Skip to main content

Flash Festival: Part One - Don't Judge A Book By Its Cover & Sell By Date at the Looking Glass Theatre, Northampton

May 12th 2014 saw the beginning of the Flash Festival presenting the dissertation performances for the Northampton University students and A Small Mind clasped ten tickets for as many as he could muster time for.

*

The first was Don't Judge A Book By Its Cover by Pure Industry (aka Kathryn Alice and Emily-Claire Potter). A clever piece of work using both real life and stark personal material, this little play told us quite clearly that when we look at someone, perhaps we do not see the whole picture.

The staging was simple and clever with books aplenty scattered around and used well throughout, culminating in a well presented final part where their beavering away out of sight becomes clear. During the show there are also some well choreographed scenes, depicting personal distress.

The final scene is also stark and clear with the two performers laying themselves bare with Kathryn Alice visibly suffering for her performance. Powerful and meaningful, with a strong and very true message.


I confess, I liked this little play quite a lot.

*

My second play was the very dark, very funny and very powerful Sell By Date. From Marbleglass and featuring the talents of Marcus Churchill, Ashley Cook, Joseph Derrington and Sophie Murray, this was a gem. Setting the bar even higher for the week ahead.

Mixing music, dance, comedy, strong drama and in one particularly outstanding part, some very clever puppetry.

The performers in this group were particularly strong and I remember them well from their parts in Animal Farm (Animal Farm review). Whether playing the clown or deadly serious moments, they were at the top of their game. Even this early in their hopefully very successful careers.

The play itself was broke up into many parts, cleverly interchanging the aforementioned clowning, with the heavy and, yes, very emotional parts.

The previously mentioned puppetry scene was my pick for the best part. However the very rude, offensive, politically incorrect and therefore very funny, stand-up routine performed by Derrington had to be my second pick, particularly with the emotional pay-off.

I will also remember fondly the slightly ruder Two Ronnies bar scene and the best set change joke I have yet heard.

Overall this was a very clever, well written piece in need of your viewing as you may not find a better hours entertainment for a while for £6. Go see!


Don't Judge A Book By Its Cover is on at the Looking Glass Theatre on Wednesday 14th at 7pm and Saturday 17th at 2pm

Sell By Date is on at the Looking Glass Theatre on Wednesday 14th at 10am and Thursday 15th at 7pm.



Popular posts from this blog

Review of Paranormal Activity at Milton Keynes Theatre

The low-budget film Paranormal Activity , first released in 2007, has since become the starting point of one of the most prolific horror series ever, with seven films now released in the franchise and another due next year. Its unique down-to-earth style of storytelling, inhabiting what is many people’s real life, with dangers within the house, has contributed greatly to its success. So, from one successful medium franchise, it is no surprise the series was developed for theatre in 2024, with a new story by Levi Holloway (though it borrows heavily from the original film). First performed at Leeds Playhouse before heading to both the West End and Broadway, and now, for 2026, a UK and Ireland tour, which this week arrives at Milton Keynes Theatre. So the question is: has the medium successfully crossed to the other side? Newly married couple, James and Lou, move from Chicago to London in an attempt to escape both of their past lives. However, as events begin to repeat themselves, they re...

Review of Barnum at Milton Keynes Theatre

Barnum , with a book by Mark Bramble, lyrics by Michael Stewart, and music by Cy Coleman, premiered on Broadway in 1980 and followed in the West End just a year later. At the helm for these two productions were two huge names in the entertainment business: Jim Dale on Broadway and Michael Crawford in the West End. It needed, of course, big names to fill the shoes of the legendary P. T. Barnum, whose tale is told in this now-fondly remembered musical. Filling these boots in this new production, now pitched at Milton Keynes Theatre, is Matt Rawle, a prolific theatre performer himself, but can he, and this production, live up to the iconic greatest showman? “Step right up and enter the dazzling world of P.T. Barnum, where imagination and ambition know no bounds”, the publicity for the show announces, and this new production of the now-classic Barnum - The Circus Musical mostly ticks these boxes. Rawle is a captivating and strong presence as the lead, bringing an infectious charm to the p...

Review of Annie at Milton Keynes Theatre

Annie was first performed now a remarkable fifty years ago at Goodspeed Opera House in Connecticut, and since then, the tale based on a 1920s comic strip and adapted for the stage by Thomas Meehan on book, with music by Charles Strouse, and lyrics provided by Martin Charnin, has become a perennial favourite across the world. Indeed, this version, directed by Nikolai Foster, last appeared at Milton Keynes Theatre in 2023. So, after all these years, does Annie still have that appeal? Set in  1930s New York during the Great Depression,  Annie  follows the life of an orphan abandoned to the care  of its evil matron, Miss Hannigan. Annie seeks escape, and after one failed attempt, she finds herself the chosen Christmas guest of billionaire Oliver Warbucks, and things slowly, hopefully begin to improve for the little but fiercely strong Annie. Leading the adult cast for this tour now as the cruel Miss Hannigan is Claire Sweeney. Sweeney clearly revels in the chance to embr...