Review of Curtains at Royal & Derngate (Derngate), Northampton

Curtains comes with much to live up to, created by the legendary pairing of John Kander and Fred Ebb, no less than Cabaret and Chicago among their work, this was their final show working together before the death of Ebb in 2004. It also forms what on paper looks a brilliant concept, a "musical whodunnit". So, does it fill with intrigue and thrills, or does it end up being more of a whocares?

When Jessica Cranshaw, star of Robbin’ Hood!, a musical set for Broadway, is murdered onstage, detective and not shy of the stage himself, Frank Cioffi, arrives to solve the case. Can he solve it though without getting distracted by the cast and the thrill of the greasepaint?

First and foremost with Curtains is that it looks fabulous. The set from David Woodhead evokes the look of the theatre perfectly, simple and effective. Added to this costumes from Gabriella Slade look sublime as well, making it a visual delight, all creating the era extremely well.

Elsewhere perhaps the strongest part of the show, choreography from Alistair David thrills every number, from the simplicity of the work in What Kind of Man, to the big full-cast ensembles like Thataway, these numbers look brilliant, and perhaps end up being better than some of the numbers deserve at times.

Several performances save the show, the best of these being the best of the written characters like the cutting director Christopher Belling played with a glorious relish by the always more than reliable Samuel Holmes. He has such a presence on stage, I doubt there is any character he could fail to make interesting.

Also, tremendous is Rebecca Lock as the shows co-producer Carmen Bernstein. She creates an exceptional character, getting the total amount out of the often at times rather obvious script. So much in fact in this show is perhaps due to the cast and crew rather than the original material.

Jason Manford once again proves he is a talent in musical theatre, as he is good value in the role on the Lieutenant himself Frank Cioffi. His burgeoning relationship with one of the cast members is likeably played, as is his infectious love of the theatre. A final mention of the cast must go to Carley Stenson as co-writer Georgia Hendricks, who adds class to the show and has a delightfully strong voice for all her songs.

Technically it went reasonably well, although some music was too loud for the singers to project beyond and during Coffee Shop Nights the surprising occurrence of noises off from conversation could be heard. Also, it's best not to mention the shocking blackout lights back up again moment at the end of act one, except to say professionals shouldn't react to an error like some of them did. No names.

Curtains is a curious show, it should be so much better than it is, the sum of what it is looks brilliant on paper, but it just doesn't deliver as you hope. There is no question that any fan of musicals will get something from it due to its curious mix of concepts. Those casual theatre goers though might be best to seek their thrills elsewhere.

Brilliant concept and pedigree still fail to create an unforgettable show.⭐⭐⭐½

Performance reviewed: Tuesday 25th February 2020 at the Royal & Derngate (Derngate), Northampton.
Curtains runs at the Royal & Derngate until Saturday 29th February 2020

For further details about the Royal & Derngate see their website at http://www.royalandderngate.co.uk

Photos: Richard Davenport

Review of Murder She Didn't Write at Royal & Derngate (Royal), Northampton

Murder She Didn't Write , stopping off for a four-day run at Royal & Derngate on a lengthy UK tour, treads the now well-worn path of an improvisational evening of theatre entertainment. Unsurprisingly, from the title, this show from Degrees of Error's takes a murder mystery as its inspiration, with the story influenced by ideas from the audience each evening. Due to this, Murder She Didn't Write and a review are very much an individual affair. What I saw in my evening at the theatre will differ significantly from what the audience will see the following evening; however, the fine performers will remain. The touring cast, in no particular order, is Lizzy Skrzypiec, Rachael Procter-Lane, Peter Baker, Caitlin Campbell, Stephen Clements, Douglas Walker, Harry Allmark, Rosalind Beeson, Sylvia Bishop, Emily Brady, Alice Lamb, Sara Garrard, Peta Maurice and Matthew Whittle. For my performance, Skrzypiec, Procter-Lane, Baker, Walker, Bishop, and Clements were on stage alongsid...

Review of Immune by R&D Youth Theatre at Royal & Derngate (Royal), Northampton

The cover note for the script of Oladipo Agboluaje's Immune describes it as "a challenging science fiction play with a large cast", and the word challenging in this case is not a lie. This is a fast paced, multi-cast changing script which leaves little room for error for its young cast in the performance. If the script isn't enough to handle for the young performers, director Christopher Elmer-Gorry and designer Carl Davies have made the situation even more complex for the actors with the set and stage work. Having to manhandle great panels on wheels and a huge cube, which also splits in two occasionally, during scene changes requires skill, coordination and cooperation of a high level. As if all this is not enough, the actual story is epic enough for the relatively small stage of the Royal. Attempting to form an apocalyptic world (albeit only happening in Plymouth) offers challenges in itself, but Agboluaje's script does that in a sort of apocalypse in the teac...

Review of Les Misérables: School Edition (NMTC Youth Society) at the Cripps Hall Theatre, Northampton

From my four years or so of watching theatre in Northampton, there is one thing beyond the huge professional shows that I see touring, that I always enjoy so much more (despite the occasional dodginess of the quality), and that is youth theatre. For me in my heart, it adds something special, here we have the often maligned young of today, getting out there and doing something truly fulfilling. Here though, with the debut of the newly formed Youth Society, spinning off from the adult Northampton Musical Theatre Company, we have something also which goes beyond enthusiasm of the young to create a really special piece of theatre. Les Misérables is in the top three of musicals for me, I love its huge numbers, I connect to its story, and it has some extremely strong characters, for me, it just works. Therefore, you could say that I would have an immediate bias towards this show, however, I do feel protective of it as well, so, it needs to be done right. However, I have nothing to worry...

A Small Mind At The Theatre

Search This Blog