Skip to main content

Review of The Drifters Girl at Milton Keynes Theatre

This new musical The Drifters Girl first opened in Newcastle as recent at October 2021 and since then it has gained quite a success. Transferring to London and running for several months at the Garrick, it became a greater success thanks to the casting of Beverley Knight in the lead role of unforgiving Drifters manager Faye Treadwell. Its success there saw this UK and Ireland tour which now lands at Milton Keynes for one week.

Knight has gone now, having moved on from the show before it left London, and in her place at Milton Keynes Theatre and on as first cover, was Loren Anderson, on for main lead Carly Mercedes Dyer. She is a controlling presence in the lead, and tries hard to make Treadwell likeable, because, in many ways, she isn't a nice person. Her drive for success, following her effective falling into the role after meeting then Drifters manager George Treadwell, feels exploitative at times of the coming and going members of The Drifters.

However, maybe I am already ahead of myself, as like this review is doing, The Drifters Girl needs a little calm and maybe even knowledge of the events it is telling. It turns out you see, that over many, many years, from its initial formation in 1953, the group known as The Drifters has had simply dozens of members as the group has a constant revolving door membership, and a certain lawsuit as well, but I will let the show tell you that.

Other than the mysterious "Girl" played delightfully by Jayden Bell-Ricketts, the rest of the cast consists of the four men playing The Drifters and every other character in fact. These are a very hardworking four, literally grabbing a coat, taking one-off, a pair of glasses or even more delightful accoutrements to become any number of characters. The four, played by Miles Anthony Daley, Tarik Frimpong, Dalton Harris and on as cover Ethan Davis are tremendous. Each character is distinctly different to allow you to know who you are watching despite the pace of change and at times even the singing styles change. Davis in particular has the most famous current/former Drifters performer in Ben E. King and he is fabulous in his solo number following his split, and yes, it is that song.

This show, very clearly signposted as a jukebox musical, has a multitude of tunes still very familiar and each is presented beautifully by the cast. This coupled with the look of the show being tremendous from the costumes to the lighting and some impressive projections, makes this very easy on the eye and ear.

Ed Curtis' book is great fun, much in the vein and style of Jersey Boys, but actually much funnier, particularly in the second act, which includes a highly amusing trip to England, which the cast has great fun with. The show itself culminates rather quickly with an almost fairytale finish, which with a little research is a long way from reality. However, these shows often take a little artistic licence, so, this matters little.

The Drifters Girl is hugely entertaining, no question. It is fast-paced, superbly performed and with some incredible tunes of the day. The audience really did enjoy this notalgia trip, be they there originally, or getting an experience of what life and music used to be.

fascinating tale told to the backdrop of classic music melodies.


Performance reviewed: Wednesday 25th October 2023 at the Milton Keynes Theatre, Milton Keynes.

The Drifters Girl runs at Milton Keynes Theatre until Saturday 28th October 2023.

For further details about Milton Keynes see their website at http://www.atgtickets.com/venues/milton-keynes-theatre/

Photos: Johan Persson


Popular posts from this blog

Review of The History Boys by Alan Bennett at The Playhouse Theatre, Northampton

Remarkable as it may seem when I settled, although a little sweatily into my seat at The Playhouse Theatre to watch The History Boys , I was about to have only my second encounter with the works of Alan Bennett. My only previous meeting with his material had been the 1994 film The Madness of King George . Set in a Sheffield grammar school in the 1980's, The History Boys brings to life the story of the pursuit to Oxford of eight students and the school's collection of wacky and genital cupping teachers. It's a bewildering piece to stage with its pre-interval 18 scenes and another bag of 15 afterwards, however, this snappy production under the direction of Gary Amos moves without pause for breath, and perhaps despite my never thinking I would ever write this, maybe at times too swift scene changes. For a person whose musical tastes lie very much in the eighties soundtrack this play utilises, bridging every single scene with classics from the decade falls right into my happ

Review of Benidorm Live at Milton Keynes Theatre, Milton Keynes

I arrived at Milton Keynes Theatre to see this touring stage version of ITV comedy hit Benidorm with a distinct lack of knowledge. Having never seen the show, my information stretched as far as knowing it was set in a holiday resort in Spain (the title helps there), and that the humour generally resorted to the cruder end of the spectrum. However, having graced the screens for ten years, it was clear that Derren Litten's show had garnered quite a following, and indeed it was clear from the reception of the audience on the night, that this following was pretty much filling the theatre. The plot, such as it is for this stage show, is very much drafted from an episode of Fawlty Towers , and made a great deal more adult with its humour. The hotel manager, Joyce Temple-Savage (a sharp performance by Sherrie Hewson) gets wind that a hotel inspector is in, and the scene is set for seeking them out and all the obvious cases of mistaken identity. It's thin and doesn't fill

Review of Oliver! by R&D Youth Theatre at Royal & Derngate (Royal), Northampton

Two years ago this week, I saw for the first time the older faction of the Royal & Derngate Youth Theatre perform Sweeney Todd (I had seen one month before the younger part create the delightful Honk!). While a quite brilliant level of standard has continued in their productions since, nothing has quite reached that optimum point of Sweeney for me. Oliver! is their latest production and this epic scale show merges all of the age groups together to create a spellbinding piece of youthful and lively theatre that is rightfully packing the auditorium like no R&D youth show before. I have to say straight up that Oliver! does not beat the legend that is Sweeney for me, however it comes as close as we have ever been to doing so. A lot of this perhaps is down to my personal taste and Sweeney's two stunning leads, which have yet to be bettered. The macabre nature of Sweeney also gelled with me and Lionel Bart's tale, despite being packed with more known tunes than seems possib