Skip to main content

Flash Festival: Part One - Don't Judge A Book By Its Cover & Sell By Date at the Looking Glass Theatre, Northampton

May 12th 2014 saw the beginning of the Flash Festival presenting the dissertation performances for the Northampton University students and A Small Mind clasped ten tickets for as many as he could muster time for.

*

The first was Don't Judge A Book By Its Cover by Pure Industry (aka Kathryn Alice and Emily-Claire Potter). A clever piece of work using both real life and stark personal material, this little play told us quite clearly that when we look at someone, perhaps we do not see the whole picture.

The staging was simple and clever with books aplenty scattered around and used well throughout, culminating in a well presented final part where their beavering away out of sight becomes clear. During the show there are also some well choreographed scenes, depicting personal distress.

The final scene is also stark and clear with the two performers laying themselves bare with Kathryn Alice visibly suffering for her performance. Powerful and meaningful, with a strong and very true message.


I confess, I liked this little play quite a lot.

*

My second play was the very dark, very funny and very powerful Sell By Date. From Marbleglass and featuring the talents of Marcus Churchill, Ashley Cook, Joseph Derrington and Sophie Murray, this was a gem. Setting the bar even higher for the week ahead.

Mixing music, dance, comedy, strong drama and in one particularly outstanding part, some very clever puppetry.

The performers in this group were particularly strong and I remember them well from their parts in Animal Farm (Animal Farm review). Whether playing the clown or deadly serious moments, they were at the top of their game. Even this early in their hopefully very successful careers.

The play itself was broke up into many parts, cleverly interchanging the aforementioned clowning, with the heavy and, yes, very emotional parts.

The previously mentioned puppetry scene was my pick for the best part. However the very rude, offensive, politically incorrect and therefore very funny, stand-up routine performed by Derrington had to be my second pick, particularly with the emotional pay-off.

I will also remember fondly the slightly ruder Two Ronnies bar scene and the best set change joke I have yet heard.

Overall this was a very clever, well written piece in need of your viewing as you may not find a better hours entertainment for a while for £6. Go see!


Don't Judge A Book By Its Cover is on at the Looking Glass Theatre on Wednesday 14th at 7pm and Saturday 17th at 2pm

Sell By Date is on at the Looking Glass Theatre on Wednesday 14th at 10am and Thursday 15th at 7pm.



Popular posts from this blog

Review of making second Kontakt with the R&D Youth Theatre at Royal & Derngate (Underground), Northampton

As I said in my first Kontakt review, I wasn't really sure that I wanted to see this show. However come Sunday and a second opportunity to see it, I was genuinely looking forward to it. With the show now having departed, for my second review I will elaborate a touch more on happenings, which initially I shied away from as spoilers. My actor for my second encounter was 15 year old Michael. He had the enviable task unlike Michael before him of dealing with someone who knew quite a bit of what was coming. As those surgical gloves went on I this time was certain that the R&D were not going to overstep the boundary and do a full medical. I had also learnt that a crisp sandwich was something that should be left in the memory, so cheese was a much more sensible option. I was able to complete the calculation generally unaided and managed to express an exaggerated shock at the latter outcome. The game of Jenga managed to stay stable once again and rather amazingly managed to bring t...

Review of Lord of the Dance at Milton Keynes Theatre

On what was so far the hottest day of the year, and the highest in many a record book, it feels a tad evil to watch as a group of extremely talented performers bring to the stage one of the most famous and most energetic dance shows to tour. However, arriving now at Milton Keynes Theatre, as part of what is now the still rather immodestly titled 30 Years of Standing Ovations tour, Lord of the Dance remains full of energy even on the hottest of evenings in Milton Keynes. I last and first saw Lord of the Dance as part of the 25 Years of Standing Ovations tour, four years ago (yes, the sums don’t quite work), and it was every bit as spectacular as you could imagine this world-famous dance show is. Born into the world from Michael Flatley and the Riverdance spectacular that preceded it, Lord of the Dance is a simple but effective battle between good and evil and the resolution of it through dance rather than fighting. The dancing here is, as expected, exceptional, led by the Lord of the...

Review of Annie at Milton Keynes Theatre

Annie was first performed now a remarkable fifty years ago at Goodspeed Opera House in Connecticut, and since then, the tale based on a 1920s comic strip and adapted for the stage by Thomas Meehan on book, with music by Charles Strouse, and lyrics provided by Martin Charnin, has become a perennial favourite across the world. Indeed, this version, directed by Nikolai Foster, last appeared at Milton Keynes Theatre in 2023. So, after all these years, does Annie still have that appeal? Set in  1930s New York during the Great Depression,  Annie  follows the life of an orphan abandoned to the care  of its evil matron, Miss Hannigan. Annie seeks escape, and after one failed attempt, she finds herself the chosen Christmas guest of billionaire Oliver Warbucks, and things slowly, hopefully begin to improve for the little but fiercely strong Annie. Leading the adult cast for this tour now as the cruel Miss Hannigan is Claire Sweeney. Sweeney clearly revels in the chance to embr...