Skip to main content

Review of Treasure Island at Royal & Derngate (Royal), Northampton

Everyone knows the famous story of Treasure Island, either in detail or in the basic knowledge of Long John Silver, Captain Flint, the parrot, and young Jack Hawkins, as well as his treasure map. However, physical and riotous theatre group Le Navet Bete's adaptation of that same story, docked at Royal & Derngate now, spins a slightly more bizarre version.

Le Navet Bete (which translates as The Daft Turnip) is not a French group but was formed in 2008 in Plymouth when the members met while studying. Now based in Exeter, they have made a name for themselves with their shows, which combine clowning, physical slapstick, pantomime, and general buffoonery. Treasure Island was my first encounter with the group, and based on this, I can't wait to see more.

Four actors perform in this show: Al Dunn, Matt Freeman, Nick Bunt, and Simon Sebastian Burbage. All play different characters from the story, although Bunt stays as Hawkins throughout much of the show. As expected, they are all superb and work well as an ensemble. However, Freeman consistently steals the scenes through his multitude of characters, including numerous female ones, which may be seen and never forgotten. Often, it is just a stare through to your soul with those piercing eyes at the audience, which brings laughter.

The show follows Robert Louis Stevenson's story well, much of the time. Still, it drifts delightfully astray, particularly with an inspiring TV gameshow sequence leading to Hawkins eventually becoming in charge of the schooner that allows his journey, amusingly named The Jolly Todger. Captain Flint, the parrot, has also been renamed Alexa, allowing for some excellent jokes throughout, many of them inspired and amusing the audience. Elsewhere, the story is diverted to include a ravishing Mermaid, filling the comedy antics further.

The show is presented with the performers microphoned. While this should and does mainly help audience members hear the dialogue, it is over-amplified, which can cause the dialogue to be lost when the characters are shouting. Unfortunately, many lyrics are lost during the songs performed due to the music levels and volume.

There is perhaps an assumption that Treasure Island is aimed more at children than adults, like a pantomime. However, in reality, the show provides more for grown-ups, and indeed, the audience during the performance I saw was made up more of people on the wrong side of forty than of the school-going fraternity. This is not to say Treasure Island isn't suitable for all; this is for all the family, with enough antics to keep the children entertained while the adults can slyly laugh at the jokes aimed at them.

Treasure Island is a fabulous couple of hours of theatre entertainment, filled with clever ideas and laugh-out-loud moments guaranteed to entertain all. It is highly recommended if it hits land anywhere near you.

Shiver me timbers! Tis be a cracking and comic masterclass!

Performance reviewed: Friday, 2nd May 2025, at the Royal & Derngate (Royal), Northampton.

Treasure Island is on stage at Royal & Derngate until Saturday, 3rd May 2025, before continuing its tour.

For details of Le Navet Bete, see https://www.lenavetbete.com/

For further details about the Royal & Derngate and to book tickets, see their website at http://www.royalandderngate.co.uk


Photos: Mark Dawson


Popular posts from this blog

Review of Matthew Bourne's The Red Shoes at Milton Keynes Theatre

Sir Matthew Bourne has rightfully become the doyen of accessible contemporary ballet, with his works spanning a wide range, from Swan Lake , Lord of the Flies , and Edward Scissorhands to The Red Shoes , now here at Milton Keynes on an extensive tour. Based broadly on the 1948 film of the same name, The Red Shoes , set across Europe, follows the story of ballerina Victoria Page, discovered by ballet impresario Boris Lermontov. He requests that a ballet based on Hans Christian Andersen's tale   The Red Shoes  be written by the  composer Julian Craster, whom Page falls deeply in love with. A conflict arises, and Page must choose between love and success. The first impact on any audience of The Red Shoes is visually on the costumes and set. This is, without any question, a spectacular staging. Lez Brotherston, responsible for both costumes and set, has created a gem. The striking costumes effectively recreate the period in minute detail, placing the audience very much in t...

Review of Friends - The Musical Parody at Milton Keynes Theatre

The One Where 2026 starts in a world of confusion. And so, 2026 is upon us and for my first trip to the theatre this year, one of my most significant reviewing challenges was to occur. Touring to Milton Keynes Theatre is Friends - The Musical Parody , based, unsurprisingly, on that little American show that ran to a few audience members for ten years. However, I confess that I was not, and have never been in that audience, never having seen a single episode of the show. However, always up for a review challenge and doing my due diligence by having a Friends superfan as my plus one, I headed to Milton Keynes with anticipation. For those unfamiliar with the show, I could say I can’t help; however, a quick review of some of the information you might need (thanks, Google and my plus one). Running for ten years between 1994 and 2004 with 236 episodes (quiz question, you are welcome), the main characters consisted of Phoebe (ditzy, writer of sad songs), Monica (in possession of an unfeasibly...

Review of Rambert Dance in Peaky Blinders - The Redemption of Thomas Shelby at Royal & Derngate (Derngate), Northampton

The Rambert Dance Company is the oldest such company in Britain having first performed in 1926. However, despite this, this was my first encounter with the group in my ten years of theatre-going. Coupled with this, it was also my first encounter with Peaky Blinders , having never seen the show, and only knowing a few vague things about it. My companion for the evening however was very familiar with the show, allowing some background behind the show. It turns out though,  Rambert Dance in Peaky Blinders - The Redemption of Thomas Shelby needs a little more than a good bit of knowledge of the show, as despite this production having incredible style, there struggles to be a cohesive structure to the show and the storytelling. Much more than other dance shows as well. The first act does a whistle-stop tour of the first five seasons and while it is a feast on the eye, and on the ear, it gets extremely confusing at times. The second act is freestyle and drifts away from the stories tol...