Skip to main content

Review of The Strange Tale of Charlie Chaplin and Stan Laurel at Royal & Derngate (Royal), Northampton

The Strange Tale of Charlie Chaplin and Stan Laurel is perhaps the perfect antidote to the troubled times we are in, harking back to when things were perhaps simpler and mass media and the press were less in your face. Not to say that bigshot Charlie Chaplin didn't make a name for himself in more than just the movies he made. This though is a warm show, filled with love.

This show is based on the very real tale of the 1910 ship heading course for New York, which aboard were Charlie Chaplin and Stan Laurel, unknown, but part of Fred Karno’s music hall troupe, and destined for different, but very major futures.

Told by an Idiot's production with Theatre Royal Plymouth (and Royal & Derngate and Unity Theatre) breaks down the tale of the voyage of the SS Cairnrona with intriguingly created flashbacks of the life, generally of Charlie Chaplin. Therefore along the course of the voyage, we see Laurel's moment as understudy to Chaplin, the birth of Chaplin (brilliantly realised) and his dad, a hilarious moment played by Nick Haverson. It all creates a magnificent potpourri of happenings, presented virtually all in the classic silent film style.

The performers themselves are quite brilliant, capturing the style of movement and delivery of each of their characters. Haverson especially mastering the movement of the choppiness of the mid-twenties frames per second vintage.

Amalia Vitale is very much the essence of Chaplin, perfecting his walk and cane swivelling technics and through virtually no dialogue captivates and entrances as the tale unfolds. Jerone Marsh-Reid equally gets the mannerisms of the legend that is Stan Laurel, representing his dumb look brilliantly. He also has an excellent turn as well as the Bell Boy.

Perhaps although he isn't given either of the main two lead characters, Haverson becomes quite a scene-stealer in all of his moments, from the aforementioned brilliant dad, onto the very Hollywood like Fred Karno, and an amazingly funny cameo at Charlie's Butler. He doesn't, as a result, disappoint at his depiction either of Oliver Hardy himself and his playfulness with the audience during the golf moment is quite brilliant.

Completing the quartet of performers is Sara Alexander who does very briefly feature as Charlie's mother, but mainly shows quite brilliant skill performing Zoe Rahman's perfectly judged score on the piano.

There is some brilliant invention in this show which doesn't shy from interacting with its audience either, including two brief moments of members of it on stage. Nothing to fear though if you are worried, it is gentle playfulness.

The Strange Tale of Charlie Chaplin and Stan Laurel is a gorgeous piece of theatre, stunningly performed with incredible physicality from the performers. Paul Hunter's writing and direction are pinpoint in its desire to maintain period, yet it offers something new and refreshing for the stage and is a clear love letter to a classic time of the film industry.

Warm, loving, funny and fresh.
⭐⭐

Performance reviewed: Wednesday 11th March 2020 at the Royal & Derngate (Royal), Northampton.
The Strange Tale of Charlie Chaplin and Stan Laurel runs at Royal & Derngate until Saturday 21st March 2020

For further details about the Royal & Derngate see their website at http://www.royalandderngate.co.uk

Photos: Manuel Harlan

Popular posts from this blog

Review of The Battle at Birmingham Rep

The Battle is a brand-new play by John Niven, set firmly in the nineties, that focuses on the Britpop fight between chart rivals Blur and Oasis. Opening at Birmingham Rep before transferring to the spiritual Oasis home of Manchester, the question is: is this worth donning your bucket hat, heading to the theatre, and enjoying the show to the end, or will you look back in anger when you leave? It is London, 1995. The infamous Britpop battle begins when both Blur and Oasis release singles on the same day. On one side, clean-cut, art-school intellectuals from the South. On the other hand, raw and unapologetic lads from the North. Let battle commence! The Battle is John Niven's first stage play, and he doesn't take the easy route. Deciding to bring both known people, detailed and multiple scenes and ambitious storytelling to proceedings. And for the most part, it all comes together to create a coherent whole. The casting director Claire Bleasdale has assembled a talented group of ...

Review of Friends - The Musical Parody at Milton Keynes Theatre

The One Where 2026 starts in a world of confusion. And so, 2026 is upon us and for my first trip to the theatre this year, one of my most significant reviewing challenges was to occur. Touring to Milton Keynes Theatre is Friends - The Musical Parody , based, unsurprisingly, on that little American show that ran to a few audience members for ten years. However, I confess that I was not, and have never been in that audience, never having seen a single episode of the show. However, always up for a review challenge and doing my due diligence by having a Friends superfan as my plus one, I headed to Milton Keynes with anticipation. For those unfamiliar with the show, I could say I can’t help; however, a quick review of some of the information you might need (thanks, Google and my plus one). Running for ten years between 1994 and 2004 with 236 episodes (quiz question, you are welcome), the main characters consisted of Phoebe (ditzy, writer of sad songs), Monica (in possession of an unfeasibly...

Review of The All New Adventures of Peter Pan at Royal & Derngate (Derngate), Northampton

For theatres across the land, it's that time of year again. The time when the theatres fill with screaming children and a ridiculous amount of sugar intake and trips to the toilet. Yes, it is panto time, and before you say it, oh yes it is. This year, for the Royal & Derngate, it is time for a trip to Neverland (or Forever Land, that is, but more on that later) and a magical adventure with Peter Pan and the dastardly Captain Hook. Once again, following hugely successful previous runs, Evolution Productions brings this tale to the stage in 2025. And it has to be said, once again, they strike panto gold with The All New Adventures of Peter Pan , with a constantly lively, brilliantly colourful and awkwardly funny production that, as always with Evolution, is totally family friendly. Over the years here, Evolution and writer Paul Hendy have created the essence of pantomime (which just so happens to link to the tale within this story). Keeping all the traditions intact, a ghostly be...