Skip to main content

Review of Madagascar: The Musical at Royal & Derngate (Derngate), Northampton

The 2005 Dreamworks film Madagascar introduced us to a menagerie of colourful anthropomorphic animal characters shipped off to Africa after a very happy life in Central Park Zoo. This simple concept has managed to spawn three further franchise films and a musical of the same name, first performed in 2018.

Designed very much for a younger audience, Madagascar the Musical lays everything on stage with broad strokes of colour and simple storytelling and from the perspective of that audience, it works really well, keeping the majority of its audience enthralled for its relatively brief one-hour 40 minutes, which includes the interval.

The show is filled with energy from its performers, delivering everything in a manner suited to the animated background of the story and with a children's TV feeling. Alex the lion played by Joseph Hewlett is the friendliest lion you could imagine, happily getting on in the zoo with what would be his steak in the wild. Alex has a wonderful relationship with his friend Marty the zebra played by Francisco Gomes and the two performers share a couple of rather delightful songs together, which are well performed.

Also, a brilliant singing performance comes from Jarnéia Richard-Noel as friendly and full of fun hippopotamus Gloria, and alongside a great comic turn by Joshua Oakes-Rogers as Melman the giraffe completes the four main adventurous characters.

The ensemble provides all but one more of the characters and they are excellently skilled in bringing to life Max Humphries and Emma Brunton's brilliant puppets. Of the ensemble cast characters, I suspect many will enjoy the brilliant penguins and their devilish plans of escape.

Finally from the cast, and for those of a certain demographic, the most famous performer in the show, is Karim Zeroual. Famous for CBBC and Strictly Come Dancing, here he is in the role of King Julien, and he brings a performance which thrills the audience and brings to life perhaps the best musical number, familiar to most as well, I Like to Move It.

The staging is excellent, with a brilliantly constructed set from Tom Rogers, bringing the comic versions of Central Park Zoo and the land of Madagascar to life. The staging of the ship and the crates onboard is also excellently done. Unfortunately, the usual sound issues for a musical do occur with quite a lot of dialogue and lyrics lost to the music, particularly with a couple of the male performances early on.

This isn't a show that will win countless awards, but one that might inspire theatregoers of the future, much like a pantomime would. There is even a moment when Alex appears behind Marty when you can almost feel the young audience members itching to cry "he's behind you". So, from the perspective of creating a future for theatre, Madagascar the Musical is first-rate entertainment.

Lightweight family entertainment which is full of colour and energy.

Performance reviewed: Thursday 18th July 2024 at the Royal & Derngate (Derngate), Northampton.

Madagascar: The Musical is on stage at Royal & Derngate until Sunday 21st July 2024 before continuing its tour.

For further details about the Royal & Derngate and to book tickets see their website at http://www.royalandderngate.co.uk

Photos: Phil Tragen


Popular posts from this blog

Review of Friends - The Musical Parody at Milton Keynes Theatre

The One Where 2026 starts in a world of confusion. And so, 2026 is upon us and for my first trip to the theatre this year, one of my most significant reviewing challenges was to occur. Touring to Milton Keynes Theatre is Friends - The Musical Parody , based, unsurprisingly, on that little American show that ran to a few audience members for ten years. However, I confess that I was not, and have never been in that audience, never having seen a single episode of the show. However, always up for a review challenge and doing my due diligence by having a Friends superfan as my plus one, I headed to Milton Keynes with anticipation. For those unfamiliar with the show, I could say I can’t help; however, a quick review of some of the information you might need (thanks, Google and my plus one). Running for ten years between 1994 and 2004 with 236 episodes (quiz question, you are welcome), the main characters consisted of Phoebe (ditzy, writer of sad songs), Monica (in possession of an unfeasibly...

Review of Shrek (NMTC) at Royal & Derngate (Derngate), Northampton

Three and a half years ago, in a land far far away, in a world very different to the one we are now in, I saw the touring professional production of Shrek The Musical , it was a mixed bag of quality, tilted extremely heavily in favour of one particular character (not the one you might expect) and not firing on all cylinders much of the time. One and a half years after my last visit to the Derngate theatre, I return to see the homegrown Northampton Musical Theatre Company's own take on the very same show. Would they be able to breathe more life into the show than the professionals did in that distant land? It is a bit of a yes and no really. Pretty much all of this is done to the best possible standard, and at times, with being an amateur show you could easily forget, they all have normal day jobs. The show oozes professional quality at times. The set looks magnificent, the costumes (from Molly Limpet's Theatrical Emporium) are superb, and as ever with NMTC, the backstage team c...

Review of Cinderella at Castle Theatre, Wellingborough

So, as December draws in, the world of theatre moves into panto season and first up this year is Castle Theatre’s production of Cinderella , and the deja vu world begins again and we are all crying “He’s behind you” and “Oh no you’re not” etc, etc. Perhaps it is reassuring in a world of change that pantomime land never changes. The jokes might get a little nudge, a few of the characterisations might change a bit, but you all know that we will have a split theatre singalong, a grand wedding at the end and a multitude of stuff you have seen year after year. Unlike many of the bigger theatres around the country, Castle Theatre, presents a pantomime with no “big name” from the showbiz world in sight, just great little stage performers, and how refreshing it is to see. No awkward bolted-on references to a star's normal day job, just more emphasis on fun characters and the usual sly references to the local towns and villages. That, in itself, is great to see. The title character is playe...