Skip to main content

Review of On Your Feet! at Milton Keynes Theatre, Milton Keynes

Being of about the right age when Gloria Estefan and the Miami Sound Machine first started to make it big, I was quite a fan. Even going so far as to have a few old vinyl singles and a couple of her albums on this new fangled CD system, in what was an admittedly limited music collection. In this collection was my favourite Estefan album, Cuts Both Ways, which included the track Get On Your Feet, which of course inspired the title of this relatively new musical of the life of the Estefan's. So, does it captivate this distant original fan, and or does it resemble a dad doing a bit of Latin dancing?

On Your Feet! is a telling of the Estefan's battle for success beyond the Latin market and interspersed with snippets of what made them who they were with family flashbacks, and it's safe to say that it is an endless mix of success and failure.

Where it works; vibrant colours from costume, backdrops, some superb choreography, and excellent music from the superb, occasionally on stage, band; this is a brilliantly entertaining show. However, for all its vibrancy from this, the often dull and corny book, over-complicated and busy scene changes (what is going on with those flats being moved all the while, even in scene changes? So clunky and distracting), and a few only average performances means it never quite comes to life.

Maybe half of the issue was that opening night of this first UK tour at Milton Keynes Theatre was beset with problems. These included a fifteen-minute delay at the start, cover Francesca Lara Gordon on for Philippa Stefani as Gloria Estefan, projection cutting out and showing the dreaded "signal" message in huge lettering on its return, a dodgy mic and a bit of set that refused for far too long to fix down. It's safe to say it probably wasn't the most successful evening of the tour.

Understudy Gordon as Gloria Estefan is a very capable performer, commending on stage with a superb singing voice, however, for me she doesn't quite cut it as Gloria, missing the vocal style by some distance. Gordon though beyond this was amazingly confident stepping into such an iconic role.

George Ioannides as Emilio Estefan is excellent, despite what felt like a rather nervous start in his opening singing number. He looks the part, and at a very shallow level, such as the audience fell to, he looks good in tight shorts. His charisma wins the day throughout and his singing talent is quality, despite being challenged with extremely difficult numbers to perform.

Madalena Alberto has perhaps the strongest singing voice as Gloria Fajardo, and her Mi Tierra is perhaps the best-performed song of the evening as a result. Completing the main cast is Karen Mann as Gloria's grandmother Consuelo, and this often comic role manages to garner most of the laughs from the show, despite it being very caricatured at times.

On Your Feet! is a curious thing, despite being beset by issues and rather corny in written content and scene-setting still manages to just about entertain throughout. If only the show itself could have been as upbeat as the music that inhabits it, this could have been a cracker of a show. As it is, it entertains, but never really fulfils the legacy that it should for the talent that is Gloria Estefan and the battles that she and her husband Emilio won.

A flawed but still entertaining telling of the life of the Estefan's.
⭐⭐⭐

Performance reviewed: Tuesday 11th February 2020 at Milton Keynes Theatre, Milton Keynes.
On Your Feet! runs at Milton Keynes Theatre until Sunday 15th  February2020.

Further details about Milton Keynes Theatre can be found at http://www.atgtickets.com/venues/milton-keynes-theatre/

Photos: Johan Persson

Popular posts from this blog

Review of Here & Now at Milton Keynes Theatre

During the late 90s and early 2000s, the dance-pop group Steps was a mighty presence in the British charts. They accumulated two number-one albums in the UK and 14 consecutive UK top-5 singles, including two number ones. They were juggernauts of lightweight pop. It is perhaps a surprise that it took until 2024 for a musical to be based on their hits. Now, writer Shaun Kitchener brings enough campness to keep Alan Carr and Julian Clary in work for decades. Here & Now , the show everyone was waiting for, is at Milton Keynes Theatre as part of a UK tour. So, the question is: has it been worth the wait? Here & Now is, fundamentally, a ridiculous concept that should not work. Set in a supermarket, yes, a supermarket, our eclectic cast of characters go through the typical dramas of many a musical as love and drama unfold against a backdrop of jukebox music. It should never work, but it does, extremely well in fact. A huge amount of the success here has to go to writer Shaun Kitchene...

Review of Blood Brothers at Royal & Derngate (Derngate), Northampton

A theatre in the east midlands, a thousand people stand applauding and cheering towards a stage where fourteen people stand. There on the stage, they bow, and bow, an inordinate number of times. They depart after a time and the lights come up over the capacity audience. So did you hear the story of the Blood Brothers show, how people flocked and came to see them play? Did you never hear about how we came to be, standing applauding the brightly lit stage this November day? Come judge for yourselves how this night did come to be. Blood Brothers was a significant show for me back in 2014, being the first musical that I saw live. Hiding up in the upper circle of the Derngate back then, not really sure what to expect, it was it turned out perhaps the perfect show to graduate me from play to musical that I could choose as Willy Russell's gritty and solid story is as confident as a straight play that perhaps any musical is. So strong is the story of the Johnstone's twins, tha...

Review of Joseph and the Amazing Technicolor Dreamcoat at Milton Keynes Theatre

There have been numerous productions of Andrew Lloyd Webber and Tim Rice's groundbreaking musical since it first appeared in 1968 and opened in the West End in 1973. One might wonder if there is still room for another tour. However, judging by the packed audience in Milton Keynes Theatre for the opening night of Joseph and the Amazing Technicolor Dreamcoat , much interest remains for this show. Also, with this production first seen at The London Palladium in June 2019, and with a few production elements altered, Joseph still has, after all those years, the room to change and evolve. However, the question is, does this change help or hinder the show's history? For those unfamiliar with Joseph and the Amazing Technicolor Dreamcoat, it tells the story of Joseph, Jacob's favourite son, in a lighthearted and musical style that jumps between various genres. Joseph's brothers are somewhat envious of him, leading to them selling him into slavery to an Egyptian nobleman. As for ...