Skip to main content

Review of Murder in the Dark at Royal & Derngate (Royal), Northampton

As we lead up to the Halloween season it is perhaps the perfect time for a creepy night at the theatre and this new touring play Murder in the Dark from Original Theatre written by Torben Betts, provides just that. Set in a creepy little barn-turned-cottage in the back of beyond, washed-out boy band singer Danny Sierra and his family find themselves at the mercy of the equally creepy Mrs Bateman following a car crash. After their arrival, secret after secret becomes revealed and family history is unpicked before things take an even weirder turn.

Danny is played by familiar TV actor Tom Chambers and he gives a very solid, but at times over-the-top performance. In many shows, this would be a problem, however here it perfectly fits the story being told, as writer Betts splatters everything across the walls in this broad-stroke play. This is modern film horror brought to the stage where shocks come from often obvious places, yes we have a crazy barking dog for instance, and music stings pervade the air. Chambers' character very much goes through the wringer as his life before and after his successful world of music is picked apart.

Doing much of the picking is the all-knowing Mrs Bateman, played with a glorious mix of humour and sinisterness by the brilliant Susie Blake, a veteran of TV and quite a huge amount of theatre. Here she effortlessly steals every scene she appears in. It is a very cleverly constructed performance, from posture to delivery, and credit for how she envelopes this role must go to both her and director Philip Franks for crafting her so superbly from Bettss’ script.

The rest of the cast is equally excellent. Northampton-born Laura White portrays Sarah, the aggravated put-upon girlfriend of Danny extremely well, having to deal with his endlessly frustrating and drunken behaviour. Equally exasperated at Danny is his ex-wife Rebecca, played with a more calm style of anger by Rebecca Charles, nicely balancing White.

Someone who does let out his anger fully, especially later in proceedings is Danny’s son Jake, played superbly by relative newcomer Jonny Green. Finally completing the cast is Owen Oakeshott as Danny’s brother William. Oakeshott suffers somewhat from an underwritten character by Betts, but he does however provide much of the best comedy from the play (that Blake doesn’t steal), and yes, this is as funny a play as it is creepy. There are as many laugh-out-loud moments as gasps of shock as things get more and more mysterious.

Betts' play takes place on a delightfully rickety set from Simon Kenny complete with occasionally wobbly and stuttering walls and misbehaving doors, which, despite their likely not required appearance, do add a quirky atmosphere to the show. Lighting from Paul Pyant also adds the required mysteriousness as well to make the hairs occasionally tingle a little.

As things develop in the second half, the story and its twists (which won’t appear here, so don’t worry) do occasionally derail the coherence of the story. However, while the audience might leave the show not totally sure what just happened, they will, I am sure be satisfied by the evening.

Murder in the Dark is immense fun, straddling a number of genres during its two hours. It is never a classic, but so much more than a disaster and highly recommended. It provides shocks and laughs all the way along and director Franks keeps everything moving along at a nicely judged pace. A highly entertaining watch!

A delightful and intriguing evening of creepiness!
⭐⭐


Performance reviewed: Monday 16th October 2023 at the Royal & Derngate (Royal), Northampton.
Murder in the Dark is at Royal & Derngate until Saturday 21st October 2023.

For further details about the Royal & Derngate and to book tickets see their website at http://www.royalandderngate.co.uk

Production photos: Pamela Raith Photography


Popular posts from this blog

Review of Eric and Ern at Royal & Derngate (Royal), Northampton

The comedy of Eric Morecambe and Ernie Wise is carved into the very essence of Britishness, and while the years may now be distant from their domination of TV comedy, the light still shines bright on their work. This is thanks mostly to generation after generation being introduced to the shows via that near-annual appearance on TV schedules at Christmas. This will perhaps one day pass, but for now, this brilliant little show, Eric & Ern , now at Royal & Derngate, continues to honour that comedy on stage. Created and performed by Ian Ashpitel and Jonty Stephens, Eric & Ern is a show bringing the duo's most famous sketches and jokes back to the stage. Having worked together now for over twenty years, Ashpitel and Stephens have created the comedy act to perfection. Stephens brings Morecambe’s edgy, frantic energy and combines it perfectly with his timing and mannerisms; everything from the flick of the glasses to the wipe of the nose is pure Eric. Ashpital, as Wise has pe...

Review of Lord of the Dance at Milton Keynes Theatre

On what was so far the hottest day of the year, and the highest in many a record book, it feels a tad evil to watch as a group of extremely talented performers bring to the stage one of the most famous and most energetic dance shows to tour. However, arriving now at Milton Keynes Theatre, as part of what is now the still rather immodestly titled 30 Years of Standing Ovations tour, Lord of the Dance remains full of energy even on the hottest of evenings in Milton Keynes. I last and first saw Lord of the Dance as part of the 25 Years of Standing Ovations tour, four years ago (yes, the sums don’t quite work), and it was every bit as spectacular as you could imagine this world-famous dance show is. Born into the world from Michael Flatley and the Riverdance spectacular that preceded it, Lord of the Dance is a simple but effective battle between good and evil and the resolution of it through dance rather than fighting. The dancing here is, as expected, exceptional, led by the Lord of the...

Review of The Karate Kid - The Musical at Milton Keynes Theatre

There is no denying that the world of musical theatre is tremendously imaginative, and of all the films that could be adapted, perhaps the eighties teen drama The Karate Kid was not at the top of most people's lists for a musical adaptation. However, as our stage versions of Mr Miyagi and Daniel LaRusso arrive at Milton Keynes Theatre on a UK tour, I am happy to say that this is one of the most sensible film-to-musical decisions. Recently relocated from New Jersey to LA, Daniel becomes the target of a gang of Cobra Kai dojo students. However, unbeknownst to him, a quiet and unassuming maintenance man at his new home, Mr Miyagi, is on hand to offer a little more than some bonsai training. The first thing that ticks the box for a film-to-musical adaptation is having an original soundtrack, not an endless collection of awkwardly shoehorned music classics into the story. Here, alongside book writer Robert Mark Kamen, are some brilliantly crafted tunes by composer and lyricist Drew Gasp...