plays, Opposed it is the least accessible, with the one that requires the viewer concentration the most, and at the end of the day they can never be a bad thing. And for the actors involved, all the more challenging to perform and this is what its all about.

*

In Her Reflection was once again a very tough subject, Gender Dysphoria. Having a limited understanding of this at the outset it was going to be interesting to learn a bit more about it, and this clever, well written, well performed play did just that.

Coming from Between Two Worlds formed of Kathryn Belmega, Katherine Hartshorne, Zoe Harbour, for me excellent in Love & Information (Review) and Brigette Wellbelove, also superb in Animal Farm (Review). This was one of the plays I was most looking forward to from the week.

I have to say I was not disappointed. Powerful clear performances from all the cast, nice performed songs, and well designed movement pieces ("Let's throw Brigette around as she is little" must surely have come up in the creation meetings). There was also a remarkably tiring (even watching) piece performed to a well mixed audio selection.

Unlike Opposed there was some nice light relief, mostly from the clowning and costume changes of the wonderful Zoe Harbour (I am trying not to have favorites this week, but I come with preconceptions from the March shows, so can't help it). It's amazing how difficult it is to balance big things on your head, or get into rather unusual costumes, but it was dealt with smoothly.

Overall an intelligent and very well researched performance helping the uninformed a greater understanding of what must surely be a terrible thing to be afflicted with. It also had a couple of my favourites in so I am sold. I am sorry, I can't help it!


Opposed is on at the Royal & Derngate (Underground) on Wednesday 14th at 11am and Saturday 17th at 3pm

In Her Reflection is on at the Looking Glass Theatre on Thursday 15th at 2pm and Saturday 17th at 7pm.

Popular posts from this blog

Review of Eric and Ern at Royal & Derngate (Royal), Northampton

The comedy of Eric Morecambe and Ernie Wise is carved into the very essence of Britishness, and while the years may now be distant from their domination of TV comedy, the light still shines bright on their work. This is thanks mostly to generation after generation being introduced to the shows via that near-annual appearance on TV schedules at Christmas. This will perhaps one day pass, but for now, this brilliant little show, Eric & Ern , now at Royal & Derngate, continues to honour that comedy on stage. Created and performed by Ian Ashpitel and Jonty Stephens, Eric & Ern is a show bringing the duo's most famous sketches and jokes back to the stage. Having worked together now for over twenty years, Ashpitel and Stephens have created the comedy act to perfection. Stephens brings Morecambe’s edgy, frantic energy and combines it perfectly with his timing and mannerisms; everything from the flick of the glasses to the wipe of the nose is pure Eric. Ashpital, as Wise has pe...

Review of The Karate Kid - The Musical at Milton Keynes Theatre

There is no denying that the world of musical theatre is tremendously imaginative, and of all the films that could be adapted, perhaps the eighties teen drama The Karate Kid was not at the top of most people's lists for a musical adaptation. However, as our stage versions of Mr Miyagi and Daniel LaRusso arrive at Milton Keynes Theatre on a UK tour, I am happy to say that this is one of the most sensible film-to-musical decisions. Recently relocated from New Jersey to LA, Daniel becomes the target of a gang of Cobra Kai dojo students. However, unbeknownst to him, a quiet and unassuming maintenance man at his new home, Mr Miyagi, is on hand to offer a little more than some bonsai training. The first thing that ticks the box for a film-to-musical adaptation is having an original soundtrack, not an endless collection of awkwardly shoehorned music classics into the story. Here, alongside book writer Robert Mark Kamen, are some brilliantly crafted tunes by composer and lyricist Drew Gasp...

Review of Les Misérables at Milton Keynes Theatre, Milton Keynes

The musical version of Victor Hugo's 1862 novel Les Misérables has been thrilling audiences for over 30 years, and in London is has run continuously since October 1985, so, it is safe to say that it comes to Milton Keynes Theatre on it's UK and Ireland tour will some pedigree. I don't need to sell the name to you, and I didn't need to sell it to myself, because despite never having seen the full version, it is still one of my favourite musicals, thanks to seeing two different School Edition productions and the 2012 film. However, how does this version, the 2009 reimagining of the original stage show stand up on this tour production? After 19 years as a prisoner, Jean Valjean, imprisoned for stealing bread, is freed by Javert, the officer in charge of the prison workforce. After Valjean promptly breaks parole, he uses the profit from stolen silver to reinvent himself as a mayor and factory owner, but Javert vows to recapture Valjean and is on his trail across the ye...