Skip to main content

Review of Picture You Dead at Milton Keynes Theatre

The Peter James franchise featuring the detective Roy Grace has become quite the juggernaut of success since his first appearance in 2005 in James's novel Dead Simple. With 21 published books, a popular TV series starring John Simm, now in its fifth series, and this, Picture You Dead, the seventh stage play adaptation, now running at Milton Keynes Theatre, there appears to be no stopping him.

The plot of Picture You Dead begins with a down-on-their-luck couple, Harry and Freya Kipling, discovering a potential 200-year-old masterpiece at a car boot sale. The discovery leads them into the path of both a reformed forger, Dave Hegarty, an unscrupulous collector, Oliver De Souza and his assistant Roberta Kilgore and of course, detectives Roy Grace and Bella Moy in pursuit of a cold case which may link them all?

Having seen two previous adaptations, I wanted to see if they had gotten beyond the slightly simplistic and television-style of telling the story, now that they were reaching the lucky seventh production. The answer in most cases is no; however, the fact that this is a seventh one, much like a rather raggid cobble together jukebox musical filling the theatre, means that they have a formula that works, so why change it?

Both the storytelling and production are still excellent. Once again, James' story is full of nibbles of information and clues that get the audience talking at the interval. Is this key to the solution? Is that going to be important? Shaun McKenna's adaptation leaves the interval falling perfectly for all these potential clues to be in place.

It also helps that designer Adrian Linford's set is a brilliant construction, cleverly allowing all locations to be on stage simultaneously. Jason Taylor's lighting design calls the shots of where our eyes should be moving as audience members. Even Jonathan O'Boyle's direction of scenes is inventive, allowing the pace never to drop and leaving little drips of information and foreshadowing of scenes to come to dwell in the background. Where does it all go wrong to make this a sort of average production?

Well, the clues are there, of course, with no mention of the cast after five paragraphs. There are some performances to admire, such as Peter Ash's superb and charming forger Hegarty, who is willing to get in trouble just once more with a fake or maybe two. Also, Nicholas Maude is gloriously flamboyant as collector Piper, chewing the scenery of his masterpiece-laden den.

Elsewhere, there are lightweight performances from Fiona Wade and Ben Cutler as the Kiplings. Seemingly going through the motions as a somewhat uninteresting married couple who fall into the story by luck.

Sadly, also the main character, Roy Grace, is left lingering on the story's edges, mostly just a walk-on with his assistant Moy. This character building, or lack thereof, leaves George Rainsford, as Grace, very little to do and lacking in energy for the role in what should be his show as the conquering detective.

Elsewhere, Jodie Steel overplays everything about the Roberta Kilgore character, making it unbelievable and unmenacing. Fight and torture scenes also miss the target, often taking away what little tension the production might have.

Picture You Dead is such a missed bag that it is hard to recommend, even though I enjoyed the story, albeit a little silly and predictable at times. This could have been a brilliant show with a bit of sharpening up of the characters and more development. However, as it stands, it is just a little average, and not a good enough "deep fake" to convince.

Slightly flat and mixed performances let down a clever, inventive, well-presented crime drama.


Performance reviewed: Tuesday, 6th May 2025, at the Milton Keynes Theatre.

Picture You Dead is at Milton Keynes Theatre until Saturday, 10th May 2025.

For details of the Picture You Dead tour, see writer Peter James's website at https://www.peterjames.com/plays/picture-you-dead/

For further details about Milton Keynes, see their website at http://www.atgtickets.com/venues/milton-keynes-theatre/

Production photos: Alistair Muir


Popular posts from this blog

Review of Lord of the Dance at Milton Keynes Theatre

On what was so far the hottest day of the year, and the highest in many a record book, it feels a tad evil to watch as a group of extremely talented performers bring to the stage one of the most famous and most energetic dance shows to tour. However, arriving now at Milton Keynes Theatre, as part of what is now the still rather immodestly titled 30 Years of Standing Ovations tour, Lord of the Dance remains full of energy even on the hottest of evenings in Milton Keynes. I last and first saw Lord of the Dance as part of the 25 Years of Standing Ovations tour, four years ago (yes, the sums don’t quite work), and it was every bit as spectacular as you could imagine this world-famous dance show is. Born into the world from Michael Flatley and the Riverdance spectacular that preceded it, Lord of the Dance is a simple but effective battle between good and evil and the resolution of it through dance rather than fighting. The dancing here is, as expected, exceptional, led by the Lord of the...

Review of Annie at Milton Keynes Theatre

Annie was first performed now a remarkable fifty years ago at Goodspeed Opera House in Connecticut, and since then, the tale based on a 1920s comic strip and adapted for the stage by Thomas Meehan on book, with music by Charles Strouse, and lyrics provided by Martin Charnin, has become a perennial favourite across the world. Indeed, this version, directed by Nikolai Foster, last appeared at Milton Keynes Theatre in 2023. So, after all these years, does Annie still have that appeal? Set in  1930s New York during the Great Depression,  Annie  follows the life of an orphan abandoned to the care  of its evil matron, Miss Hannigan. Annie seeks escape, and after one failed attempt, she finds herself the chosen Christmas guest of billionaire Oliver Warbucks, and things slowly, hopefully begin to improve for the little but fiercely strong Annie. Leading the adult cast for this tour now as the cruel Miss Hannigan is Claire Sweeney. Sweeney clearly revels in the chance to embr...

Review of Sweeney Todd: The Demon Barber of Fleet Street at Birmingham Rep

Sweeney Todd: The Demon Barber of Fleet Street first appeared in this musical form in 1979. Adapted from an original play by Christopher Bond, the work was set to music and lyrics by Stephen Sondheim, with a book by Hugh Wheeler. It quickly became a huge success, opening on both Broadway and the West End within a year. Following Tony and Olivier wins, the show has seen revival after revival over the years, as well as a musical film starring Johnny Depp. Now, Birmingham Rep presents its own pared-back version of the show, featuring some big stars of the theatre world. So, the question is, is Sweeney Todd as razor-sharp as it once was? What is clear to all at the outset is that director Joe Murphy, also artistic director at Birmingham Rep, has assembled a remarkable and bold cast for the show. Leading as Sweeney is Ramin Karimloo, whose bio speaks for itself and is the biggest draw for this show, especially for theatres outside London. His Sweeney is a perfectly brooding affair, broken...