Skip to main content

Review of Madagascar: The Musical at Royal & Derngate (Derngate), Northampton

The 2005 Dreamworks film Madagascar introduced us to a menagerie of colourful anthropomorphic animal characters shipped off to Africa after a very happy life in Central Park Zoo. This simple concept has managed to spawn three further franchise films and a musical of the same name, first performed in 2018.

Designed very much for a younger audience, Madagascar the Musical lays everything on stage with broad strokes of colour and simple storytelling and from the perspective of that audience, it works really well, keeping the majority of its audience enthralled for its relatively brief one-hour 40 minutes, which includes the interval.

The show is filled with energy from its performers, delivering everything in a manner suited to the animated background of the story and with a children's TV feeling. Alex the lion played by Joseph Hewlett is the friendliest lion you could imagine, happily getting on in the zoo with what would be his steak in the wild. Alex has a wonderful relationship with his friend Marty the zebra played by Francisco Gomes and the two performers share a couple of rather delightful songs together, which are well performed.

Also, a brilliant singing performance comes from Jarnéia Richard-Noel as friendly and full of fun hippopotamus Gloria, and alongside a great comic turn by Joshua Oakes-Rogers as Melman the giraffe completes the four main adventurous characters.

The ensemble provides all but one more of the characters and they are excellently skilled in bringing to life Max Humphries and Emma Brunton's brilliant puppets. Of the ensemble cast characters, I suspect many will enjoy the brilliant penguins and their devilish plans of escape.

Finally from the cast, and for those of a certain demographic, the most famous performer in the show, is Karim Zeroual. Famous for CBBC and Strictly Come Dancing, here he is in the role of King Julien, and he brings a performance which thrills the audience and brings to life perhaps the best musical number, familiar to most as well, I Like to Move It.

The staging is excellent, with a brilliantly constructed set from Tom Rogers, bringing the comic versions of Central Park Zoo and the land of Madagascar to life. The staging of the ship and the crates onboard is also excellently done. Unfortunately, the usual sound issues for a musical do occur with quite a lot of dialogue and lyrics lost to the music, particularly with a couple of the male performances early on.

This isn't a show that will win countless awards, but one that might inspire theatregoers of the future, much like a pantomime would. There is even a moment when Alex appears behind Marty when you can almost feel the young audience members itching to cry "he's behind you". So, from the perspective of creating a future for theatre, Madagascar the Musical is first-rate entertainment.

Lightweight family entertainment which is full of colour and energy.

Performance reviewed: Thursday 18th July 2024 at the Royal & Derngate (Derngate), Northampton.

Madagascar: The Musical is on stage at Royal & Derngate until Sunday 21st July 2024 before continuing its tour.

For further details about the Royal & Derngate and to book tickets see their website at http://www.royalandderngate.co.uk

Photos: Phil Tragen


Popular posts from this blog

Review of Top Gs Like Me at Royal & Derngate (Derngate), Northampton

Long before this brand new play by local playwright Samson Hawkins opened at Royal & Derngate Northampton, Top Gs Like Me had garnered a vast amount of media attention, especially regarding the staging within the Derngate theatre on a remarkable conversion into a skatepark, a theatre version of real-life Radlands skatepark in Northampton. So, delving deep below the remarkable site within the theatre, does Hawkins' play of seething toxic masculinity, misogyny and questions around consent strike all the right marks for a perfect landing? Top Gs Like Me follows the life, as he feels it is, of Aiden. Lost in the modern world, his best mate is heading to Uni, his mum is permanently in bed, and Aiden himself is drifting into some nefarious activities. His world is really often little more than stacking shelves in the supermarket, his scooter at his side and his mobile phone and all that entails for a youth of today. Into this world comes the mysterious Hugo Bang, who leads him some...

Review of Horrible Histories - The Concert at Milton Keynes Theatre

The first Horrible Histories book, written by Terry Deary, first hit the shelves a remarkable 33 years ago and has since become a historic event in its own right, with the franchise growing and growing. There have now been 23 books, several TV series, a game show and a film. Also, of course, it is now a stage show, with both Terrible Tudors and Awful Egyptians on a current tour around the country. However, here, now briefly at Milton Keynes Theatre, as part of its own tour, is Horrible Histories - The Concert . So, given the franchise's past success, what is this concert version adding to the franchise? The quick answer is bundles of fun with lashings of subliminal education, as Horrible Histories is very much known for. The cast, created from a collection of mainstays of the original series or tours and a few extras, are as enthusiastic as possible for a production, very much initially aimed at an audience of children. Bold, big in character and overplaying everything, you canno...

Review of The Battle at Birmingham Rep

The Battle is a brand-new play by John Niven, set firmly in the nineties, that focuses on the Britpop fight between chart rivals Blur and Oasis. Opening at Birmingham Rep before transferring to the spiritual Oasis home of Manchester, the question is: is this worth donning your bucket hat, heading to the theatre, and enjoying the show to the end, or will you look back in anger when you leave? It is London, 1995. The infamous Britpop battle begins when both Blur and Oasis release singles on the same day. On one side, clean-cut, art-school intellectuals from the South. On the other hand, raw and unapologetic lads from the North. Let battle commence! The Battle is John Niven's first stage play, and he doesn't take the easy route. Deciding to bring both known people, detailed and multiple scenes and ambitious storytelling to proceedings. And for the most part, it all comes together to create a coherent whole. The casting director Claire Bleasdale has assembled a talented group of ...