Skip to main content

Review of Constellations at the Church Of The Holy Sepulchre, Northampton

In a parallel universe, this second cast version of Masque Theatre’s production of Constellations by Nick Payne did not fall foul of serious rehearsal impediments to Covid. However, alas, both cast members Gemma Knight as Marianne, and Anthony Burgess as Roland fell to Covid at different times and in this universe, the best part of three weeks of rehearsals was lost. However, on the evidence of their performance, it impacts less than you might think on the final product.

Foremost, this is the same show as my previous review of Constellations, so for that click here to see the gist of the production rather than going over the same ground here. Repetition is for Constellations itself, not my review.

However, there is much that feels different in this version performance-wise. Knight and Burgess bring their own dynamic to the show. They are older than the other performers, so, they bring more experience of life to the show’s feel. Little nuances that you only earn from living life. You often believe the relationship more, and without doubt Knight and Burgess have a more natural approach to the performance.

Among my favourite differences was a very contrasting telling of the bee tale by Burgess, I have to admit, despite having already seen it a lot in the previous version, Burgess presented even more humour from the delivery of this. It was one of my favourite moments the first time, and it became more so in this telling.

Knight brings equally a different, but an excellent portrayal of Marianne to the stage. I particularly liked the increased development of the character's illness, especially with the added physicality she portrayed.

Perhaps either intentionally, or because of the simple loss of time, there were slightly fewer movement pieces in this version, however, they were no less a delightful part of the story. The dance routine was again lovely and poignantly returned to at the very end.

Constellations in both its forms truly showed the strength of community theatre in Northampton and while the stars aligned to make the rehearsal process troublesome, the result was still a great deal better than many amateur, and indeed, professional shows on offer.

A parallel universe short of perfection.
½

Performance reviewed: Friday 8th April 2022 at the Church Of The Holy Sepulchre, Northampton.

Constellations ran at the Church Of The Holy Sepulchre until Saturday 9th April 2022 (including Saturday matinee).

For further details about the Masque Theatre see their website at http://www.masquetheatre.co.uk/

Constellations is MASQUE THEATRE NORTHAMPTON PRODUCTION

Rehearsal images

Popular posts from this blog

Review of Broken Party at The Benn Hall, Rugby

Broken Party , now on stage at The Benn Hall, is the first production by the new theatre company Nerve Theatre. Written and directed by company founder Mia Ballard, it provides an impressive collection of twists and turns that will please thriller enthusiasts. The story setup sees a gathering of the Lewis family to celebrate the birthday of Abigail. She is the daughter of Ann Lewis and the leading player, James, a high-flying lawyer who sets his stall out in the world as a supporter of the victims of society. However, as events unravel due to a television interview, is he the worthy man many believe him to be? Ballard's script is a perfect smorgasbord of murder mystery aperitifs, a dinner party, and a collection of the most dislikeable individuals, each of whom is the ideal culprit for guilt. The story is told in a single-location living room with little distraction and sees the Lewis family spar against one another following a somewhat awkward viewing of a TV show. The dialogue fr...

Review of The Woman Who Cooked Her Husband at The Playhouse Theatre, Northampton

During the interval of The Woman Who Cooked Her Husband , last weeks production at The Playhouse Theatre Northampton, I got involved in a conversation between a couple sitting next to me. The lady was very much of the opinion that the play was a comedy, while the gentleman, had formed one that it was a tragedy. They were joking of course in the conversation, but it did highlight the differences that Debbie Isitt's dark comedy might have between the sexes. And also now perhaps the passing of time. When this was written in the nineties, Isitt's play was a forthright feminist play, heralding the championing over of the ladies over the man. One the ex-wife plotting to cook him, the other, the new lover, potentially already very tired of him after just three years. The husband, Kenneth (Jem Clack) elopes initially in pursuit of sex with Laura (Diane Wyman), after his nineteen years of marriage with Hilary (Corinna Leeder) has become tired and passionless. Then later, he elopes ...

Review of Kinky Boots (N.M.T.C.) at Royal & Derngate (Derngate), Northampton

The musical Kinky Boots is perhaps the perfect show for the homegrown theatre group Northampton Musical Theatre Company to perform with the very core of the story bred within this very county. The tale of of Charlie Price and his encounter and unlikely partnership with a certain Lola is based on a true story of factory W. G. Brooks Ltd and the owner Steve Pateman. Back in 1999 his story of men and their wearing of shoes for women featured on a BBC documentary and this in turn inspired the 2005 film, Kinky Boots . Finally, in 2012, this musical adaptation of the story hit the stage, with a book by Harvey Fierstein and songs written by Cyndi Lauper. Longtime readers of my blog with good memories may remember that five years ago I reviewed the opening of the UK professional tour of Kinky Boots , also at the Royal & Derngate. While I enjoyed the show, I didn't give it the most favourable review. Five years on, and a second viewing, have I warmed to the charms of Charlie and Lola...