Skip to main content

Review of Billionaire Boy at Royal & Derngate (Derngate), Northampton

I feel that like at the start of an official meeting I need to make a declaration at the beginning of this review. I'm not a fan of the work generally of David Walliams, more specifically his adult humour, I find it crude and unfunny. However, Billionaire Boy was my first encounter with his work for children, long since having left that time behind. So, while I had some trepidation with what lay ahead, including of course being surrounded by sweet eating children (and adults) in the theatre, I went with an open mind.

Joe Spud is rich, we are talking real rich. Heir to his father's wealth, created by the invention of Bumfresh, a brand new way of thinking in the loo roll world, he is happily tossed million-pound cheques on his birthday. However, can being rich and having it all bring you happiness? Or do you sometimes just want a friend and not a computer to play games against.

Billionaire Boy is really rather fabulous, there I admit it. It is no coincidence actually that Walliams' main illustrator is Quentin Blake, chief artist for my go-to writer as a child, Roald Dahl. Billionaire Boy is pure Dahl in style, there is no doubt you could imagine these grotesque characters and ideas being penned by the master, and with the proper twinges of morality to thrown in.

Billionaire Boy features some great performances and characterisations from all of the cast, broad strokes in keeping with this being targetted of course at children, but always intelligently performed. Matthew Gordon is excellent as lead Joe Spud, forming a fine balance between a fun character and the inner sadness within him of being alone, and therefore when he embraces his friend Bob (Davy Bell), the awws that come from the audience are no surprise. Bell himself is a splendidly awkward, fat spectacled kid lacking in a true friend, and desperate to grab any new recruits or someone else to come last at running.

Jason Furnival has enormous fun as Dad and is equally enjoying himself as one-half of the bullying Grub twins (pure Dahl characters if ever there was one). As Dad he gets the best moment of the show spectacle wise, but that I couldn't possibly reveal! The character of Raj is brilliant, and Aosaf Afzal revels in it, heavy in a caricature of course, but simply splendid for it. We all know a Raj I think!

Emma Matthews channels more than a little Victoria Wood I feel as her dinner lady Mrs Trafe, serving up the most horrendous collection of food. While Bernard Mensah has less to do in his more minor, but important character Jayden. His dealing with The Grubs though is rightfully and uproariously greeted with enthusiasm by the audience.

Finally, special mention to Rosie Coles in perhaps the broadest collection of roles. Primarily as Dad's Mix 'n' Match girlfriend, but equally as strong as a teacher "The Witch" and the other half of The Grubs. Brilliantly contrasting characters, and superbly performed.

Billed half as a musical, Billionaire Boy just happens to throw in a great collection of songs as well, all good, some of them very good, and it's a credit to their quality that I noted one lad singing one to himself as we left the theatre.

The humour is, unsurprisingly, toilet humour at times, however, like Dahl himself, Walliams, and Neal Foster's adaptation gets the balance right. Also, like all kids shows, there is enough there for the put upon adults in charge of the minors, therefore for every fart joke for the kids, we get a reference to a gold bracelet from Ratners into the bargain.

The set from Jacqueline Trousdale is visually pleasing, using loo rolls as its design feature and had a multitude, seemingly endless, of compartments revealing the different locations we end up in. It's all kept swift by the director, also Neal Foster, and as a result, leaves the audience captivated.

I loved Billionaire Boy despite it not really being for me. It happily reminded me of my childhood and the tales that I read back there, and it is rather pleasing that this style lives on for this new generation.

There is nothing bog standard about this fabulous show.
⭐⭐⭐⭐

Performance reviewed: Thursday 17th October 2019 at the Royal & Derngate (Royal), Northampton.
Billionaire Boy runs at Royal & Derngate until Saturday 26th October 2019.

For further details about the Royal & Derngate see their website at http://www.royalandderngate.co.uk

Photos: Mark Douet

Popular posts from this blog

Review of Elf the Musical (N.M.T.C.) at Royal & Derngate (Derngate), Northampton

Christmas has come early this year thanks to the Northampton Musical Theatre Company and their annual performance at Royal & Derngate; this year, they bring Elf the Musical to the stage. First staged in 2010, this musical version of the 2003 Will Ferrell comedy features music by Matthew Sklar and Chad Beguelin and is based on the book by Bob Martin and Thomas Meehan, from David Berenbaum's original screenplay. Elf tells the tale of Buddy, a human raised by Santa's elves, who eventually learns that his origins are less North Pole and more the skyscraper streets of New York City. So, for Buddy, it’s time to travel to the Big Apple and finally meet his biological father. Matt Clarke's lead performance in Elf is strong. Clarke brings Buddy to life with all the childish manners and silly behaviour that make the character an endearing lead. He also has the vocal ability and movement to match, and he effortlessly entertains, especially the young kids, with his zany antics. Han...

Review of Matilda at Milton Keynes Theatre

Roald Dahl is perhaps one of the most famous children’s authors of any generation, and his work has inspired an exceptional number of film, television, and theatre adaptations. Fifteen years ago, this musical of Matilda , one of his most fondly remembered stories, took to the stage and has not looked back since. Adapted from the original book by Dennis Kelly, with lyrics and music by Tim Minchin, the show has been a fixture at the Cambridge Theatre in London since 2011, has performed on Broadway, and is now reaching Milton Keynes Theatre as part of its second UK and Ireland Tour. Inspired by the Roald Dahl book of the same name, this Royal Shakespeare Company’s multi-award-winning musical tells the story of an extraordinary little girl with a vivid imagination and the courage to change her own destiny. Matilda is of course the centre of attention in this production, and on this extensive tour, the role is shared by Felicity Brown, Petra Hutchings, Mollie Hutton, and Caroline Ravansari ...

Review of The Battle at Birmingham Rep

The Battle is a brand-new play by John Niven, set firmly in the nineties, that focuses on the Britpop fight between chart rivals Blur and Oasis. Opening at Birmingham Rep before transferring to the spiritual Oasis home of Manchester, the question is: is this worth donning your bucket hat, heading to the theatre, and enjoying the show to the end, or will you look back in anger when you leave? It is London, 1995. The infamous Britpop battle begins when both Blur and Oasis release singles on the same day. On one side, clean-cut, art-school intellectuals from the South. On the other hand, raw and unapologetic lads from the North. Let battle commence! The Battle is John Niven's first stage play, and he doesn't take the easy route. Deciding to bring both known people, detailed and multiple scenes and ambitious storytelling to proceedings. And for the most part, it all comes together to create a coherent whole. The casting director Claire Bleasdale has assembled a talented group of ...