Skip to main content

Flash Festival: Part One - Don't Judge A Book By Its Cover & Sell By Date at the Looking Glass Theatre, Northampton

May 12th 2014 saw the beginning of the Flash Festival presenting the dissertation performances for the Northampton University students and A Small Mind clasped ten tickets for as many as he could muster time for.
*
The first was Don't Judge A Book By Its Cover by Pure Industry (aka Kathryn Alice and Emily-Claire Potter). A clever piece of work using both real life and stark personal material, this little play told us quite clearly that when we look at someone, perhaps we do not see the whole picture.

The staging was simple and clever with books aplenty scattered around and used well throughout, culminating in a well presented final part where their beavering away out of sight becomes clear. During the show there are also some well choreographed scenes, depicting personal distress.

 The final scene is also stark and clear with the two performers laying themselves bare with Kathryn Alice visibly suffering for her performance. Powerful and meaningful, with a strong and very true message.


I confess, I liked this little play quite a lot.

*

My second play was the very dark, very funny and very powerful Sell By Date. From Marbleglass and featuring the talents of Marcus Churchill, Ashley Cook, Joseph Derrington and Sophie Murray, this was a gem. Setting the bar even higher for the week ahead.

Mixing music, dance, comedy, strong drama and in one particularly outstanding part, some very clever puppetry.

The performers in this group were particularly strong and I remember them well from their parts in Animal Farm (Animal Farm review). Whether playing the clown or deadly serious moments, they were at the top of their game. Even this early in their hopefully very successful careers.

The play itself was broke up into many parts, cleverly interchanging the aforementioned clowning, with the heavy and, yes, very emotional parts.

The previously mentioned puppetry scene was my pick for the best part. However the very rude, offensive, politically incorrect and therefore very funny, stand-up routine performed by Derrington had to be my second pick, particularly with the emotional pay-off.

I will also remember fondly the slightly ruder Two Ronnies bar scene and the best set change joke I have yet heard.

Overall this was a very clever, well written piece in need of your viewing as you may not find a better hours entertainment for a while for £6. Go see!


Don't Judge A Book By Its Cover is on at the Looking Glass Theatre on Wednesday 14th at 7pm and Saturday 17th at 2pm

Sell By Date is on at the Looking Glass Theatre on Wednesday 14th at 10am and Thursday 15th at 7pm.



Popular posts from this blog

Review of Of Mice And Men at Royal & Derngate (Royal), Northampton

Other than, randomly, Charlie and the Chocolate Factory and The War of the Worlds , John Steinbeck's classic Of Mice and Men is perhaps one of the most familiar of stories to me. I have seen it several times before, and while at school, we studied it, and dissected it like the work of Mr Shakespeare, but with Steinbeck, I got out the other side still liking it. This brand new version from Selladoor Productions, which opened in Canterbury last week, brings a by-the-book presentation of the trials of George and his slow, but incredibly strong friend, Lennie, to the stage. Perhaps, this is its first issue blocking a huge success from this production, in that it rarely does anything brave or different. It's clearly been expertly cast visually, with the hulking form of Matthew Wynn as Lennie, and the diminutive (in comparison) Richard Keightley and Kamran Darabi-Ford as George and Curley respectively. Darabi-Ford especially perfect in his tremendously awkward scenes wit...
Read more

Review of Flash Festival 2016: Red Inquisition by Memoir Theatre at Castle Hill URC

Red Inquisition from Memoir Theatre evolves from a theatre groups creation of a play based on the 1947 Hollywood blacklist and McCarthyism So that I can get it out the way early on and take this review in a more upbeat direction that Red Inquisition deserves, I am going to get a real bugbear done first. There was a huge negative for me from this production and one that I ended up getting negative vibes from. For me there was far too much video and audio footage in this production. Much of it was while excellently researched, surplus to requirements. The were a couple of occasions especially where we saw material repeated on screen that had already been performed. The show did not need this and for me theatre is not about watching a screen in any case, its about seeing performances. This however does need to be taken as a positive as what I am simply saying is that I wanted more acting from the trio of Daniel Hadjivarnava, Ciara Goldsberry and Jaryd Headley as they work excellently ...
Read more

Review of Lord of the Dance at Milton Keynes Theatre

On what was so far the hottest day of the year, and the highest in many a record book, it feels a tad evil to watch as a group of extremely talented performers bring to the stage one of the most famous and most energetic dance shows to tour. However, arriving now at Milton Keynes Theatre, as part of what is now the still rather immodestly titled 30 Years of Standing Ovations tour, Lord of the Dance remains full of energy even on the hottest of evenings in Milton Keynes. I last and first saw Lord of the Dance as part of the 25 Years of Standing Ovations tour, four years ago (yes, the sums don’t quite work), and it was every bit as spectacular as you could imagine this world-famous dance show is. Born into the world from Michael Flatley and the Riverdance spectacular that preceded it, Lord of the Dance is a simple but effective battle between good and evil and the resolution of it through dance rather than fighting. The dancing here is, as expected, exceptional, led by the Lord of the...
Read more