Skip to main content

Review of The Strange Tale of Charlie Chaplin and Stan Laurel at Royal & Derngate (Royal), Northampton

The Strange Tale of Charlie Chaplin and Stan Laurel is perhaps the perfect antidote to the troubled times we are in, harking back to when things were perhaps simpler and mass media and the press were less in your face. Not to say that bigshot Charlie Chaplin didn't make a name for himself in more than just the movies he made. This though is a warm show, filled with love.

This show is based on the very real tale of the 1910 ship heading course for New York, which aboard were Charlie Chaplin and Stan Laurel, unknown, but part of Fred Karno’s music hall troupe, and destined for different, but very major futures.

Told by an Idiot's production with Theatre Royal Plymouth (and Royal & Derngate and Unity Theatre) breaks down the tale of the voyage of the SS Cairnrona with intriguingly created flashbacks of the life, generally of Charlie Chaplin. Therefore along the course of the voyage, we see Laurel's moment as understudy to Chaplin, the birth of Chaplin (brilliantly realised) and his dad, a hilarious moment played by Nick Haverson. It all creates a magnificent potpourri of happenings, presented virtually all in the classic silent film style.

The performers themselves are quite brilliant, capturing the style of movement and delivery of each of their characters. Haverson especially mastering the movement of the choppiness of the mid-twenties frames per second vintage.

Amalia Vitale is very much the essence of Chaplin, perfecting his walk and cane swivelling technics and through virtually no dialogue captivates and entrances as the tale unfolds. Jerone Marsh-Reid equally gets the mannerisms of the legend that is Stan Laurel, representing his dumb look brilliantly. He also has an excellent turn as well as the Bell Boy.

Perhaps although he isn't given either of the main two lead characters, Haverson becomes quite a scene-stealer in all of his moments, from the aforementioned brilliant dad, onto the very Hollywood like Fred Karno, and an amazingly funny cameo at Charlie's Butler. He doesn't, as a result, disappoint at his depiction either of Oliver Hardy himself and his playfulness with the audience during the golf moment is quite brilliant.

Completing the quartet of performers is Sara Alexander who does very briefly feature as Charlie's mother, but mainly shows quite brilliant skill performing Zoe Rahman's perfectly judged score on the piano.

There is some brilliant invention in this show which doesn't shy from interacting with its audience either, including two brief moments of members of it on stage. Nothing to fear though if you are worried, it is gentle playfulness.

The Strange Tale of Charlie Chaplin and Stan Laurel is a gorgeous piece of theatre, stunningly performed with incredible physicality from the performers. Paul Hunter's writing and direction are pinpoint in its desire to maintain period, yet it offers something new and refreshing for the stage and is a clear love letter to a classic time of the film industry.

Warm, loving, funny and fresh.
⭐⭐

Performance reviewed: Wednesday 11th March 2020 at the Royal & Derngate (Royal), Northampton.
The Strange Tale of Charlie Chaplin and Stan Laurel runs at Royal & Derngate until Saturday 21st March 2020

For further details about the Royal & Derngate see their website at http://www.royalandderngate.co.uk

Photos: Manuel Harlan

Popular posts from this blog

Review of making second Kontakt with the R&D Youth Theatre at Royal & Derngate (Underground), Northampton

As I said in my first Kontakt review, I wasn't really sure that I wanted to see this show. However come Sunday and a second opportunity to see it, I was genuinely looking forward to it. With the show now having departed, for my second review I will elaborate a touch more on happenings, which initially I shied away from as spoilers. My actor for my second encounter was 15 year old Michael. He had the enviable task unlike Michael before him of dealing with someone who knew quite a bit of what was coming. As those surgical gloves went on I this time was certain that the R&D were not going to overstep the boundary and do a full medical. I had also learnt that a crisp sandwich was something that should be left in the memory, so cheese was a much more sensible option. I was able to complete the calculation generally unaided and managed to express an exaggerated shock at the latter outcome. The game of Jenga managed to stay stable once again and rather amazingly managed to bring t...

Review of Lord of the Dance at Milton Keynes Theatre

On what was so far the hottest day of the year, and the highest in many a record book, it feels a tad evil to watch as a group of extremely talented performers bring to the stage one of the most famous and most energetic dance shows to tour. However, arriving now at Milton Keynes Theatre, as part of what is now the still rather immodestly titled 30 Years of Standing Ovations tour, Lord of the Dance remains full of energy even on the hottest of evenings in Milton Keynes. I last and first saw Lord of the Dance as part of the 25 Years of Standing Ovations tour, four years ago (yes, the sums don’t quite work), and it was every bit as spectacular as you could imagine this world-famous dance show is. Born into the world from Michael Flatley and the Riverdance spectacular that preceded it, Lord of the Dance is a simple but effective battle between good and evil and the resolution of it through dance rather than fighting. The dancing here is, as expected, exceptional, led by the Lord of the...

Review of Sweeney Todd: The Demon Barber of Fleet Street at Birmingham Rep

Sweeney Todd: The Demon Barber of Fleet Street first appeared in this musical form in 1979. Adapted from an original play by Christopher Bond, the work was set to music and lyrics by Stephen Sondheim, with a book by Hugh Wheeler. It quickly became a huge success, opening on both Broadway and the West End within a year. Following Tony and Olivier wins, the show has seen revival after revival over the years, as well as a musical film starring Johnny Depp. Now, Birmingham Rep presents its own pared-back version of the show, featuring some big stars of the theatre world. So, the question is, is Sweeney Todd as razor-sharp as it once was? What is clear to all at the outset is that director Joe Murphy, also artistic director at Birmingham Rep, has assembled a remarkable and bold cast for the show. Leading as Sweeney is Ramin Karimloo, whose bio speaks for itself and is the biggest draw for this show, especially for theatres outside London. His Sweeney is a perfectly brooding affair, broken...