Skip to main content

Review of The Addams Family Musical: School Edition (Team Cousin IT) at the Cripps Hall Theatre, Northampton

I first saw the stage musical version of The Addams Family five years ago, and this, the school edition presented by NMTC Youth Society offered an intriguing prospect of how the somewhat dark humour that the main show might have been toned down.

It came as quite a delight, in the end, to discover that, mostly, it hadn’t been toned down at all. Marshall Brickman and Rick Elice’s book, and Andrew Lippa’s lyrics, constantly relish in death and the methods of. And in a very subtle, and clever moment, the show even has a covid joke, which for once, I actually liked. The shows can stop doing it now though.

Gomez is of course the main player in this musical, and what a truly brilliant performance Joe Jeffery brings to the stage. It is a total show of confidence and his stage presence is brilliant for someone so young. I also absolutely loved his comic timing, making the most of every little joke in the show. Hatti Taylor equally shines as Morticia, a slinky and stylish performance, which relishes in the deadpan look of the character. Both also perform their songs with extremely impressive vocal abilities, and Jeffery shows a brilliant skill with his accents and mickey-taking moments, which the audience loved.

Lily-Grace Tofte (who I remember shining on stage as young Cossette a few years back in Les Misérables, and slightly more recently in the adult company show Made in Dagenham) continues to dazzle with confidence as Wednesday, and her unquestionable vocal skills are on full display in several songs. Elsie Lovell provides a great amount of fun as her torture loving brother Pugsley as well and brings a great deal of depth to the character.

Clearly having a lot of fun on stage is Winter Wilmot as Uncle Fester, and serving also as our narrator for the show. I have to admit, that the whole moon storyline that Fester has in the show does not convince me, but with Wilmot’s performance, it at least is provided with some poignancy and charm.

Much like the character did in the adult version, Lurch, lurches across the stage in constant scene-stealing moments, and Isaac Standage in the role takes his chance with great humour.

Finally, for special mention from the cast is Zachary Pilkington as Mal, a brilliantly contrasting performance, but to say more, would be a spoiler. Let’s just say, he gives a fabulous performance.

There was very little to criticise from the show as a youth production, and mostly any minor issues were technical ones with some slightly sluggish scene changes and a few wayward spotlights. However, for a show that has a great deal going on, it was mostly brilliantly executed.

The show is on stage again on Sunday 10th April, with this team performing the evening performance, with this afternoon Team Thing is in action and I am looking forward to seeing what this different cast brings to the show.

Click your fingers and magic up some tickets while you can.

⭐⭐⭐⭐


Performance reviewed: Saturday 9th April 2022 (matinee) at the Cripps Hall Theatre, Northampton.

The Addams Family: School Edition runs until Sunday 10th April at the Cripps Hall Theatre and details can be found at https://www.northamptonmusicaltheatrecompany.co.uk/youth/

The Addams Family is an NMTC YOUTH SOCIETY PRODUCTION

Production photos: Ashleigh Standage


Popular posts from this blog

Review of The House She Built at The Black Diamond, Northampton

Independent theatre company Nerve Theatre was founded in January 2025, when its first original production, Broken Party , took to the stage at Benn Hall in Rugby. That was followed the same year by a modern retelling of Frankenstein . Now, for 2026, Nerve Theatre founder Mia Ballard has written and directed The House She Built , staged for three nights at The Black Diamond, Northampton. The House She Built , set in 1950s Hollywood, is a dark thriller influenced by the lives of Marilyn Monroe, Judy Garland, Elizabeth Taylor and Audrey Hepburn and their treatment as women within the cogs of Hollywood. Our leading lady here is Nancy Carlton, who returns to Mellor Brothers Productions to make one final film. But something awaits her, and the scene is set for a period thriller that explores the grimy world behind Hollywood's apparently glamorous days. Michaela Clement-Hayes leads the cast as Nancy Carlton, the star troubled by her past, but returning to her old studio for that final mov...

Review of Lord of the Dance at Milton Keynes Theatre

On what was so far the hottest day of the year, and the highest in many a record book, it feels a tad evil to watch as a group of extremely talented performers bring to the stage one of the most famous and most energetic dance shows to tour. However, arriving now at Milton Keynes Theatre, as part of what is now the still rather immodestly titled 30 Years of Standing Ovations tour, Lord of the Dance remains full of energy even on the hottest of evenings in Milton Keynes. I last and first saw Lord of the Dance as part of the 25 Years of Standing Ovations tour, four years ago (yes, the sums don’t quite work), and it was every bit as spectacular as you could imagine this world-famous dance show is. Born into the world from Michael Flatley and the Riverdance spectacular that preceded it, Lord of the Dance is a simple but effective battle between good and evil and the resolution of it through dance rather than fighting. The dancing here is, as expected, exceptional, led by the Lord of the...

Review of Sweeney Todd: The Demon Barber of Fleet Street at Birmingham Rep

Sweeney Todd: The Demon Barber of Fleet Street first appeared in this musical form in 1979. Adapted from an original play by Christopher Bond, the work was set to music and lyrics by Stephen Sondheim, with a book by Hugh Wheeler. It quickly became a huge success, opening on both Broadway and the West End within a year. Following Tony and Olivier wins, the show has seen revival after revival over the years, as well as a musical film starring Johnny Depp. Now, Birmingham Rep presents its own pared-back version of the show, featuring some big stars of the theatre world. So, the question is, is Sweeney Todd as razor-sharp as it once was? What is clear to all at the outset is that director Joe Murphy, also artistic director at Birmingham Rep, has assembled a remarkable and bold cast for the show. Leading as Sweeney is Ramin Karimloo, whose bio speaks for itself and is the biggest draw for this show, especially for theatres outside London. His Sweeney is a perfectly brooding affair, broken...