Skip to main content

Flash Festival: Part Two - Opposed at Royal & Derngate (Underground) & In Her Reflection at the Looking Glass Theatre, Northampton

After having dealt with death in the second Flash Festival show I saw (albeit in a very funny way), I needed some light relief. However there was to be no such luck with Opposed, murder was on the agenda. Coming from ViceVersa, formed of two ladies, Lindsay Davis and Reanne Lawrence. This was a stark, sometimes for myself confusing depiction of the days leading up to and leading away from a murder.

Of the first three shows, this was by far the most heavily choreographed one. Clever side by side timed movement was the order of the day and it was excellently timed throughout.

This is a difficult play to review without giving too much away, suffice to say it revolves around a murder and your understanding at the end whether it could ever be justified. Using the most complicated, and well designed set of my first three shows, it was more of a visual feast than a play for me. Relying heavily on physical movement to tell the tale. This is not to say that the acting is to be ignored, strong use of repetition and a haunting nursery rhyme were well presented. Also always present are the scary dolls, be they babies, be they children, be they just dolls, this is for the audience to judge.

Of my first three plays, Opposed it is the least accessible, with the one that requires the viewer concentration the most, and at the end of the day they can never be a bad thing. And for the actors involved, all the more challenging to perform and this is what its all about.

*

In Her Reflection was once again a very tough subject, Gender Dysphoria. Having a limited understanding of this at the outset it was going to be interesting to learn a bit more about it, and this clever, well written, well performed play did just that.

Coming from Between Two Worlds formed of Kathryn Belmega, Katherine Hartshorne, Zoe Harbour, for me excellent in Love & Information (Review) and Brigette Wellbelove, also superb in Animal Farm (Review). This was one of the plays I was most looking forward to from the week.

I have to say I was not disappointed. Powerful clear performances from all the cast, nice performed songs, and well designed movement pieces ("Let's throw Brigette around as she is little" must surely have come up in the creation meetings). There was also a remarkably tiring (even watching) piece performed to a well mixed audio selection.

Unlike Opposed there was some nice light relief, mostly from the clowning and costume changes of the wonderful Zoe Harbour (I am trying not to have favorites this week, but I come with preconceptions from the March shows, so can't help it). It's amazing how difficult it is to balance big things on your head, or get into rather unusual costumes, but it was dealt with smoothly.

Overall an intelligent and very well researched performance helping the uninformed a greater understanding of what must surely be a terrible thing to be afflicted with. It also had a couple of my favourites in so I am sold. I am sorry, I can't help it!


Opposed is on at the Royal & Derngate (Underground) on Wednesday 14th at 11am and Saturday 17th at 3pm

In Her Reflection is on at the Looking Glass Theatre on Thursday 15th at 2pm and Saturday 17th at 7pm.

Popular posts from this blog

Review of Lord of the Dance at Milton Keynes Theatre

On what was so far the hottest day of the year, and the highest in many a record book, it feels a tad evil to watch as a group of extremely talented performers bring to the stage one of the most famous and most energetic dance shows to tour. However, arriving now at Milton Keynes Theatre, as part of what is now the still rather immodestly titled 30 Years of Standing Ovations tour, Lord of the Dance remains full of energy even on the hottest of evenings in Milton Keynes. I last and first saw Lord of the Dance as part of the 25 Years of Standing Ovations tour, four years ago (yes, the sums don’t quite work), and it was every bit as spectacular as you could imagine this world-famous dance show is. Born into the world from Michael Flatley and the Riverdance spectacular that preceded it, Lord of the Dance is a simple but effective battle between good and evil and the resolution of it through dance rather than fighting. The dancing here is, as expected, exceptional, led by the Lord of the...

Review of making second Kontakt with the R&D Youth Theatre at Royal & Derngate (Underground), Northampton

As I said in my first Kontakt review, I wasn't really sure that I wanted to see this show. However come Sunday and a second opportunity to see it, I was genuinely looking forward to it. With the show now having departed, for my second review I will elaborate a touch more on happenings, which initially I shied away from as spoilers. My actor for my second encounter was 15 year old Michael. He had the enviable task unlike Michael before him of dealing with someone who knew quite a bit of what was coming. As those surgical gloves went on I this time was certain that the R&D were not going to overstep the boundary and do a full medical. I had also learnt that a crisp sandwich was something that should be left in the memory, so cheese was a much more sensible option. I was able to complete the calculation generally unaided and managed to express an exaggerated shock at the latter outcome. The game of Jenga managed to stay stable once again and rather amazingly managed to bring t...

Review of DNA by University of Northampton BA Actors at Jacksons Lane Theatre, Highgate, London

The final year performances of BA Actors this year upped sticks and headed away from their Northampton Royal territory and gathered to show their skills in London. The first of the three shows being performed was Dennis Kelly's DNA, a play which I saw performed on the Royal stage itself four years ago. I enjoyed it for its dark mysterious nature and was looking forward to seeing a different interpretation of the show. It tells the tale of a group of youngsters who do something really bad, and proceed to attempt to cover it up, resulting in the real bad, well, getting more bad. It's dark yes, but also, very funny at times. It opens with a looming movement piece of theatre, which I always love and this was no different for me, brooding and sinister. It's quite a long opening, which perhaps, in the end, becomes too long, but it's a fabulous piece of theatre for me. It set's the scene very well for Kelly's dark piece to unfold and in the hands of these, about ...