Skip to main content

Flash Festival: Part One - Don't Judge A Book By Its Cover & Sell By Date at the Looking Glass Theatre, Northampton

May 12th 2014 saw the beginning of the Flash Festival presenting the dissertation performances for the Northampton University students and A Small Mind clasped ten tickets for as many as he could muster time for.
*
The first was Don't Judge A Book By Its Cover by Pure Industry (aka Kathryn Alice and Emily-Claire Potter). A clever piece of work using both real life and stark personal material, this little play told us quite clearly that when we look at someone, perhaps we do not see the whole picture.

The staging was simple and clever with books aplenty scattered around and used well throughout, culminating in a well presented final part where their beavering away out of sight becomes clear. During the show there are also some well choreographed scenes, depicting personal distress.

 The final scene is also stark and clear with the two performers laying themselves bare with Kathryn Alice visibly suffering for her performance. Powerful and meaningful, with a strong and very true message.


I confess, I liked this little play quite a lot.

*

My second play was the very dark, very funny and very powerful Sell By Date. From Marbleglass and featuring the talents of Marcus Churchill, Ashley Cook, Joseph Derrington and Sophie Murray, this was a gem. Setting the bar even higher for the week ahead.

Mixing music, dance, comedy, strong drama and in one particularly outstanding part, some very clever puppetry.

The performers in this group were particularly strong and I remember them well from their parts in Animal Farm (Animal Farm review). Whether playing the clown or deadly serious moments, they were at the top of their game. Even this early in their hopefully very successful careers.

The play itself was broke up into many parts, cleverly interchanging the aforementioned clowning, with the heavy and, yes, very emotional parts.

The previously mentioned puppetry scene was my pick for the best part. However the very rude, offensive, politically incorrect and therefore very funny, stand-up routine performed by Derrington had to be my second pick, particularly with the emotional pay-off.

I will also remember fondly the slightly ruder Two Ronnies bar scene and the best set change joke I have yet heard.

Overall this was a very clever, well written piece in need of your viewing as you may not find a better hours entertainment for a while for £6. Go see!


Don't Judge A Book By Its Cover is on at the Looking Glass Theatre on Wednesday 14th at 7pm and Saturday 17th at 2pm

Sell By Date is on at the Looking Glass Theatre on Wednesday 14th at 10am and Thursday 15th at 7pm.



Popular posts from this blog

Review of Annie at Milton Keynes Theatre

Annie was first performed now a remarkable fifty years ago at Goodspeed Opera House in Connecticut, and since then, the tale based on a 1920s comic strip and adapted for the stage by Thomas Meehan on book, with music by Charles Strouse, and lyrics provided by Martin Charnin, has become a perennial favourite across the world. Indeed, this version, directed by Nikolai Foster, last appeared at Milton Keynes Theatre in 2023. So, after all these years, does Annie still have that appeal? Set in  1930s New York during the Great Depression,  Annie  follows the life of an orphan abandoned to the care  of its evil matron, Miss Hannigan. Annie seeks escape, and after one failed attempt, she finds herself the chosen Christmas guest of billionaire Oliver Warbucks, and things slowly, hopefully begin to improve for the little but fiercely strong Annie. Leading the adult cast for this tour now as the cruel Miss Hannigan is Claire Sweeney. Sweeney clearly revels in the chance to embr...
Read more

Review of The House She Built at The Black Diamond, Northampton

Independent theatre company Nerve Theatre was founded in January 2025, when its first original production, Broken Party , took to the stage at Benn Hall in Rugby. That was followed the same year by a modern retelling of Frankenstein . Now, for 2026, Nerve Theatre founder Mia Ballard has written and directed The House She Built , staged for three nights at The Black Diamond, Northampton. The House She Built , set in 1950s Hollywood, is a dark thriller influenced by the lives of Marilyn Monroe, Judy Garland, Elizabeth Taylor and Audrey Hepburn and their treatment as women within the cogs of Hollywood. Our leading lady here is Nancy Carlton, who returns to Mellor Brothers Productions to make one final film. But something awaits her, and the scene is set for a period thriller that explores the grimy world behind Hollywood's apparently glamorous days. Michaela Clement-Hayes leads the cast as Nancy Carlton, the star troubled by her past, but returning to her old studio for that final mov...
Read more

Review of a A Taste of Honey at Stantonbury Theatre, Milton Keynes

Written by Shelagh Delaney in 1958 at just nineteen, A Taste of Honey was a ground-breaking depiction of modern society, falling very much into the "kitchen-sink" genre, fast developing with writers within the world of British theatre during the fifties. Dealing with a multitude of themes including class, race, age of sexual consent, gender, sexual orientation and illegitimacy, it has rightfully become a legend of theatre. However, almost seventy years later, does this play still resonate with audiences and have a place in modern theatres? The play, set in 1950s Salford, tells of teenager Jo and her mother Helen moving from one rough lodge to another as either rent becomes due or Helen needs to escape another failing relationship. With Jo approaching school leaving age, Helen sees the time is right to abandon her to the world and move on with her own life. When watching A Taste of Honey , you can imagine the controversy surrounding its original release. The content is provoc...
Read more